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Author: Prof Keith Swanwick
Publisher: Routledge
ISBN: 1134854889
Category : Art
Languages : en
Pages : 207
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Book Description
Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience.
Author: Prof Keith Swanwick
Publisher: Routledge
ISBN: 1134854889
Category : Art
Languages : en
Pages : 207
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Book Description
Examines the tension between intuitive and analytical ways of making sense of the world by exploring musical knowledge and experience.
Author: Robin Maconie
Publisher: Scarecrow Press
ISBN: 0810876965
Category : Music
Languages : en
Pages : 542
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Book Description
In Musicologia--meaning "musical reasoning" as distinct from a mere love of music--author and composer Robin Maconie takes aim against the fashionable misconception that music is empty of meaning, or "auditory cheesecake." Fresh and penetrating insights draw attention to the influence of musical analogy in the history of science and philosophy from ancient Greece to modern times. Since music has always existed, it is an expression of human consciousness. The discoveries of Pythagoras, Zeno, Kepler, Newton, and Einstein would not have been possible without a tradition of musical acoustics. The story of Musicologia unfolds in thirty-one chapters from primordial considerations of silence, communication, selfhood, balance, and motion to focus on more recent and specific issues of chaos, order, relativity, and artificial intelligence, showing that even the most controversial aspects of modern art music form part of a wider endeavor to engage with universal propositions of science and philosophy.
Author: Edward J. Gillin
Publisher: University of Chicago Press
ISBN: 022678777X
Category : History
Languages : en
Pages : 319
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Book Description
"In Sound Authorities, Edward J. Gillin shows how experiences of music and sound played a crucial role in nineteenth-century scientific inquiry in Britain. Where other studies have focused on vision in Victorian England, Gillin focuses on hearing and aurality, making the claim that the development of the natural sciences in Britain in this era cannot be understood without attending to how the study of sound and music contributed to the fashioning of new scientific knowledge. Gillin's book is about how scientific practitioners attempted to fashion themselves as authorities on sonorous phenomena, coming into conflict with traditional musical elites as well as religious bodies. Gillin pays attention to not only musical sound but also the phenomenon of sound in non-musical contexts, specifically, the cacophony of British industrialization, and he analyzes the debates between figures from disparate fields over the proper account of musical experience. Gillin's story begins with the place of acoustics in early nineteenth-century London, examining scientific exhibitions, lectures, and spectacles, as well as workshops, laboratories, and showrooms. He goes on to explore how mathematicians mobilized sound in their understanding of natural laws and their vision of a harmonious order, as well as the convergence of aesthetic and scientific approaches to pitch standardization. In closing, Gillin delves into the era's religious and metaphysical debates over the place of music (and humanity) in nature, the relationship between music and the divine, and the tension between religious/spiritualist understandings of sound and scientific/materialist ones"--
Author: Annie O. Warburton
Publisher:
ISBN: 9780521568944
Category : Education
Languages : en
Pages : 215
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Book Description
Designed to help students who wish to acquire basic knowledge of music in a short time, this book assumes a certain familiarity with music but provides the information in a readily accessible way. Also useful for higher ability students working within the National Curriculum at Key Stage 3.
Author: J. Q. Davies
Publisher: University of Chicago Press
ISBN: 022640207X
Category : History
Languages : en
Pages : 264
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Book Description
What does it mean to hear scientifically? What does it mean to see musically? This volume uncovers a new side to the long nineteenth century in London, a hidden history in which virtuosic musical entertainment and scientific discovery intersected in remarkable ways. Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.
Author: Arthur Elson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 678
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Book Description
Author: Genevieve Helsby
Publisher: Sourcebooks, Inc.
ISBN: 1402208251
Category : Juvenile Nonfiction
Languages : en
Pages : 178
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Book Description
"Your guide to the orchestra through sounds and stories." front cover.
Author: Daniel Levitin
Publisher: Penguin UK
ISBN: 0241987369
Category : Music
Languages : en
Pages : 229
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Book Description
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review
Author: Glen Haydon
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 360
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Book Description
Author: Glen Haydon
Publisher: NewYork, Prentice-Hall
ISBN:
Category : Music
Languages : en
Pages : 366
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Book Description
