Author: Cornell Woolrich
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
The Black Curtain
Author: Cornell Woolrich
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 156
Book Description
The Color Curtain
Author: Richard Wright
Publisher: Univ. Press of Mississippi
ISBN: 9780878057481
Category : Social Science
Languages : en
Pages : 250
Book Description
The expatriate, one of America's greatest black writers, giving a bold assessment of the world's outlook on race, a report of the Bandung Conference of 1955.
Publisher: Univ. Press of Mississippi
ISBN: 9780878057481
Category : Social Science
Languages : en
Pages : 250
Book Description
The expatriate, one of America's greatest black writers, giving a bold assessment of the world's outlook on race, a report of the Bandung Conference of 1955.
The Old Black Curtain
Author: CJ Paxton
Publisher: FriesenPress
ISBN: 1525562525
Category : Fiction
Languages : en
Pages : 103
Book Description
“You reach a point in life when you have to make a change. You don't know if it's going to be good or bad, you just have to follow wherever it leads.” —Catherine Miller Michael Murphy never forgot those words. Michael Murphy had lived most of his life in complete contentment, believing he had attained all he could. But with his life now falling to pieces and the inheritance of a small book shop, his life is beginning to change. When he meets a beautiful young woman with a mysterious past, he is instantly drawn to her, and could never have imagined what life had in store for him next.
Publisher: FriesenPress
ISBN: 1525562525
Category : Fiction
Languages : en
Pages : 103
Book Description
“You reach a point in life when you have to make a change. You don't know if it's going to be good or bad, you just have to follow wherever it leads.” —Catherine Miller Michael Murphy never forgot those words. Michael Murphy had lived most of his life in complete contentment, believing he had attained all he could. But with his life now falling to pieces and the inheritance of a small book shop, his life is beginning to change. When he meets a beautiful young woman with a mysterious past, he is instantly drawn to her, and could never have imagined what life had in store for him next.
Beyond the Color Line and the Iron Curtain
Author: Kate A. Baldwin
Publisher: Duke University Press
ISBN: 0822383837
Category : Social Science
Languages : en
Pages : 360
Book Description
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
Publisher: Duke University Press
ISBN: 0822383837
Category : Social Science
Languages : en
Pages : 360
Book Description
Examining the significant influence of the Soviet Union on the work of four major African American authors—and on twentieth-century American debates about race—Beyond the Color Line and the Iron Curtain remaps black modernism, revealing the importance of the Soviet experience in the formation of a black transnationalism. Langston Hughes, W. E. B. Du Bois, Claude McKay, and Paul Robeson each lived or traveled extensively in the Soviet Union between the 1920s and the 1960s, and each reflected on Communism and Soviet life in works that have been largely unavailable, overlooked, or understudied. Kate A. Baldwin takes up these writings, as well as considerable material from Soviet sources—including articles in Pravda and Ogonek, political cartoons, Russian translations of unpublished manuscripts now lost, and mistranslations of major texts—to consider how these writers influenced and were influenced by both Soviet and American culture. Her work demonstrates how the construction of a new Soviet citizen attracted African Americans to the Soviet Union, where they could explore a national identity putatively free of class, gender, and racial biases. While Hughes and McKay later renounced their affiliations with the Soviet Union, Baldwin shows how, in different ways, both Hughes and McKay, as well as Du Bois and Robeson, used their encounters with the U. S. S. R. and Soviet models to rethink the exclusionary practices of citizenship and national belonging in the United States, and to move toward an internationalism that was a dynamic mix of antiracism, anticolonialism, social democracy, and international socialism. Recovering what Baldwin terms the "Soviet archive of Black America," this book forces a rereading of some of the most important African American writers and of the transnational circuits of black modernism.
Black is the Color
Author: Julia Gfrorer
Publisher: Fantagraphics Books
ISBN: 1606997173
Category : Comics & Graphic Novels
Languages : en
Pages : 73
Book Description
Black is the Color begins with a 17th-century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julia Gfrörer’s delicate drawing style perfectly complements the period era of Black is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black is the Color is a book as seductive as the sirens it depicts.
Publisher: Fantagraphics Books
ISBN: 1606997173
Category : Comics & Graphic Novels
Languages : en
Pages : 73
Book Description
Black is the Color begins with a 17th-century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julia Gfrörer’s delicate drawing style perfectly complements the period era of Black is the Color, bringing the lyricism and romanticism of Gfrörer’s prose to the fore. Black is the Color is a book as seductive as the sirens it depicts.
