Author: Michael Martone
Publisher: University of Alabama Press
ISBN: 1573660957
Category : Fiction
Languages : en
Pages : 121
Book Description
Let Martone guide you through every inch of the amazing state that is home to the Hoosier Infidelity Resort Area, the site of Wendell Willkie's Ascension into Heaven, and the Annual Eyeless Fish Fry. All your questions will be answered, including many you never thought to ask (like: "What's a good recipe for Pork Cake?")."--BOOK JACKET.
The Blue Guide to Indiana
Author: Michael Martone
Publisher: University of Alabama Press
ISBN: 1573660957
Category : Fiction
Languages : en
Pages : 121
Book Description
Let Martone guide you through every inch of the amazing state that is home to the Hoosier Infidelity Resort Area, the site of Wendell Willkie's Ascension into Heaven, and the Annual Eyeless Fish Fry. All your questions will be answered, including many you never thought to ask (like: "What's a good recipe for Pork Cake?")."--BOOK JACKET.
Publisher: University of Alabama Press
ISBN: 1573660957
Category : Fiction
Languages : en
Pages : 121
Book Description
Let Martone guide you through every inch of the amazing state that is home to the Hoosier Infidelity Resort Area, the site of Wendell Willkie's Ascension into Heaven, and the Annual Eyeless Fish Fry. All your questions will be answered, including many you never thought to ask (like: "What's a good recipe for Pork Cake?")."--BOOK JACKET.
Butterflies of Indiana
Author: Jeffrey E. Belth
Publisher: Indiana University Press
ISBN: 0253009553
Category : Nature
Languages : en
Pages : 346
Book Description
This field guide to Indiana's rich butterfly fauna covers all 149 species of butterflies and their close relatives, the skippers. Belth also offers an introduction to the natural history of butterflies --
Publisher: Indiana University Press
ISBN: 0253009553
Category : Nature
Languages : en
Pages : 346
Book Description
This field guide to Indiana's rich butterfly fauna covers all 149 species of butterflies and their close relatives, the skippers. Belth also offers an introduction to the natural history of butterflies --
Field Guide to Indiana Wildflowers
Author: Kay Yatskievych
Publisher: Indiana University Press
ISBN: 9780253214201
Category : Nature
Languages : en
Pages : 392
Book Description
A standard-setting, state-of-the-art field guide to Indiana's (and surrounding states') wildflowers.
Publisher: Indiana University Press
ISBN: 9780253214201
Category : Nature
Languages : en
Pages : 392
Book Description
A standard-setting, state-of-the-art field guide to Indiana's (and surrounding states') wildflowers.
Ball Blue Book of Preserving
Author: Alltrista Consumer Products
Publisher: Alltrista Consumer Products
ISBN: 9780972753708
Category : Canning and preserving
Languages : en
Pages : 124
Book Description
Resource added for the Culinary Specialist program 313162.
Publisher: Alltrista Consumer Products
ISBN: 9780972753708
Category : Canning and preserving
Languages : en
Pages : 124
Book Description
Resource added for the Culinary Specialist program 313162.
Stanley Cavell and Literary Studies
Author: Richard Eldridge
Publisher: Bloomsbury Publishing USA
ISBN: 1441129863
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Arguably no other living philosopher has done as much as Stanley Cavell to show the common cause shared by literature and philosophy. Stanley Cavell and Literary Studies is not only timely but, indeed, long past due. As the discipline of literary studies struggles to move beyond the suspicious skepticisms and anti-humanisms that have dominated the field, but without lapsing into sentimentality and naïveté, Cavell's writings and ideas will only become more pertinent.
Publisher: Bloomsbury Publishing USA
ISBN: 1441129863
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Arguably no other living philosopher has done as much as Stanley Cavell to show the common cause shared by literature and philosophy. Stanley Cavell and Literary Studies is not only timely but, indeed, long past due. As the discipline of literary studies struggles to move beyond the suspicious skepticisms and anti-humanisms that have dominated the field, but without lapsing into sentimentality and naïveté, Cavell's writings and ideas will only become more pertinent.
Oddball Indiana
Author: Jerome Pohlen
Publisher: Chicago Review Press
ISBN: 1613738528
Category : Travel
Languages : en
Pages : 221
Book Description
Indiana often calls itself the Crossroads of the Nation. It's not also perhaps the very nexus of US weirdness. Armed with Oddball Indiana, you'll soon discover the strange underbelly of the Hoosier State, from brain sandwiches to square donuts. Indiana has monuments to Michael Jackson, the comic strip character Joe Palooka, and the World's Largest Egg. It's where Alka-Seltzer and Wonder Bread were invented, where A Christmas Story actually took place, and where the good but angry citizens of Plainfield conspired to dump President Martin Van Buren in a mud puddle. Along with humorous histories and offbeat observations, Oddball Indiana provides addresses, websites, hours, fees, and driving directions for each of its 350+ entries.
