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Author: Eric Sackheim
Publisher:
ISBN: 9780028722603
Category : American poetry
Languages : en
Pages : 0
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Book Description
Author: Eric Sackheim
Publisher:
ISBN: 9780028722603
Category : American poetry
Languages : en
Pages : 0
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Book Description
Author:
Publisher: David R. Godine Publisher
ISBN: 9781567921168
Category : Biography & Autobiography
Languages : en
Pages : 172
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Book Description
Profiles and photos of blues musicians.
Author: Cheryl A. Wall
Publisher: UNC Press Books
ISBN: 9780807855867
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
In blues music, "worrying the line" is the technique of breaking up a phrase by changing pitch, adding a shout, or repeating words in order to emphasize, clarify, or subvert a moment in a song. Cheryl A. Wall applies this term to fiction and nonfiction wr
Author: David Zinn
Publisher: Taylor & Francis
ISBN: 9780935016031
Category : Music
Languages : en
Pages : 294
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Book Description
Enth.: Vol. 1: Theory
Author: Michael Taft
Publisher: Routledge
ISBN: 1135778035
Category : Music
Languages : en
Pages : 378
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Book Description
This book is the first rigourous and detailed exploration of exactly how blues singers used formulas to create songs, and it more than amply fills the gap in the the study of the blues, where the structure and content of the lyrics have been less fully explored than the musical form. Focusing on the songs recorded by African-American singers for pre-World War Two commercial recording companies, this is an excellent structural analysis of the formulaic composistion of blues lyrics. This book gives a step-by-step description of the rules implicit in this formulaic structure and inspires new discussion of lyric structures. A wide array of readers will find this insightful and informative: from students of African-American music, cultural studies, history and linguistics, to Blues fans fascinated by exactly how the lyrics of this influential music style are written.
Author: Sean Murphy
Publisher:
ISBN: 9781646625390
Category :
Languages : en
Pages : 46
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Book Description
Acclaimed author and music critic Sean Murphy's new poetry collection is a searing and timely take on American culture that finds perspective on the present by interrogating our past. The Blackened Blues offers a powerful glimpse into the human psyche, exploring the minds of artists and visionaries, addicts and trauma survivors, searching (as we all are) for "some way to live." We leave this book with a heavy dose of truth, but also of the kind of beauty that makes such truth bearable.
Author: Happy Traum
Publisher: Oak Publications
ISBN: 1783234539
Category : Music
Languages : en
Pages : 95
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Book Description
The Blues Bag is both a songbook and an instruction book. It is, first of all, an anthology of blues songs, some of which are very well known; others have (as far as I know) never been in print before. As such, it can be used simply as a vehicle for learning new songs, and providing the words and guitar chords for songs you already know. In addition, it provides for the learning guitarist fills, introductions, and turnarounds for the songs, as well as complete instrumental breaks for the majority of the blues presented in this collection. These breaks are written out both in standard music notation and guitar tablature.
Author: Rick Mooney
Publisher: Alfred Music
ISBN: 9781457404986
Category : Music
Languages : en
Pages : 68
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Book Description
Position Pieces for Cello is designed to give students a logical and fun way to learn their way around the fingerboard. Each hand position is introduced with exercises called "Target Practice," "Geography Quiz," and "Names and Numbers." Following these exercises are tuneful cello duets which have been specifically composed to require students to play in that hand position. In this way, students gain a thorough knowledge of how to find the hand positions and, once there, which notes are possible to play. Using these pieces (with names like "I Was a Teenage Monster," "The Irish Tenor," and "I've Got the Blues, Baby"), position study on the cello has never been so much fun!
Author: Steven Carl Tracy
Publisher: University of Illinois Press
ISBN: 9780252069857
Category : AFRICAN AMERICANS--FOLKLORE.
Languages : en
Pages : 325
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Book Description
"Drawing on a deep understanding of the shades and structures of the blues, Steven C. Tracy elucidates the vital relationship between this musical form and the art of Langston Hughes, preeminent poet of the Harlem Renaissance. Tracy provides a cultural context for the poet's work and shows how Hughes mined African-American oral and literary traditions to create his blues-inspired poetry. Through a detailed comparison of Hughes's poems to blues texts, Tracy demonstrates how the poetics, structures, rhythms, and musical techniques of the blues are reflected in Hughes's experimental forms. The volume also includes a discography of recordings by the blues artists--Bessie Smith, Ma Rainey, Blind Lemon Jefferson, and others-who most influenced Hughes, updated in a new introduction by the author."
Author: Derrilyn E. Morrison
Publisher: Cambridge Scholars Publishing
ISBN: 1443884146
Category : Literary Criticism
Languages : en
Pages : 115
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Book Description
Making History Happen: Caribbean Poetry in America examines Lorna Goodison’s Turn Thanks (1999), McCallum’s The Water Between Us (1999), and Claudia Rankine’s Plot (2001) and Don’t Let Me Be Lonely (2004). Engaging familiar themes and issues of time, language, and identity, the readings focus on “Signifying” moments in the works of the poets under discussion. Reflecting on some of the ways that transnational women poets of the black diaspora are using tropes of mobility to create a renewed sense of identity and a sense of belonging to a communal network, the readings also demonstrate that the project of re-writing individual self-identity in light of one’s expanding consciousness or awareness of the “other” is more urgent, and more demandingly realistic, in contemporary poetry written by women poets who occupy transnational spaces. In these works, re-memory becomes a process that transforms, the gathering of memory reflecting the interrelatedness of communal and individual subjective identities. Rankine’s poetry collections are used to close the discourse in this book, for the call they make. An intriguing crossing of genres, their structural use of time and space reflects the stylistic inventiveness that has become a hallmark of transnational poets of the black diaspora. In its transformation of language, and of images that remain open-ended in their meanings, Don’t Let Me Be Lonely fuses poetry, dialogue, and prose with images from television and other forms of communication media to create a poetic collection that is relentless in its confrontation with the way we make cultural meanings. The collection of essays in this book calls attention to an emerging poetic body of Caribbean writing in America that requires naming, for it is new.