Gaming the Iron Curtain
Author: Jaroslav Svelch
Publisher: MIT Press
ISBN: 026254928X
Category : Games & Activities
Languages : en
Pages : 401
Book Description
How amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Aside from the exceptional history of Tetris, very little is known about gaming culture behind the Iron Curtain. But despite the scarcity of home computers and the absence of hardware and software markets, Czechoslovakia hosted a remarkably active DIY microcomputer scene in the 1980s, producing more than two hundred games that were by turns creative, inventive, and politically subversive. In Gaming the Iron Curtain, Jaroslav Švelch offers the first social history of gaming and game design in 1980s Czechoslovakia, and the first book-length treatment of computer gaming in any country of the Soviet bloc. Švelch describes how amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Sheltered in state-supported computer clubs, local programmers fashioned games into a medium of expression that, unlike television or the press, was neither regulated nor censored. In the final years of Communist rule, Czechoslovak programmers were among the first in the world to make activist games about current political events, anticipating trends observed decades later in independent or experimental titles. Drawing from extensive interviews as well as political, economic, and social history, Gaming the Iron Curtain tells a compelling tale of gaming the system, introducing us to individuals who used their ingenuity to be active, be creative, and be heard.
Publisher: MIT Press
ISBN: 026254928X
Category : Games & Activities
Languages : en
Pages : 401
Book Description
How amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Aside from the exceptional history of Tetris, very little is known about gaming culture behind the Iron Curtain. But despite the scarcity of home computers and the absence of hardware and software markets, Czechoslovakia hosted a remarkably active DIY microcomputer scene in the 1980s, producing more than two hundred games that were by turns creative, inventive, and politically subversive. In Gaming the Iron Curtain, Jaroslav Švelch offers the first social history of gaming and game design in 1980s Czechoslovakia, and the first book-length treatment of computer gaming in any country of the Soviet bloc. Švelch describes how amateur programmers in 1980s Czechoslovakia discovered games as a medium, using them not only for entertainment but also as a means of self-expression. Sheltered in state-supported computer clubs, local programmers fashioned games into a medium of expression that, unlike television or the press, was neither regulated nor censored. In the final years of Communist rule, Czechoslovak programmers were among the first in the world to make activist games about current political events, anticipating trends observed decades later in independent or experimental titles. Drawing from extensive interviews as well as political, economic, and social history, Gaming the Iron Curtain tells a compelling tale of gaming the system, introducing us to individuals who used their ingenuity to be active, be creative, and be heard.
The Tortilla Curtain
Author: T. Coraghessan Boyle
Publisher: Penguin
ISBN: 0143119079
Category : American fiction
Languages : en
Pages : 386
Book Description
The lives of two different couples--wealthy Los Angeles liberals Delaney and Kyra Mossbacher, and Candido and America Rincon, a pair of Mexican illegals--suddenly collide, in a story that unfolds from the shifting viewpoints of the various characters.
Publisher: Penguin
ISBN: 0143119079
Category : American fiction
Languages : en
Pages : 386
Book Description
The lives of two different couples--wealthy Los Angeles liberals Delaney and Kyra Mossbacher, and Candido and America Rincon, a pair of Mexican illegals--suddenly collide, in a story that unfolds from the shifting viewpoints of the various characters.
Beyond the Black Curtain
Author: Wayne Kyle Spitzer
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 292
Book Description
After breaking their sworn oaths in a fit of forbidden passion, a sacrificial bride (Shekalane) and her fearsome escort (the ferryman Dravidian) find themselves alone and on the run in the subterranean river-world of Ursathrax. From Beyond the Black Curtain: Permission would not have been granted, nor did he ask; instead, he went straight to the detention block after his meeting with the prefect and located Shekalane’s cell. It was easy to do, for it was the only one with a light beneath its door. Indeed, it was the only one in the entire cellblock that was occupied. “Shekalane,” he whispered, crouching, and braced the meal flap open with his finger. “It’s Dravidian.” At last she said, sounding distant and utterly confused: “I cannot see you. Opening the flap triggers a light: It—it hurts my eyes, and burns the skin of my face. And yet it is cold—the cell, I mean. So cold.” He withdrew his finger, allowing the flap to close, and thought he heard her teeth chatter. The dragger’s great paddle wheel churned. “Why have you come to me, Dravidian of the ferrymen?” “You are about to be interviewed by the prefect himself, Asmodeus. During this interview you will be asked about your involvement with Valdus and his revolution. Answer him truthfully—names, dates, tactical information—he has assured me personally that you will be spared if you do so. Do you understand?” A silence followed. “Spared. That’s a curious choice of words. I trust by this you mean I will not be punished or killed … but that I will still be delivered into sexual slavery.” “Shekalane …” “I’ve had a great amount of time to think, Dravidian. It’s—it’s in our nature; we women, that when faced with a closed door yet another door opens … in our minds. And I’ve decided that Valdus has been right all along: the Lottery must end.” She paused as the great ship rumbled all around them. “And I’ve decided something else; which is that his methods are justified, after all. Indeed, what is death—physical death, I mean—when compared to imprisonment and the suffocation of one’s soul? The former at least provides an escape; but the latter …. No, Dravidian, I will not cooperate. Not even if I am tortured unto death.” “You don’t mean that, Shekalane.” “What know you of what I mean and what I do not? You, who mistook a ploy, and a successful one, for an expression of love for Valdus? You, who in turn used that to retreat into your former self and turn your back on all that we have learned and experienced? No, I tell you plainly that I will not submit, and you—your order—will be forced to destroy me. Now please, go away. For, although I love you, I cannot abide by what you have done.” At last Dravidian lowered his head. “Nor can I abide by what you have done, Shekalane. For by aiding and abetting Valdus, if only in bringing him comfort, you did also turn your back—on all his crimes and victims. And you would aid him still.” He stood and swung his mask around on its strap, prepared to put it on. “It would seem we are at an impasse, at last. Whatever our fates, then …” He fingered the façade’s velvety lining. “Know that you, too, are loved.” Then he whirled to leave and, whirling, came face to face with a brownie in a dung-colored goblin mask and holding a tray—who quickly looked away and just as quickly looked back, as though recognizing him as someone personally significant to him. Dravidian stared at him for perhaps two breaths, taken aback by the directness of his gaze, and sensing, too, something—well, he could not define it, and quickly placed his mask to his face and depressed the pad at his temple, sealing it with a hiss.