Publisher: Chicago Review Press
ISBN: 1613738528
Category : Travel
Languages : en
Pages : 221
Book Description
Indiana often calls itself the Crossroads of the Nation. It's not also perhaps the very nexus of US weirdness. Armed with Oddball Indiana, you'll soon discover the strange underbelly of the Hoosier State, from brain sandwiches to square donuts. Indiana has monuments to Michael Jackson, the comic strip character Joe Palooka, and the World's Largest Egg. It's where Alka-Seltzer and Wonder Bread were invented, where A Christmas Story actually took place, and where the good but angry citizens of Plainfield conspired to dump President Martin Van Buren in a mud puddle. Along with humorous histories and offbeat observations, Oddball Indiana provides addresses, websites, hours, fees, and driving directions for each of its 350+ entries.
The Limits of Literary Historicism
Author: Allen Dunn
Publisher: Univ. of Tennessee Press
ISBN: 1572338318
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
The Limits of Literary Historicism is a collection of essays arguing that historicism, which has come to dominate the professional study of literature in recent decades, has become ossified. By drawing attention to the limits of historicism—its blind spots, overreach, and reluctance to acknowledge its commitments—this provocative new book seeks a clearer understanding of what historicism can and cannot teach us about literary narrative. Editors Allen Dunn and Thomas F. Haddox have gathered contributions from leading scholars that challenge the dominance of contemporary historicism. These pieces critique historicism as it is generally practiced, propose alternative historicist models that transcend mere formula, and suggest alternatives to historicism altogether. The volume begins with the editors’ extended introduction, “The Enigma of Critical Distance; or, Why Historicists Need Convictions,” and then is divided into three sections: “The Limits of Historicism,” “Engagements with History,” and “Alternatives to History.” Defying convention, The Limits of Literary Historicism shakes up established modes to move beyond the claustrophobic analyses of contemporary historicism and to ask larger questions that envision more fulfilling and more responsible possibilities in the practice of literary scholarship.
Publisher: Univ. of Tennessee Press
ISBN: 1572338318
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
The Limits of Literary Historicism is a collection of essays arguing that historicism, which has come to dominate the professional study of literature in recent decades, has become ossified. By drawing attention to the limits of historicism—its blind spots, overreach, and reluctance to acknowledge its commitments—this provocative new book seeks a clearer understanding of what historicism can and cannot teach us about literary narrative. Editors Allen Dunn and Thomas F. Haddox have gathered contributions from leading scholars that challenge the dominance of contemporary historicism. These pieces critique historicism as it is generally practiced, propose alternative historicist models that transcend mere formula, and suggest alternatives to historicism altogether. The volume begins with the editors’ extended introduction, “The Enigma of Critical Distance; or, Why Historicists Need Convictions,” and then is divided into three sections: “The Limits of Historicism,” “Engagements with History,” and “Alternatives to History.” Defying convention, The Limits of Literary Historicism shakes up established modes to move beyond the claustrophobic analyses of contemporary historicism and to ask larger questions that envision more fulfilling and more responsible possibilities in the practice of literary scholarship.
The Nature Conservancy's Guide to Indiana Preserves
Author:
Publisher: Quarry Books
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
A stunning photographic guide to exploring Indiana's nature preserves
Publisher: Quarry Books
ISBN:
Category : Art
Languages : en
Pages : 344
Book Description
A stunning photographic guide to exploring Indiana's nature preserves
Creating Nonfiction
Author: Jen Hirt
Publisher: State University of New York Press
ISBN: 1438461178
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
Gold Winner for Anthologies, 2016 Foreword INDIES Book of the Year Awards With a title that suggests both the genre and the process of composing it, Creating Nonfiction is a collection of essays and interviews that aims to open readers' and writers' eyes to the formal possibilities of creative nonfiction. Included are memoirs, personal essays, literary journalism, graphic essays, and lyric essays, and the content is equally diverse, with topics ranging from childbirth to child labor, from dandelions to domestic violence. Whereas most anthologies leave readers to speculate about the evolution of each contribution, Creating Nonfiction provides companion interviews that offer insight into the inspiration, drafting, and revision process that produced the essays. Cheryl Strayed talks about how working as a reporter for her hometown newspaper influenced her later writings. Dinty W. Moore reflects on the delicate balance between observation and judgment when writing about subjects whose values differ from your own. Kristen Radtke explains how she decides between textual and visual images when creating a graphic essay. Although they offer an eclectic mix of voices and styles, what these essays all have in common is that ultimately, as contributor Faith Adiele observes, "truth becomes art."
