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Author: Herbert Berry
Publisher: Associated University Presses
ISBN: 9780918016812
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
The Boar's Head Playhouse, Herbert Berry. The Boar's Head playhouse was built at virtually the same time as the famous Globe. This book traces its history, explains much of the way it operated in its heyday, and shows many of its physical characteristics. Illustrated.
Author: Herbert Berry
Publisher: Associated University Presses
ISBN: 9780918016812
Category : Performing Arts
Languages : en
Pages : 246
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Book Description
The Boar's Head Playhouse, Herbert Berry. The Boar's Head playhouse was built at virtually the same time as the famous Globe. This book traces its history, explains much of the way it operated in its heyday, and shows many of its physical characteristics. Illustrated.
Author: C. J. Sisson
Publisher: CRC Press
ISBN: 131749976X
Category : Performing Arts
Languages : en
Pages : 123
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Book Description
The Boar’s Head Theatre, first published in 1972, provides an account of one of the Elizabethan inn-yard theatres. It is a reconstruction of considerable importance in our understanding of the performance conditions affecting Elizabethan drama, the mode of presentation and the nature of the audience. C. J. Sisson (1885-1966) was known especially for his research into Elizabethan court cases and the light they can throw on the literature and drama of the period. His discoveries included material on the Elizabethan inn-yard theatres which provides unquestionable evidence of great importance in relation to the evolution of the theatre in England. This book, which has been edited for publication by Stanley Wells, was to have been his major work on the subject. Historians of the theatre of this period will find this book indispensable, and those with a more general interest in the greatest age of English drama will be engrossed by the detailed and intimate glimpses of the theatre world which this story affords.
Author: Glynne Wickham
Publisher: Cambridge University Press
ISBN: 9780521230124
Category : Drama
Languages : en
Pages : 768
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Book Description
This volume explores the professional English theatre from 1530 to 1660. The documents collected here, many published for the first time, chronicle the exciting and flourishing world of the theatre through the reigns of Henry VIII to Charles I. These exciting primary sources offer first-hand accounts, including the daily life and work of the actor, and the most complete coverage yet of all the playhouses, both public and private, including the Rose, the Globe, Red Lion and the Swan. The volume documents the various theatre companies of children, costumes and stage property matters, audience reception and behaviour, and ecclesiastical and governmental legislation. A full linking narrative and extensive bibliography detailing the location of the primary sources, provide an important reference work and valuable research tool.
Author: W. R. Streitberger
Publisher: Oxford University Press
ISBN: 0192552287
Category : Literary Criticism
Languages : en
Pages : 333
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Book Description
The Masters of the Revels and Elizabeth I's Court Theatre places the Revels Office and Elizabeth I's court theatre in a pre-modern, patronage and gift-exchange driven-world of centralized power in which hospitality, liberality, and conspicuous display were fundamental aspects of social life. W.R. Streitberger reconsiders the relationship between the biographies of the Masters and the conduct of their duties, rethinking the organization and development of the Office, re-examining its productions, and exploring its impact on the development of the commercial theatre. The nascent capitalist economy that developed alongside and interpenetrated the gift-driven system that was in place during Elizabeth's reign became the vehicle through which the Revels Office along with the commercial theatre was transformed. Beginning in the early 1570s and stretching over a period of twenty years, this change was brought about by a small group of influential Privy Councillors. When this project began in the early 1570s the Queen's revels were principally in-house productions, devised by the Master of the Revels and funded by the Crown. When the project was completed in the late 1590s, the Revels Office had been made responsible for plays only and put on a budget so small that it was incapable of producing them. That job was left to the companies performing at court. Between 1594 and 1600, the revels consisted almost entirely of plays brought in by professional companies in the commercial theatres in London. These companies were patronized by the queen's relatives and friends and their theatres were protected by the Privy Council. Between 1594 and 1600, for example, all the plays in the revels were supplied by the Admiral's and Chamberlain's Players which included writers such as Shakespeare, and legendary actors such as Edward Alleyn, Richard Burbage, and Will Kempe. The queen's revels essentially became a commercial enterprise, paid for by the ordinary Londoners who came to see these companies perform in selected London theatres which were protected by the Council.
Author: George Hubbard
Publisher: Cambridge University Press
ISBN: 1316605515
Category : Drama
Languages : en
Pages : 81
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Book Description
Originally published in 1923, this book addresses the old controversy regarding the exact location of the Globe Theatre. Through a wealth of evidence extracted from the records concerning Shakespeare's London, this book is a direct response to William Westmoreland Braines's pamphlet, issued by the London County Council in 1921, in which Braines demonstrated that the theatre must have stood to the south of Maiden Lane in Southwark. George Hubbard, unconvinced by Braines's theory, presents one of the most important and compelling cases of evidence for placing the site of Shakespeare's playhouse to the north of Maiden Lane. This exchange is the culmination of the controversy over the precise site of the Globe Theatre, which dominated the earlier part of the twentieth century. Detailed maps of London are included. This book will be of considerable value to scholars of Shakespeare as well as to anyone with an interest in theatre.
Author: John Olive
Publisher: Samuel French, Inc.
ISBN: 9780573619434
Category :
Languages : en
Pages : 74
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1160
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Book Description
Author: Brett Hirsch
Publisher: Routledge
ISBN: 1351963406
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
This eighth volume of The Shakespearean International Yearbook presents a special section on 'European Shakespeares', proceeding from the claim that Shakespeare's literary craft was not just native English or British, but was filtered and fashioned through a Renaissance awareness that needs to be recognized as European, and that has had effects and afterlives across the Continent. Guest editors Ton Hoenselaars and Clara Calvo have constructed this section to highlight both how the spread of 'Shakespeare' throughout Europe has brought together the energies of a wide variety of European cultures across several centuries, and how the inclusion of Shakespeare in European culture has been not only a European but also a world affair. The Shakespearean International Yearbook continues to provide an annual survey of important issues and developments in contemporary Shakespeare studies. Contributors to this issue come from the US and the UK, Spain, Switzerland and South Africa, Canada, The Netherlands, India, Portugal, Greece, France, and Hungary. In addition to the section on European Shakespeares, this volume includes essays on the genre of romance, issues of character, and other topics.
Author: Library of Congress. Office for Subject Cataloging Policy
Publisher:
ISBN:
Category : Subject headings, Library of Congress
Languages : en
Pages : 1534
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Book Description
Author: National Endowment for the Arts
Publisher:
ISBN:
Category : Federal aid to the arts
Languages : en
Pages : 624
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Book Description
Reports for 1980-19 also include the Annual report of the National Council on the Arts.
