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Author: Travis Vogan
Publisher: Rutgers University Press
ISBN: 1978801378
Category : Performing Arts
Languages : en
Pages : 208
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Book Description
As one of popular culture’s most popular arenas, sports are often the subject of cinematic storytelling. But boxing films are special. There are more movies about boxing, by a healthy margin, than any other sport, and boxing accompanied and aided the medium’s late nineteenth-century emergence as a popular mass entertainment. Many of cinema’s most celebrated directors—from Oscar Micheaux to Martin Scorsese—made boxing films. And while the production of other types of sports movies generally corresponds with the current popularity of their subject, boxing films continue to be made regularly even after the sport has wilted from its once-prominent position in the sports hierarchy of the United States. From Edison’s Leonard-Cushing Fight to The Joe Louis Story, Rocky, and beyond, this book explores why boxing has so consistently fascinated cinema and popular media culture by tracing how boxing movies inform the sport’s meanings and uses from the late nineteenth century to the early twenty-first century.
Author: Travis Vogan
Publisher: Rutgers University Press
ISBN: 1978801378
Category : Performing Arts
Languages : en
Pages : 208
Get Book Here
Book Description
As one of popular culture’s most popular arenas, sports are often the subject of cinematic storytelling. But boxing films are special. There are more movies about boxing, by a healthy margin, than any other sport, and boxing accompanied and aided the medium’s late nineteenth-century emergence as a popular mass entertainment. Many of cinema’s most celebrated directors—from Oscar Micheaux to Martin Scorsese—made boxing films. And while the production of other types of sports movies generally corresponds with the current popularity of their subject, boxing films continue to be made regularly even after the sport has wilted from its once-prominent position in the sports hierarchy of the United States. From Edison’s Leonard-Cushing Fight to The Joe Louis Story, Rocky, and beyond, this book explores why boxing has so consistently fascinated cinema and popular media culture by tracing how boxing movies inform the sport’s meanings and uses from the late nineteenth century to the early twenty-first century.
Author: Frederick V. Romano
Publisher: McFarland
ISBN: 0786417935
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
The love affair between boxing and Hollywood began with the dawn of film. As early as the days of Chaplin, the "boxing film" had assumed its place as a subgenre, and over the decades it has taken the forms of biographies, dramas, romances, comedies, and even musicals and westerns. Such well known pictures as The Champ, Body and Soul, Don King: Only in America, Girl Fight, The Irish in Us, The Kid from Brooklyn, Somebody Up There Likes Me, Raging Bull, each of the Rocky movies and When We Were Kings are just a few examples of the feature films included in this filmography. Thoroughly researched, this work examines 98 boxing films from the 1920s through 2003. Each entry provides basic filmographic data (the film's studio, its genre, its length, cast and credits); a detailed synopsis of the film; illuminating commentary on the boxing sequences; and excerpts from contemporary reviews. Most entries also summarize the making of the film, with particular attention to the training of the actors for the boxing scenes. The filmography also includes information on studio publicity releases and advertisements, press books and exhibitor campaign materials for each film.
Author: Dan Streible
Publisher: Univ of California Press
ISBN: 0520250753
Category : Performing Arts
Languages : en
Pages : 418
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Book Description
In 1897 a filmed prize-fight became one of cinema's first major attractions, and such films continued to enjoy great popularity for many years to come. This work chronicles the story of how legitimate bouts, fake fights, comic sparring matches, and other forms of boxing came to dominate the screens of the silent-era.
Author: Howard Sackler
Publisher: Samuel French, Inc.
ISBN: 9780573609602
Category : Drama
Languages : en
Pages : 140
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Book Description
"[The dramatist] has used his hero, a fighter based on the first Black heavyweight champion of the world, Jack Johnson ... as a symbol in part of Black aspiration"--Back cover.
Author: Larry Powell
Publisher: McFarland
ISBN: 0786490470
Category : Performing Arts
Languages : en
Pages : 251
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Book Description
The life and work of American director John G. Avildsen is thoroughly examined in this detailed filmography and critical study. Each of the most significant films made by the Oscar-winning Avildsen is given a separate chapter, including such critical successes as Joe and Save the Tiger, and box-office blockbusters Rocky and its sequels and the Karate Kid series. The authors' observations on these and other titles--some well known, others less familiar--are enhanced by extensive production notes, and by commentary from John G. Avildsen himself. Cinema historian Jean Bodon of Sam Houston State University provides a foreword.
Author: Stephen Glynn
Publisher: Springer Nature
ISBN: 3030742105
Category : Performing Arts
Languages : en
Pages : 258
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Book Description
This book constitutes the first full volume dedicated to an academic analysis of the sport of boxing as depicted in British film. Through close textual analysis, production and reception histories and readings that establish social, cultural and political contexts, the book explores the ways in which prizefighters, amateur boxers, managers and supporters (from Regency gentry to East End gangsters) are represented on the British screen. Exploring a complex and controversial sport, it addresses not only the pain-versus-reward dilemma that boxing necessarily engenders, but also the frequently censorious attitude of those in authority, with boxing’s social development facilitating a wider study around issues of class, gender and race, latterly contesting the whole notion of ‘Britishness’. Varying in scope from Northern circuit comedies to London-based ‘ladsploitation’ films, from auteur entries by Alfred Hitchcock to programme fillers by E.J. Fancey, the boxing film also serves as a prism through which one can trace major historical shifts in the British film industry.
