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Author: Richard Brooks
Publisher: Open Road Media
ISBN: 150404438X
Category : Fiction
Languages : en
Pages : 219
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Book Description
New York Times Bestseller: This “shocking” murder mystery addresses homophobia in the military during World War II (Richard Wright, author of Native Son). The men in the barracks, wrenched from the normal pursuits of life, are being molded into warriors in a battle against the “others.” Isolated and fearful, they sometimes relieve their frustrations on the most disenfranchised civilians, namely homosexuals. But one weekend, one of them loses control and commits murder. This tale of suspense is also a story ahead of its time, written by a young marine stationed at Quantico who would go on to become an Academy Award–winning director of such films as Elmer Gantry and The Blackboard Jungle. Sinclair Lewis, writing in Esquire, called Richard Brooks “a really important new writer” and The Brick Foxhole was acclaimed in the Saturday Reviewof Literature as “angry, rapid, stream-lined, and beautifully written . . . the best of the new stuff coming out of this war”—though the US Marines threatened the author with court-martial. Eventually, the story was made into the movie Crossfire (with the hate crime in question changed to an act of anti-Semitic rather than antigay violence), which earned Brooks an Edgar Award for Best Motion Picture. Today, The Brick Foxhole remains both a twisting thriller and an early landmark of gay-themed fiction.
Author: Richard Brooks
Publisher: Open Road Media
ISBN: 150404438X
Category : Fiction
Languages : en
Pages : 219
Get Book Here
Book Description
New York Times Bestseller: This “shocking” murder mystery addresses homophobia in the military during World War II (Richard Wright, author of Native Son). The men in the barracks, wrenched from the normal pursuits of life, are being molded into warriors in a battle against the “others.” Isolated and fearful, they sometimes relieve their frustrations on the most disenfranchised civilians, namely homosexuals. But one weekend, one of them loses control and commits murder. This tale of suspense is also a story ahead of its time, written by a young marine stationed at Quantico who would go on to become an Academy Award–winning director of such films as Elmer Gantry and The Blackboard Jungle. Sinclair Lewis, writing in Esquire, called Richard Brooks “a really important new writer” and The Brick Foxhole was acclaimed in the Saturday Reviewof Literature as “angry, rapid, stream-lined, and beautifully written . . . the best of the new stuff coming out of this war”—though the US Marines threatened the author with court-martial. Eventually, the story was made into the movie Crossfire (with the hate crime in question changed to an act of anti-Semitic rather than antigay violence), which earned Brooks an Edgar Award for Best Motion Picture. Today, The Brick Foxhole remains both a twisting thriller and an early landmark of gay-themed fiction.
Author: Judith E. Smith
Publisher: Columbia University Press
ISBN: 9780231121705
Category : Art
Languages : en
Pages : 488
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Book Description
-- Elaine May, author of Homeward Bound: American Families in the Cold War Era.
Author: Anthony Slide
Publisher: Routledge
ISBN: 1136572155
Category : Fiction
Languages : en
Pages : 222
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Book Description
Searching for an introduction to the shadowy, intriguing world of early 20th century gay-themed fiction? In Lost Gay Novels, respected pop culture historian Anthony Slide resurrects fifty early 20th century American novels with gay themes or characters and discusses them in carefully researched, engaging prose. Each entry offers you a detailed discussion of plot and characters, a summary of contemporary critical reception, and biographical information on the often-obscure writer. In Lost Gay Novels, another aspect of gay life and society is, in the words the author, uncloseted, providing you with an absorbing glimpse into the world of these nearly forgotten books. Lost Gay Novels gives you an introduction to: authors who aren't usually associated with homosexuality, including John Buchan, James M. Cain, and Rex Stout the history of gay publishing in the US and abroad gay themes in novels published between 1917 and 1950with entries from nearly every year! the ways in which the popular culture of the time shaped the authors' attitudes toward homosexuality the difficulty of finding detailed biographical information on little-known authors If you're interested in gay studies or history, or even if you're just looking for a comprehensive guide to titles you've probably never heard of before, Lost Gay Novels will be a welcome addition to your collection. The introduction from author Slidecalled by the Los Angeles Times a one-man publishing phenomenonprovides you with an overview to the basics of this landmark collection. Themes found in many of the titles include death, secrecy, and living a double life, and in reading the entries you will discover just why these themes are so common. As Slide says in his introduction: The approach of the novelist toward homosexuality may not always be a positive one but the works are important to an understanding of contemporary attitudes toward gay men and gay society. Lost Gay Novels will help you further your own understanding of the dynamic relationship between literature and culture, and you will finish the book with a greater appreciation of modern American gay fiction.
Author: Richard Brooks
Publisher: Studio Publications
ISBN:
Category : Canadian fiction
Languages : en
Pages : 238
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Book Description
This book is the basis for the 1947 film noir classic Crossfire. The story centers on a murder which appears to have no motive - at least not a motive that would help finger a suspect. Surprisingly progressive for a mid-40's story, the underlying morality message of this story is to expose the sin of prejudice, and advocate the virtue of tolerance. The target of hate in the book is gay, but that was too progressive for Hollywood. They changed the target of bigotry to be Jewish.
