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Author: Oliver Pötzsch
Publisher: Mariner Books
ISBN: 9780547992198
Category : Fiction
Languages : en
Pages : 466
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Book Description
After the hangman Jakob Kuisl is framed for his sister's murder, his daughter Magdalena and her paramour, Simon, enlist the help of a network of beggars in order to save him from the noose.
Author: Oliver Pötzsch
Publisher: Mariner Books
ISBN: 9780547992198
Category : Fiction
Languages : en
Pages : 466
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Book Description
After the hangman Jakob Kuisl is framed for his sister's murder, his daughter Magdalena and her paramour, Simon, enlist the help of a network of beggars in order to save him from the noose.
Author: Dan Hamilton
Publisher:
ISBN: 9780830816712
Category : Fiction
Languages : en
Pages : 164
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Book Description
The enigmatic beggar transforms everyone he encounters in this first book in Dan Hamilton's trilogy, Tales of the Forgotten God. 156 pages, paper
Author: Oliver Pötzsch
Publisher: Houghton Mifflin Harcourt
ISBN: 054774501X
Category : Fiction
Languages : en
Pages : 453
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Book Description
Hangman Jakob Kuisl is called upon to investigate whether witchcraft is being practiced in the small town of Schongau in 1659 after a dying boy is pulled from the river with a mark crudely tattooed on his shoulder.
Author: Michelle Barker
Publisher:
ISBN: 9781927068618
Category : Magic
Languages : en
Pages :
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Book Description
Author: Winthrop Parkhurst
Publisher: CreateSpace
ISBN: 9781494810139
Category : Performing Arts
Languages : en
Pages : 30
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Book Description
This one act play is made available to all. It may be used freely to perform in any environment. No Royalties owed. You do not have to buy multiple copies to perform, copy this book. You may change lines and scenes. Please give credit to the original author as inspiration of the work.The elder Dumas, who wrote many successful plays, as well as the famous romances, said that all he needed for constructing a drama was "four boards, two actors, and a passion." What he meant by passion has been defined by a later French writer, Ferdinand Brunetière, as a conflict of wills. When two strong desires conflict and we wonder which is coming out ahead, we say that the situation is dramatic. This clash is clearly defined in any effective play, from the crude melodrama in which the forces are hero and villain with pistols, to such subtle conflicts, based on a man's misunderstanding of even his own motives and purposes.In comedy, and even in farce, struggle is clearly present. Here our sympathy is with people who engage in a not impossible combat—against rather obvious villains who can be unmasked, or against such public opinion or popular conventions as can be overset. The hold of an absurd bit of gossip upon stupid people is firm enough in "Spreading the News"; but fortunately it must yield to facts at last. The Queen and the Knave of Hearts are sufficiently clever, with the aid of the superb cookery of the Knave's wife, to do away with an ancient and solemnly reverenced law of Pompdebile's court.Again, in comedies as in mathematics, the problem is often solved by substitution. The soldier in Mr. Galsworthy's "The Sun" is able to find a satisfactory and apparently happy ending without achieving what he originally set out to gain. Or the play which does not end as the chief character wishes may still prove not too serious because, as in "Fame and the Poet," the situation is merely inconvenient and absurd rather than tragic. Now and then it is next to impossible to tell whether the ending is tragic or not. It is natural for us to desire a happy ending in stories, as we desire satisfying solutions of the problems in our own lives. And whenever the forces at work are such as make it true and possible, naturally this is the best ending for a story or a play. Where powerful and terrible influences have to be combated, only a poor dramatist will make use of mere chance, or compel his characters to do what such people really would not do, to bring about a factitious "happy ending." One of the best ways to understand these as real stage plays is through some sort of dramatization. This does not mean, however, that they need be produced with elaborate scenery and costumes, memorizing, and rehearsal; often the best understanding may be secured by quite informal reading in the class, with perhaps a hat and cloak and a lath sword or two for properties. With simply a clear space in the classroom for a stage, you and your imaginations can give all the performance necessary for realizing these plays very well indeed. Of course, you must clearly understand the lines and the play as a whole before you try to take a part, so that you can read simply and naturally, as you think the people in the story probably spoke. Some questions for discussion in the appendix may help you in talking the plays over in class or in reading them for yourself before you try to take a part. You will find it sometimes helps, also, to make a diagram or a colored sketch of the scene as the author describes it, or even a small model of the stage for a "dramatic museum" for your school. If you have not tried this, you do not know how much it helps in seeing plays of other times, like Shakespeare's or Molière's; and it is useful also for modern dramas. Such small stages can be used for puppet theatres as well. "The Knave of Hearts" is intended as a marionette play, and other dramas—Maeterlinck's and even Shakespeare's—have been given in this way with very interesting effects.