Author: Michael Kronenberg
Publisher:
ISBN: 9781660850211
Category :
Languages : en
Pages : 163
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Book Description
Our fans asked for it...RINGSIDE SEAT is back in PRINT! A brand new compendium of essays, profiles and analysis from the 2018-19 issues of RINGSIDE SEAT, the quarterly e-magazine exploring all aspects of the Fight Game. Boxing's best writers at the top of their form tackling a wide variety of subjects: Jack London & Jack Johnson Boxing's greatest fight card Max & Buddy Baer The death of the fight clubs In search of Panchito Bojado REQUIEM FOR A HEAVYWEIGHT THE SET-UP Right fights...wrong time Billy Conn vs Tony Zale W.C. Heinz's THE PROFESSIONAL Jack Dempsey Canelo Alvarez Gennady Golovkin James Braddock Chris Byrd Roman "Chocolatito" Gonzalez Anthony Joshua, Tyson Fury and Deontay Wilder And MUCH MORE! RINGSIDE SEAT: Review 2019 belongs on every boxing fan's bookshelf with pieces by Nigel Collins (Boxing Hall of Fame inductee), Don Stradley, Eric Raskin, Jason Langendorf, Steve Kronenberg, Roberto José Andrade Franco, Ed Gruver, Robert Cassidy, Ronnie McCluskey and William Dettloff (RINGSIDE SEAT's editor-in-chief). Loaded with stunning graphics and countless photos designed by Michael Kronenberg. This is a book you will read and enjoy cover to cover. RINGSIDE SEAT is the critically acclaimed e-magazine that brings together people from the worlds of boxing, film, television, graphic arts and publishing. It provides boxing fans with a product unlike any other. RINGSIDE SEAT combines erudite prose, evocative graphics and interactive video links. Whether it's current fighters and trends, chronicling the past, or boxing in literature and the arts, RINGSIDE SEAT is "The Art of the Sweet Science." ringsideseatmag.com
Author: Ron Briley
Publisher: University Press of Kentucky
ISBN: 0813183219
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
Sports films are popular forms of entertainment around the world, but beyond simply amusing audiences, they also reveal much about class, race, gender, sexuality, and national identity. In All-Stars and Movie Stars, Ron Briley, Michael K. Schoenecke, and Deborah A. Carmichael explore the interplay between sports films and critical aspects of our culture, examining them as both historical artifacts and building blocks of ideologies, values, and stereotypes. The book covers not only Hollywood hits such as Field of Dreams and Miracle but also documentaries such as The Journey of the African American Athlete and international cinema, such as the German film The Miracle of Bern. The book also explores television coverage of sports, commenting on the relationship of media to golf and offering a new perspective on the culture and politics behind the depictions of the world's most popular pastimes. The first part of the book addresses how sports films represent the cultural events, patterns, and movements of the times in which they were set, as well as the effect of the media and athletic industry on the athletes themselves. Latham Hunter examines how the baseball classic The Natural reflects traditional ideas about gender, heroism, and nation, and Harper Cossar addresses how the production methods used in televised golf affect viewers. The second section deals with issues such as the growth of women's involvement in athletics, sexual preference in the sports world, and the ever-present question of race by looking at sports classics such as Rocky, Hoosiers, and A League of Their Own. Finally, the authors address the historical and present-day role sports play in the international and political arena by examining such films as Visions of Eight and The Loneliness of the Long Distance Runner. This important and unique collection illuminates the prominent role that sports play in society and how that role is reflected in film. Analysis of the depiction of sports in film and television provides a deeper understanding of the appeal that sports hold for people worldwide and of the forces behind the historic and cultural traditions linked to sports.
Author: Aaron Baker
Publisher: University of Illinois Press
ISBN: 9780252028168
Category : Performing Arts
Languages : en
Pages : 184
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Book Description
Publisher's description: Since the earliest days of the silent era, American filmmakers have been drawn to the visual spectacles of sports and their compelling narratives of conflict, triumph, and individual achievement. In Contesting Identities Aaron Baker examines how these cinematic representations of sports and athletes have evolved over time--from The Pinch Hitter and Buster Keaton's College to White Men Can't Jump, Jerry Maguire, and Girlfight. He focuses on how identities have been constructed and transcended in American society since the early twentieth century. Whether depicting team or individual sports, these films return to that most American of themes, the master narrative of self-reliance. Baker shows that even as sports films tackle socially constructed identities such as class, race, ethnicity, sexuality, and gender, they ultimately underscore transcendence of these identities through self-reliance. In addition to discussing the genre's recurring dramatic tropes, from the populist prizefighter to the hot-headed rebel to the "manly" female athlete, Baker also looks at the social and cinematic impacts of real-life sports figures from Jackie Robinson and Babe Didrikson Zaharias to Muhammad Ali and Michael Jordan.
Author: Paul Spehr
Publisher: Indiana University Press
ISBN: 0861969367
Category : Biography & Autobiography
Languages : en
Pages : 713
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Book Description
The story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes Quarterly W.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison. After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.
