The Birth of Shylock and the Death of Zero Mostel PDF Download
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Author: Arnold Wesker
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
Author: Arnold Wesker
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
Author: Arnold Wesker
Publisher: Quartet Books (UK)
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
Wesker relates the history of his play "Shylock, " from the inception of the idea, through its failure on Broadway (partly due to the death of the star, Zero Mostel), to its rejection by London theaters. In 1973 Wesker reacted to Laurence Olivier's performance of Shylock in "The Merchant of Venice" as a "racial caricature" and was "powerfully reminded of the play's irremediably anti-Semitic impact ..." Wesker had an insight: had Shylock been saved from trying to take his "pound of flesh" from his Christian debtor, he would have said: "Thank God." Notes that it was not the Jew but Venetian society that insisted on contracts. Suggests that the lack of interest in this play in London stemmed from British antisemitism.
Author: Arnold Wesker
Publisher:
ISBN:
Category : British
Languages : en
Pages :
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Book Description
Author: Kenneth Gross
Publisher: ReadHowYouWant.com
ISBN: 1459606213
Category : Drama
Languages : en
Pages : 298
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Book Description
Shylock, the Jewish moneylender in The Merchant of Venice who famously demands a pound of flesh as security for a loan to his antisemitic tormentors, is one of Shakespeare's most complex and idiosyncratic characters. With his unsettling eloquence and his varying voices of protest, play, rage, and refusal, Shylock remains a source of perennial fa...
Author: Edna Nahshon
Publisher: Cambridge University Press
ISBN: 1107010276
Category : Drama
Languages : en
Pages : 457
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Book Description
This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.
Author: Sorrel Kerbel
Publisher: Routledge
ISBN: 1135456070
Category : History
Languages : en
Pages : 1394
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Book Description
Now available in paperback for the first time, Jewish Writers of the Twentieth Century is both a comprehensive reference resource and a springboard for further study. This volume: examines canonical Jewish writers, less well-known authors of Yiddish and Hebrew, and emerging Israeli writers includes entries on figures as diverse as Marcel Proust, Franz Kafka, Tristan Tzara, Eugene Ionesco, Harold Pinter, Tom Stoppard, Arthur Miller, Saul Bellow, Nadine Gordimer, and Woody Allen contains introductory essays on Jewish-American writing, Holocaust literature and memoirs, Yiddish writing, and Anglo-Jewish literature provides a chronology of twentieth-century Jewish writers. Compiled by expert contributors, this book contains over 330 entries on individual authors, each consisting of a biography, a list of selected publications, a scholarly essay on their work and suggestions for further reading.
Author: David Singer
Publisher: VNR AG
ISBN: 9780874951134
Category : Demography
Languages : en
Pages : 708
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Book Description
The Library owns the volumes of the American Jewish Yearbook from 1899 - current.
Author: Ron Rosenbaum
Publisher: Random House
ISBN: 0307807924
Category : Biography & Autobiography
Languages : en
Pages : 626
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Book Description
“[Ron Rosenbaum] is one of the most original journalists and writers of our time.” –David Remnick In The Shakespeare Wars, Ron Rosenbaum gives readers an unforgettable way of rethinking the greatest works of the human imagination. As he did in his groundbreaking Explaining Hitler, he shakes up much that we thought we understood about a vital subject and renews our sense of excitement and urgency. He gives us a Shakespeare book like no other. Rather than raking over worn-out fragments of biography, Rosenbaum focuses on cutting-edge controversies about the true source of Shakespeare’s enchantment and illumination–the astonishing language itself. How best to unlock the secrets of its spell? With quicksilver wit and provocative insight, Rosenbaum takes readers into the midst of fierce battles among the most brilliant Shakespearean scholars and directors over just how to delve deeper into the Shakespearean experience–deeper into the mind of Shakespeare. Was Shakespeare the one-draft wonder of Shakespeare in Love? Or was he rather–as an embattled faction of textual scholars now argues–a different kind of writer entirely: a conscientious reviser of his greatest plays? Must we then revise our way of reading, staging, and interpreting such works as Hamlet and King Lear? Rosenbaum pursues key partisans in these debates from the high tables of Oxford to a Krispy Kreme doughnut shop in a strip mall in the Deep South. He makes ostensibly arcane textual scholarship intensely seductive–and sometimes even explicitly sexual. At an academic “Pleasure Seminar” in Bermuda, for instance, he examines one scholar’s quest to find an orgasm in Romeo and Juliet. Rosenbaum shows us great directors as Shakespearean scholars in their own right: We hear Peter Brook–perhaps the most influential Shakespearean director of the past century–disclose his quest for a “secret play” hidden within the Bard’s comedies and dramas. We listen to Sir Peter Hall, founder of the Royal Shakespeare Company, as he launches into an impassioned, table-pounding fury while discussing how the means of unleashing the full intensity of Shakespeare’s language has been lost–and how to restore it. Rosenbaum’s hilarious inside account of “the Great Shakespeare ‘Funeral Elegy’ Fiasco,” a man-versus-computer clash, illustrates the iconic struggle to define what is and isn’t “Shakespearean.” And he demonstrates the way Shakespearean scholars such as Harold Bloom can become great Shakespearean characters in their own right. The Shakespeare Wars offers a thrilling opportunity to engage with Shakespeare’s work at its deepest levels. Like Explaining Hitler, this book is destined to revolutionize the way we think about one of the overwhelming obsessions of our time.
Author: William Baker
Publisher: Bloomsbury Publishing
ISBN: 1847141870
Category : Drama
Languages : en
Pages : 480
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Book Description
The Merchant of Venice has always been regarded as one of Shakespeare's most interesting plays. Before the nineteenth century critical reaction is relatively fragmentary. However between then and the late twentieth century the critical tradition reveals the tremendous vitality of the play to evoke emotion in the theatre and in the study. Since the middle of the twentieth century reactions to the drama have been influenced by the Nazi destruction of European Jewry. The first volume to document the full tradition of criticism of The Merchant of Venice includes an extensive introduction which charts the reactions to the play up to the beginning of the twenty first century and reflects changing reactions to prejudice in this period. Material by a variety of critics appears here for the first time since initial publication. Reactions are included from: Malone, Hazlitt, Jameson, Heine, Knight, Lewes, Halliwell-Phillips, Furnivall, Irving, Ruskin, Swinburne, Masefield, Gollancz and Quiller-Couch.
Author: Dinah Birch
Publisher: Oxford University Press, USA
ISBN: 0199608210
Category : Drama
Languages : en
Pages : 834
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Book Description
This book provides a compact guide to all aspects of English literature. For this edition, existing entries have been updated and new entries have been added on contemporary writers such as Jim Crace and Pat Barker.