Publisher: State University of New York Press
ISBN: 1438461178
Category : Language Arts & Disciplines
Languages : en
Pages : 256
Book Description
Gold Winner for Anthologies, 2016 Foreword INDIES Book of the Year Awards With a title that suggests both the genre and the process of composing it, Creating Nonfiction is a collection of essays and interviews that aims to open readers' and writers' eyes to the formal possibilities of creative nonfiction. Included are memoirs, personal essays, literary journalism, graphic essays, and lyric essays, and the content is equally diverse, with topics ranging from childbirth to child labor, from dandelions to domestic violence. Whereas most anthologies leave readers to speculate about the evolution of each contribution, Creating Nonfiction provides companion interviews that offer insight into the inspiration, drafting, and revision process that produced the essays. Cheryl Strayed talks about how working as a reporter for her hometown newspaper influenced her later writings. Dinty W. Moore reflects on the delicate balance between observation and judgment when writing about subjects whose values differ from your own. Kristen Radtke explains how she decides between textual and visual images when creating a graphic essay. Although they offer an eclectic mix of voices and styles, what these essays all have in common is that ultimately, as contributor Faith Adiele observes, "truth becomes art."
Unconventions
Author: Michael Martone
Publisher: University of Georgia Press
ISBN: 0820330779
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
Unconventions is a quirky and provocative miscellany that reveals Michael Martone’s protean interests as a writer and a writing teacher. Martone has, shall we say, a problem with authority. His chief pleasure in knowing the rules of his vocation comes from trying out new ways to bend, blend, or otherwise defy them. The pieces gathered in Unconventions are drawn from a long career spent loosening the creative strictures on writing. Including articles, public addresses, essays, interviews, and even a eulogy, these writings vary greatly in form but are unified in addressing the many technical and artistic issues that face all writers, particularly those interested in experimental and nontraditional modes and forms. Martone’s approach has always been to synthesize, to understand and use any technique, formula, or style available. “I find myself, then,” he writes, “self-identifying as a formalist, both and neither an experimenter and/or a traditionalist.” In “I Love a Parade: An Afterword,” Martone writes about not fitting in--and loving it--as he recalls the time he marched alone in a local Labor Day parade, as a one-person delegation from the National Writers Union. Elsewhere, in writings formally, stylistically, purposely at odds with themselves, Martone’s expansive curiosity is on full display. We learn about camouflage techniques, how a baby acquires language, how to “read” a WPA-era post office mural, and why Martone sold his stock in the New Yorker and reinvested his money in the company that makes Etch A Sketch®. Unconventions, then, is Martone’s “Frankensteinian monster,” a kind of unruly, hybrid spawn of the mainstream writing enterprise. “Writing seems to me an intrinsic pleasure, an end in itself first,” says Martone. “The question for me is not whether my writing, or any piece of writing, is good or bad but what the writing is and what it is doing and how finally it is used or can be used by others.”
Publisher: University of Georgia Press
ISBN: 0820330779
Category : Language Arts & Disciplines
Languages : en
Pages : 206
Book Description
Unconventions is a quirky and provocative miscellany that reveals Michael Martone’s protean interests as a writer and a writing teacher. Martone has, shall we say, a problem with authority. His chief pleasure in knowing the rules of his vocation comes from trying out new ways to bend, blend, or otherwise defy them. The pieces gathered in Unconventions are drawn from a long career spent loosening the creative strictures on writing. Including articles, public addresses, essays, interviews, and even a eulogy, these writings vary greatly in form but are unified in addressing the many technical and artistic issues that face all writers, particularly those interested in experimental and nontraditional modes and forms. Martone’s approach has always been to synthesize, to understand and use any technique, formula, or style available. “I find myself, then,” he writes, “self-identifying as a formalist, both and neither an experimenter and/or a traditionalist.” In “I Love a Parade: An Afterword,” Martone writes about not fitting in--and loving it--as he recalls the time he marched alone in a local Labor Day parade, as a one-person delegation from the National Writers Union. Elsewhere, in writings formally, stylistically, purposely at odds with themselves, Martone’s expansive curiosity is on full display. We learn about camouflage techniques, how a baby acquires language, how to “read” a WPA-era post office mural, and why Martone sold his stock in the New Yorker and reinvested his money in the company that makes Etch A Sketch®. Unconventions, then, is Martone’s “Frankensteinian monster,” a kind of unruly, hybrid spawn of the mainstream writing enterprise. “Writing seems to me an intrinsic pleasure, an end in itself first,” says Martone. “The question for me is not whether my writing, or any piece of writing, is good or bad but what the writing is and what it is doing and how finally it is used or can be used by others.”