The Birth of Landscape Painting in China PDF Download
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Author: Michael Sullivan
Publisher: Univ of California Press
ISBN:
Category : Landscape painting, Chinese
Languages : en
Pages : 372
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Book Description
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN:
Category : Landscape painting, Chinese
Languages : en
Pages : 372
Get Book Here
Book Description
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520035584
Category : Art
Languages : en
Pages : 330
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Book Description
Vol. 2 has title: Chinese landscape painting.
Author: Kim Karlsson
Publisher: Hatje Cantz Verlag
ISBN: 9783775746700
Category : Art, Chinese
Languages : en
Pages : 256
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Book Description
The secret language of Chinese landscape painting A genre dating back more than 1,000 years, China's landscape painting tradition reflects all of its cultural and intellectual history, and its representational language famously follows its own rules. What at first glance seem to be idyllic ink-wash pictures actually depict far more than romantic landscapes. Through subtle allusions and references, Chinese landscape painters were able to convey a whole range of messages, from social positions to political opposition, all the way to philosophical observations and very personal feelings. This splendid illustrated volume unlocks these codes and juxtaposes important historical works with landscape paintings by internationally renowned modern and contemporary artists. The dialogue between past and present reveals surprising links, but also ruptures and conflicts.
Author: Richard M. Barnhart
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422
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Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Author: Lian Duan
Publisher: Cambridge Scholars Publishing
ISBN: 1527522784
Category : Architecture
Languages : en
Pages : 304
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Book Description
Reading art from a semiotic perspective, this book offers a new interpretation of the development of Chinese landscape painting and outlines a new framework for contemporary semiotics and critical theory. It will appeal to those interested in visual art, Chinese studies, critical theory, semiotics, and other relevant fields, and will allow the reader to learn how to put theory into the practice of studying art, how to give new life to an important theory, and how to acquire a new point of view in appreciating and enjoying art with a certain critical theory.
Author: Michael Sullivan
Publisher:
ISBN:
Category : Landscape painting, Chinese
Languages : en
Pages :
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Book Description
Author: Yi Gu
Publisher: BRILL
ISBN: 1684176131
Category : Art
Languages : en
Pages : 336
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Book Description
"How did modern Chinese painters see landscape? Did they depict nature in the same way as premodern Chinese painters? What does the artistic perception of modern Chinese painters reveal about the relationship between artists and the nation-state? Could an understanding of modern Chinese landscape painting tell us something previously unknown about art, political change, and the epistemological and sensory regime of twentieth-century China? Yi Gu tackles these questions by focusing on the rise of open-air painting in modern China. Chinese artists almost never painted outdoors until the late 1910s, when the New Culture Movement prompted them to embrace direct observation, linear perspective, and a conception of vision based on Cartesian optics. The new landscape practice brought with it unprecedented emphasis on perception and redefined artistic expertise. Central to the pursuit of open-air painting from the late 1910s right through to the early 1960s was a reinvigorated and ever-growing urgency to see suitably as a Chinese and to see the Chinese homeland correctly. Examining this long-overlooked ocular turn, Gu not only provides an innovative perspective from which to reflect on complicated interactions of the global and local in China, but also calls for rethinking the nature of visual modernity there."
Author: James Elkins
Publisher: Hong Kong University Press
ISBN: 9622090001
Category : Art
Languages : en
Pages : 208
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Book Description
This is a provocative essay of reflections on traditional mainstream scholarship on Chinese art as done by towering figures in the field such as James Cahill and Wen Fong. James Elkins offers an engaging and accessible survey of his personal journey encountering and interpreting Chinese art through Western scholars' writings. He argues that the search for optimal comparisons is itself a modern, Western interest, and that art history as a discipline is inherently Western in several identifiable senses. Although he concentrates on art history in this book, and on Chinese painting in particular, these issues bear implications for Sinology in general, and for wider questions about humanistic inquiry and historical writing. Jennifer Purtle's Foreword provides a useful counterpoint from the perspective of a Chinese art specialist, anticipating and responding to other specialists’ likely reactions to Elkins's hypotheses.
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0870991353
Category : Hsia-shan-tʻu (Scroll)
Languages : en
Pages : 80
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Book Description
Landscape has been the dominant subject in Chinese painting ever since it emerged as the pre-eminent art form of the Northern Sung period (960-1127). The recent acquisition by the Metropolitan Museum, as a gift of the Dillon Fund, of a superb large Northern Sung handscroll, Summer Mountains, provides the opportunity to consider in some detail the landscape art of this period, together with its antecedents and later permutations. Developing during the war-filled years of the tenth century, Northern Sung landscape painting produced timeless images that were followed and imitated for centuries. This art reached its apogee in the third quarter of the eleventh century. After the fall of the Northern Sung, it continued to be popular in the north, both under the Chin tartar and then the Mongol rule during the twelfth and thirteenth centuries. Meantime the painters of the Southern Sung (1127-1276), south of the Yangtze River, developed a simplified style that described the softer landscapes of the south.
Author: 李向平
Publisher: 五洲传播出版社
ISBN: 9787508511306
Category : Landscape painting, Chinese
Languages : en
Pages : 160
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Book Description
200字段据版权页著录
