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Author: Norman N. Holland
Publisher: Taylor & Francis
ISBN: 1003848281
Category : Literary Criticism
Languages : en
Pages : 214
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Book Description
Originally published in 1988,this book brings brain science to literary criticism. The Brain of Robert Frost combines psychoanalysis with the findings of brain research and cognitive psychology to model the way we create and respond to literature. Norman Holland draws three central ideas from ‘the mind’s new science’: the critical ‘supercharged’ period in infancy when individuality is formed; the binding of emotion to intellect deep in the old brain; the top-down, inside-out,feedback processing of language in the new.Then, using Robert Frost as an example both of a writer and a reader, and comparing Frost’s reading of a poem to readings by six professors of literature, Holland builds a new, powerful way of thinking about literary criticism and teaching.A book about literary cognition,The Brain of Robert Frost furthers our understanding of the reading process, of poet’s brains,and of our own.
Author: Norman N. Holland
Publisher: Taylor & Francis
ISBN: 1003848281
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
Originally published in 1988,this book brings brain science to literary criticism. The Brain of Robert Frost combines psychoanalysis with the findings of brain research and cognitive psychology to model the way we create and respond to literature. Norman Holland draws three central ideas from ‘the mind’s new science’: the critical ‘supercharged’ period in infancy when individuality is formed; the binding of emotion to intellect deep in the old brain; the top-down, inside-out,feedback processing of language in the new.Then, using Robert Frost as an example both of a writer and a reader, and comparing Frost’s reading of a poem to readings by six professors of literature, Holland builds a new, powerful way of thinking about literary criticism and teaching.A book about literary cognition,The Brain of Robert Frost furthers our understanding of the reading process, of poet’s brains,and of our own.
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674023116
Category : Literary Criticism
Languages : en
Pages : 856
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Book Description
Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.
Author: Norman Norwood Holland
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In his newest book, Norman Holland brings brain science to literary criticism. The Brain of Robert Frost combines psychoanalysis with the revolutionary new findings of brain research and cognitive psychology to model the way we create and respond to literature. Holland draws three central ideas from "the mind's new science": the critical "supercharged" period in infancy when individuality is formed; the binding of emotion to intellect deep in the old brain; the top-down, inside-out, feedback processing of language in the new. Then, using Robert Frost as an example both of a writer and a reader, and comparing Frost's reading of a poem to readings by six professors of literature, Holland builds a new, powerful way of thinking about literary criticism and teaching. - Back cover.
Author: George Monteiro
Publisher: University Press of Kentucky
ISBN: 0813182980
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes—out of Frost's own words and phrases—the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.
Author: David Lehman
Publisher: Oxford University Press, USA
ISBN: 019516251X
Category : Poetry
Languages : en
Pages : 1193
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Book Description
Redefines the great canon of American poetry from its origins in the 17th century right up to the present.
Author: Keith J. Holyoak
Publisher: MIT Press
ISBN: 0262039222
Category : Psychology
Languages : en
Pages : 290
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Book Description
An examination of metaphor in poetry as a microcosm of the human imagination—a way to understand the mechanisms of creativity. In The Spider's Thread, Keith Holyoak looks at metaphor as a microcosm of the creative imagination. Holyoak, a psychologist and poet, draws on the perspectives of thinkers from the humanities—poets, philosophers, and critics—and from the sciences—psychologists, neuroscientists, linguists, and computer scientists. He begins each chapter with a poem—by poets including Samuel Taylor Coleridge, Sylvia Plath, Walt Whitman, Emily Dickinson, Robert Frost, Theodore Roethke, Du Fu, William Butler Yeats, and Pablo Neruda—and then widens the discussion to broader notions of metaphor and mind. Holyoak uses Whitman's poem “A Noiseless Patient Spider” to illustrate the process of interpreting a poem, and explains the relevance of two psychological mechanisms, analogy and conceptual combination, to metaphor. He outlines ideas first sketched by Coleridge—who called poetry “the best words in their best order”—and links them to modern research on the interplay between cognition and emotion, controlled and associative thinking, memory and creativity. Building on Emily Dickinson's declaration “the brain is wider than the sky,” Holyoak suggests that the control and default networks in the brain may combine to support creativity. He also considers, among other things, the interplay of sound and meaning in poetry; symbolism in the work of Yeats, Jung, and others; indirect communication in poems; the mixture of active and passive processes in creativity; and whether artificial intelligence could ever achieve poetic authenticity. Guided by Holyoak, we can begin to trace the outlines of creativity through the mechanisms of metaphor.
Author: Robert Frost
Publisher:
ISBN: 9781529506341
Category :
Languages : en
Pages : 0
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Book Description
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674057609
Category : Literary Collections
Languages : en
Pages : 837
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Book Description
Pensive, mercurial, and often funny, the private Robert Frost remains less appreciated than the public poet. The Letters of Robert Frost, the first major edition of the correspondence of this complex and subtle verbal artist, includes hundreds of unpublished letters whose literary interest is on a par with Dickinson, Lowell, and Beckett.
Author: Judith Oster
Publisher: University of Georgia Press
ISBN: 9780820316215
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Every poem, Robert Frost declared, "is an epitome of the great predicament, a figure of the will braving alien entanglements". This study considers what Frost meant by those entanglements, how he braved them in his poetry, and how he invited his readers to do the same. In the process it contributes significantly to a new critical awareness of Frost as a complex artist who anticipated postmodernism--a poet who invoked literary traditions and conventions frequently to set himself in tension with them. Using the insights of reader-response theory, Judith Oster explains how Frost appeals to readers with his apparent accessibility and then, because of the openness of his poetry's possibilities, engages them in the process of constructing meaning. Frost's poems, she demonstrates, teach the reader how they should be read; at the same time, they resist closure and definitive reading. The reader's acts of encountering and constructing the poems parallel Frost's own encounters and acts of construction. Commenting at length on a number of individual poems, Oster ranges in her discussion from the ways in which the poet dramatizes the inadequacy of the self alone to the manner in which he "reads" the Book of Genesis or the writing of Emerson. Oster illuminates, finally, the central conflict in Frost: his need to be read well against his fear of being read; his need to share his creation against his fear of its appropriation by others.
Author: Robert Frost
Publisher: Harvard University Press
ISBN: 9780674024632
Category : Biography & Autobiography
Languages : en
Pages : 422
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Book Description
Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.