Author: Roy Grundmann
Publisher: Temple University Press
ISBN: 9781566399722
Category : Art
Languages : en
Pages : 244
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Book Description
In this ground-breaking and provocative book, Roy Grundmann contends that Andy Warhol's notorious 1964 underground film, Blow Job, serves as rich allegory as well as suggestive metaphor for post-war American society's relation to homosexuality. Arguing that Blow Job epitomizes the highly complex position of gay invisibility and visibility, Grundmann uses the film to explore the mechanisms that constructed pre-Stonewall white gay male identity in popular culture, high art, science, and ethnography. Grundmann draws on discourses of art history, film theory, queer studies, and cultural studies to situate Warhol's work at the nexus of Pop art, portrait painting, avant-garde film, and mainstream cinema. His close textual analysis of the film probes into its ambiguities and the ways in which viewers respond to what is and what is not on screen. Presenting rarely reproduced Warhol art and previously unpublished Ed Wallowitch photographs along with now iconic publicity shots of James Dean, Grundmann establishes Blow Job as a consummate example of Warhol's highly insightful engagement with a broad range of representational codes of gender and sexuality. Roy Grundmann is Assistant Professor of Film Studies at Boston University and a contributing editor of Cineaste.
Author: James Naremore
Publisher: Univ of California Press
ISBN: 0520934458
Category : Performing Arts
Languages : en
Pages : 404
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Book Description
"Film noir" evokes memories of stylish, cynical, black-and-white movies from the 1940s and '50s—melodramas about private eyes, femmes fatales, criminal gangs, and lovers on the run. James Naremore's prize-winning book discusses these pictures, but also shows that the central term is more complex and paradoxical than we realize. It treats noir as a term in criticism, as an expression of artistic modernism, as a symptom of Hollywood censorship and politics, as a market strategy, as an evolving style, and as an idea that circulates through all the media. This new and expanded edition of More Than Night contains an additional chapter on film noir in the twenty-first century.
Author: Peter Stanfield
Publisher: Rutgers University Press
ISBN: 0813543975
Category : History
Languages : en
Pages : 368
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Book Description
The concept of “un-Americanism,” so vital to the HUAC crusade of the 1940s and 1950s, was resoundingly revived in the emotional rhetoric that followed the September 11th terrorist attacks. Today’s political and cultural climate makes it more crucial than ever to come to terms with the consequences of this earlier period of repression and with the contested claims of Americanism that it generated. “Un-American” Hollywood reopens the intense critical debate on the blacklist era and on the aesthetic and political work of the Hollywood Left. In a series of fresh case studies focusing on contexts of production and reception, the contributors offer exciting and original perspectives on the role of progressive politics within a capitalist media industry. Original essays scrutinize the work of individual practitioners, such as Robert Rossen, Joseph Losey, Jules Dassin, and Edward Dmytryk, and examine key films, including The Robe, Christ in Concrete, The House I Live In, The Lawless, The Naked City, The Prowler, Body and Soul, and FTA.
Author: Toru Kiuchi
Publisher: McFarland
ISBN: 0786465670
Category : Literary Criticism
Languages : en
Pages : 455
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Book Description
In this minutely detailed, comprehensive chronology, Toru Kiuchi and Yoshinobu Hakutani document the life in letters of the greatest African American writer of the twentieth century. The author of Black Boy and Native Son, among other works, Wright wrote unflinchingly about the black experience in the United States, where his books still influence discussions of race and social justice. Entries are documented by Wright's journals, articles, and other works published and unpublished, as well as his letters to and from friends, associates, writers and public figures. Part One covers Wright's life through the year 1946, the period in which he published his best-known work. Part Two covers the final fifteen years of his life in exile, a prolific period in which he wrote two novels, four works of nonfiction, and four thousand haiku. Each part begins with a historical and critical introduction.
Author: Jonathan E. Vincent
Publisher: Oxford University Press
ISBN: 0190466669
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
The Health of the State is a cultural history that explores how war writing figured in three phases of modern America's political evolution: Civil War remembrance during the Progressive Era, the culture of World War I and the new internationalism, and World War II's legitimation of Cold War liberalism.
Author: Eric A. Goldman
Publisher: University of Texas Press
ISBN: 0292754698
Category : Performing Arts
Languages : en
Pages : 265
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Book Description
Like the haggadah, the traditional “telling” of the story of the Israelites’ exodus from Egypt that is read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers who made and continue to make the decisions as to which films are produced, the complex and evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen. This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an understanding of the American Jewish experience over the last century. In the first half of the twentieth century, Hollywood’s movie moguls, most of whom were Jewish, shied away from asserting a Jewish image on the screen for fear that they might be too closely identified with that representation. Over the next two decades, Jewish moviemakers became more comfortable with the concept of a Jewish hero and with an overpowered, yet heroic, Israel. In time, the Holocaust assumed center stage as the single event with the greatest effect on American Jewish identity. Recently, as American Jewish screenwriters, directors, and producers have become increasingly comfortable with their heritage, we are seeing an unprecedented number of movies that spotlight Jewish protagonists, experiences, and challenges.
