The Best Plays of 1970-1971 PDF Download
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Author: Otis L. Guernsey
Publisher:
ISBN: 9780396064299
Category : American drama
Languages : en
Pages : 510
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Book Description
Plays: Boesman and Lena by Athol Fugard. --Steambath by Bruce Jay Friedman. --Conduct unbecoming by Barry England. --Sleuth by Anthony Shaffer. --The trial of the Catonsville Nine by Daniel Berrigan. --Home by David Storey. --The gingerbread lady by Neil Simon. --The house of blue leaves by John Guare. --The philanthropist by Christopher Hampton. --Follies and James Goldman and Stephen Sondheim.
Author: Otis L. Guernsey
Publisher:
ISBN: 9780396064299
Category : American drama
Languages : en
Pages : 510
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Book Description
Plays: Boesman and Lena by Athol Fugard. --Steambath by Bruce Jay Friedman. --Conduct unbecoming by Barry England. --Sleuth by Anthony Shaffer. --The trial of the Catonsville Nine by Daniel Berrigan. --Home by David Storey. --The gingerbread lady by Neil Simon. --The house of blue leaves by John Guare. --The philanthropist by Christopher Hampton. --Follies and James Goldman and Stephen Sondheim.
Author: Otis L. Guernsey
Publisher: Hal Leonard Corporation
ISBN: 9780879101831
Category : Drama
Languages : en
Pages : 690
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Book Description
"Featuring scenes from the ten best plays"--Jacket.
Author: E.H. Mikhail
Publisher: Springer
ISBN: 1349051152
Category : Literary Criticism
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 568
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Book Description
Author: Elizabeth L. Wollman
Publisher: University of Michigan Press
ISBN: 0472034022
Category : Music
Languages : en
Pages : 289
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Book Description
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book." ---William Everett, author of The Musical: A Research Guide to Musical Theatre "As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial practices of the musical stage." ---Theatre Research International "This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides." ---Studies in Musical Theatre The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater, and a major cultural export. Despite the genre’s influence and fame, there are still some critics who claim that the term “rock musical” is an oxymoron. The relationship between rock and the musical theater has been stormy from the start, and even the comparatively recent success of Rent has done little to convince theater producers that rock musicals are anything but highly risky ventures. Elizabeth L. Wollman explores the reasons behind these problematic connections and looks at the socioeconomic forces that underlie aesthetic decisions. She weighs the influence on the rock musical by mass media, sound, and recording technology, and the economic pressures that have affected New York theater in general over the past three decades. Finally, Wollman offers a meditation on the state of the musical, its relation to rock, and, ultimately, its future. Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical’s evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!—and in notable flops such as The Capeman. Elizabeth L. Wollman is Assistant Professor of Music at Baruch College of the City University of New York.
Author: Gene A. Plunka
Publisher: University of Delaware Press
ISBN: 9780874137637
Category : Drama
Languages : en
Pages : 308
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Book Description
This book, the first full-length study of Guare's theater, will make his plays more accessible through an examination of the often unnerving type of black comedy that makes his plays work.".
Author: Amnon Kabatchnik
Publisher: Scarecrow Press
ISBN: 0810877848
Category : Performing Arts
Languages : en
Pages : 706
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Book Description
Discussing more than 120 full-length plays, this volume provides an overview of the most important and memorable theatrical works of crime and detection produced between 1950 and 1975.
Author: Elizabeth Lara Wollman
Publisher: University of Michigan Press
ISBN: 047202700X
Category : Music
Languages : en
Pages : 289
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Book Description
"A much-needed study of the impact of rock music on the musical theater and its resulting challenges, complexities, failures, and successes. Anyone interested in Broadway will learn a great deal from this book." ---William Everett, author of The Musical: A Research Guide to Musical Theatre "As Wollman weaves her historical narrative, she compellingly returns to . . . the conflict between the aesthetics and ideologies of rock music and the disciplined and commercial practices of the musical stage." ---Theatre Research International "This well-written account puts the highs and lows of producing staged rock musicals in New York City into perspective and is well worth reading for the depth of insight it provides." ---Studies in Musical Theatre The tumultuous decade of the 1960s in America gave birth to many new ideas and forms of expression, among them the rock musical. An unlikely offspring of the performing arts, the rock musical appeared when two highly distinctive and American art forms joined onstage in New York City. The Theater Will Rock explores the history of the rock musical, which has since evolved to become one of the most important cultural influences on American musical theater, and a major cultural export. Despite the genre’s influence and fame, there are still some critics who claim that the term “rock musical” is an oxymoron. The relationship between rock and the musical theater has been stormy from the start, and even the comparatively recent success of Rent has done little to convince theater producers that rock musicals are anything but highly risky ventures. Elizabeth L. Wollman explores the reasons behind these problematic connections and looks at the socioeconomic forces that underlie aesthetic decisions. She weighs the influence on the rock musical by mass media, sound, and recording technology, and the economic pressures that have affected New York theater in general over the past three decades. Finally, Wollman offers a meditation on the state of the musical, its relation to rock, and, ultimately, its future. Packed with candid commentary by members of New York's vibrant theater community, The Theater Will Rock traces the rock musical’s evolution over nearly fifty years, in popular productions such as Hair, The Who's Tommy, Jesus Christ Superstar, The Rocky Horror Picture Show, Little Shop of Horrors, Rent, and Mamma Mia!—and in notable flops such as The Capeman. Elizabeth L. Wollman is Assistant Professor of Music at Baruch College of the City University of New York.
Author: Amnon Kabatchnik
Publisher: Rowman & Littlefield
ISBN: 0810883546
Category : Literary Criticism
Languages : en
Pages : 647
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Book Description
Describes more than 80 full-length plays produced in the last quarter of the 20th century, with an emphasis on New York and London performances.
Author: David Storey
Publisher: Bloomsbury Publishing
ISBN: 1350013811
Category : Drama
Languages : en
Pages : 294
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Book Description
The latest collection of David Storey's plays; including the newly revised and revived The Changing Room. Introduced by the author This third volume of David Storey's plays contains The Changing Room (Royal Court 1971): "If The Changing Room is Storey's most powerful drama, it is because he has found in sport his purest metaphor for the war of existence" (Time Magazine); Cromwell (Royal Court 1973): "An exploration of the vices and virtues of the English Puritan instinct using the historical associations of the Cromwellian period. On top of that it is also an impressive piece of poetic drama employing a spare, flinty, concrete language that seems to be hewn out of rock...a rich and complex play" (Guardian); Life Class: "a portrait of a man, dangerous, controlled, and wounded, who brings down his whole career in one enormous gesture signifying that all we hold of good from the past is now incapable of renewal and irrelevant to our present needs...Life Class is not merely a very good play. It is a blazing masterpiece...It is a tremendous experience and its glare lights up the sky." (Sunday Times) "David Storey is a writer who genuinely extends the territory of drama" (Guardian)