Publisher: Hobb's End Books
ISBN:
Category : Fiction
Languages : en
Pages : 292
Book Description
After breaking their sworn oaths in a fit of forbidden passion, a sacrificial bride (Shekalane) and her fearsome escort (the ferryman Dravidian) find themselves alone and on the run in the subterranean river-world of Ursathrax. From Beyond the Black Curtain: Permission would not have been granted, nor did he ask; instead, he went straight to the detention block after his meeting with the prefect and located Shekalane’s cell. It was easy to do, for it was the only one with a light beneath its door. Indeed, it was the only one in the entire cellblock that was occupied. “Shekalane,” he whispered, crouching, and braced the meal flap open with his finger. “It’s Dravidian.” At last she said, sounding distant and utterly confused: “I cannot see you. Opening the flap triggers a light: It—it hurts my eyes, and burns the skin of my face. And yet it is cold—the cell, I mean. So cold.” He withdrew his finger, allowing the flap to close, and thought he heard her teeth chatter. The dragger’s great paddle wheel churned. “Why have you come to me, Dravidian of the ferrymen?” “You are about to be interviewed by the prefect himself, Asmodeus. During this interview you will be asked about your involvement with Valdus and his revolution. Answer him truthfully—names, dates, tactical information—he has assured me personally that you will be spared if you do so. Do you understand?” A silence followed. “Spared. That’s a curious choice of words. I trust by this you mean I will not be punished or killed … but that I will still be delivered into sexual slavery.” “Shekalane …” “I’ve had a great amount of time to think, Dravidian. It’s—it’s in our nature; we women, that when faced with a closed door yet another door opens … in our minds. And I’ve decided that Valdus has been right all along: the Lottery must end.” She paused as the great ship rumbled all around them. “And I’ve decided something else; which is that his methods are justified, after all. Indeed, what is death—physical death, I mean—when compared to imprisonment and the suffocation of one’s soul? The former at least provides an escape; but the latter …. No, Dravidian, I will not cooperate. Not even if I am tortured unto death.” “You don’t mean that, Shekalane.” “What know you of what I mean and what I do not? You, who mistook a ploy, and a successful one, for an expression of love for Valdus? You, who in turn used that to retreat into your former self and turn your back on all that we have learned and experienced? No, I tell you plainly that I will not submit, and you—your order—will be forced to destroy me. Now please, go away. For, although I love you, I cannot abide by what you have done.” At last Dravidian lowered his head. “Nor can I abide by what you have done, Shekalane. For by aiding and abetting Valdus, if only in bringing him comfort, you did also turn your back—on all his crimes and victims. And you would aid him still.” He stood and swung his mask around on its strap, prepared to put it on. “It would seem we are at an impasse, at last. Whatever our fates, then …” He fingered the façade’s velvety lining. “Know that you, too, are loved.” Then he whirled to leave and, whirling, came face to face with a brownie in a dung-colored goblin mask and holding a tray—who quickly looked away and just as quickly looked back, as though recognizing him as someone personally significant to him. Dravidian stared at him for perhaps two breaths, taken aback by the directness of his gaze, and sensing, too, something—well, he could not define it, and quickly placed his mask to his face and depressed the pad at his temple, sealing it with a hiss.
Through the Black Curtain
Author: Maxine Hong Kingston
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 44
Book Description
Behind the Curtain
Author: Christian Thee
Publisher: Workman Publishing
ISBN: 9781563055256
Category : Opera
Languages : en
Pages : 0
Book Description
Describes, in text and look-through and pull-up illustrated panels, the onstage and backstage activities during a performance of the opera "Hansel and Gretel."
Publisher: Workman Publishing
ISBN: 9781563055256
Category : Opera
Languages : en
Pages : 0
Book Description
Describes, in text and look-through and pull-up illustrated panels, the onstage and backstage activities during a performance of the opera "Hansel and Gretel."