Author: Gertrude Landa
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 168
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Book Description
DigiCat Publishing presents to you this special edition of "Jewish Fairy Tales and Legends" by Gertrude Landa. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Author: William C. Carroll
Publisher: Cornell University Press
ISBN: 1501722484
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
Investigating representations of poverty in Tudor-Stuart England, Fat King, Lean Beggar reveals the gaps and outright contradictions in what poets, pamphleteers, government functionaries, and dramatists of the period said about beggars and vagabonds. William C. Carroll analyzes these conflicting "truths" and reveals the various aesthetic, political, and socio-economic purposes Renaissance constructions of beggary were made to serve.Carroll begins with a broad survey of both the official images and explanations of poverty and also their unsettling unofficial counterparts. This discourse defines and contains the beggar by continually linking him with his hierarchical inversion, the king. Carroll then turns his attention to the exemplary case of Nicholas Genings, perhaps the single most famous beggar of the period, whose machinations as fraudulent parasite and histrionic genius were chronicled by Thomas Harman. Carroll next assesses institutional responses to poverty by considering two hospitals for the destitute, Bridewell and Bedlam, and their role as real and symbolic places in Elizabethan drama.Fat King, Lean Beggar then focuses on dramatic inscriptions of poverty, primarily in Shakespeare's plays. Carroll's analysis of The Taming of the Shrew and The Winter's Tale links the tradition of the merry beggar to the socioeconomic forces of the day; and his reading of King Lear makes a case for the uniqueness of Edgar, the Bedlam beggar, in the history of drama. Carroll also considers later plays such as Fletcher and Massinger's Beggars' Bush and Richard Brome's Jovial Crew to show how idealizations of the beggar ironically equate him with a monarch in his supposed freedom.
Author: George Wharton Edwards
Publisher: IndyPublish.com
ISBN:
Category : Music
Languages : en
Pages : 252
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Book Description
Author: Michael Christie
Publisher: HarperCollins Canada
ISBN: 1443405434
Category : Fiction
Languages : en
Pages : 242
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Book Description
Longlisted for the 2011 Scotiabank Giller Prize Critically lauded, The Beggar’s Garden is a brilliantly surefooted, strikingly original collection of nine linked short stories that will delight as well as disturb. The stories follow a diverse group of curiously interrelated characters, from bank manager to crackhead to retired Samaritan to web designer to car thief, as they drift through each other’s lives in Vancouver’s Downtown Eastside. These engrossing stories, free of moral judgment, are about people who are searching in the jagged margins of life—for homes, drugs, love, forgiveness—and collectively they offer a generous and vivid portrait of humanity, not just in Vancouver but in any modern urban centre. The Beggar’s Garden is a powerful and affecting debut. Its individual stories have been anthologized in The Journey Prize Stories and have been nominated for major awards, including a National Magazine Award for fiction. The collection has been longlisted for the Frank O’Connor International Short Story Award.
Author: Stephen King
Publisher: Simon and Schuster
ISBN: 1501192035
Category : Fiction
Languages : en
Pages : 992
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Book Description
Collection of 23 short stories--from classic horror to vampire thrillers, imitations of Sir Arthur Conan Doyle and Raymond Chandler, a teleplay, and a non-fiction bonus, a heartfelt little piece on Little League baseball.
