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Author: Trevor Schoonmaker
Publisher:
ISBN: 9780938989448
Category :
Languages : en
Pages : 0
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Book Description
"Published in conjunction with the [traveling] exhibition, Barkley L. Hendricks: birth of the cool, Nasher Museum of Art at Duke University, February 7, 2008-July 13, 2008 ..."--Title page verso.
Author:
Publisher: Skira
ISBN: 9788857241500
Category :
Languages : en
Pages : 96
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Book Description
The penultimate installment in Skira's five-volume Barkley Hendricks survey reveals the artist's little-known work in photography Barkley L. Hendricks (1945-2017) revolutionized postmodern Black portraiture. This volume, the fourth in a five-part series dedicated to Hendricks' career, focuses on the artist's photographic oeuvre. Hendricks credited photography as a key facet of his practice, both as a tool for documenting his own work and as a source of inspiration for his paintings. Influenced by his experiences under Walker Evans' tutelage at Yale, Hendricks frequently took to the streets to capture the world as he saw it, with his subjects in their element as they lingered in front of stores or performed in jazz clubs. As in his paintings, Hendricks' attention to graphic composition and ability to capture his subjects' dynamism are stunning. For the first time, Hendricks' considerable body of photographic work is collected in a single volume, revealing an essential though underdiscussed dimension of his art.
Author: Trevor Schoonmaker
Publisher:
ISBN: 9780938989448
Category :
Languages : en
Pages : 0
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Book Description
"Published in conjunction with the [traveling] exhibition, Barkley L. Hendricks: birth of the cool, Nasher Museum of Art at Duke University, February 7, 2008-July 13, 2008 ..."--Title page verso.
Author: Barkley L. Hendricks
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Barkley L. Hendricks
Publisher:
ISBN:
Category :
Languages : en
Pages : 140
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Book Description
Barkley L. Hendricks: Birth of the Cool accompanies the first career retrospective of the renowned American artist Barkley L. Hendricks, on view at the Nasher Museum of Art at Duke University from February 7, 2008 through July 13, 2008. Hendricks was born in 1945 in Philadelphia. His unique work contains elements of both American realism and postmodernism, occupying a space between the portraitists Chuck Close and Alex Katz and the pioneering black conceptualists David Hammons and Adrian Piper. Hendricks is best known for his life-sized portraits of people of color from the urban northeast. His bold portrayal of his subject's attitude and style elevates the common person to celebrity status. Cool, empowering, and sometimes confrontational, Hendricks' artistic privileging of a culturally complex black body has paved the way for today's younger generation of artists. This richly illustrated book contains 100 color images of paintings created from 1964 to the present. It focuses primarily on the artist's full-figure portraits, as well as lesser known early works and the artist's more recent portal-like landscape paintings. The catalog includes the most comprehensive bibliography on Hendricks to date, a timeline of the artist's life, and an interview with the artist by Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem. It also includes essays by Barkley L. Hendricks, Duke University art historian Richard J. Powell, exhibition curator Trevor Schoonmaker, and Franklin Sirmans, Curator of Modern and Contemporary Art at the Menil Collection.
Author: Mark Benjamin Godfrey
Publisher: Thames & Hudson
ISBN: 9781942884170
Category : Art
Languages : en
Pages : 256
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Book Description
Published on the occasion of an exhibition of the same name held at Tate Modern, London, July 12-October 22, 2017; Crystal Bridges Museum of American Art, Bentonville, Arkansas, February 3-April 23, 2018; and Brooklyn Museum, New York, September 7, 2018-February 3, 2019.
Author: Connie H. Choi
Publisher: Rizzoli Publications
ISBN: 0847866386
Category : Art
Languages : en
Pages : 234
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Book Description
An authoritative guide to one of the world's most important collections of African-American art, with works by artists from Romare Bearden to Kehinde Wiley. The artists featured in Black Refractions, including Kerry James Marshall, Faith Ringgold, Nari Ward, Norman Lewis, Wangechi Mutu, and Lorna Simpson, are drawn from the renowned collection of the Studio Museum in Harlem. Through exhibitions, public programs, artist residencies, and bold acquisitions, this pioneering institution has served as a nexus for artists of African descent locally, nationally, and internationally since its founding in 1968. Rather than aim to construct a single history of "black art," Black Refractions emphasizes a plurality of narratives and approaches, traced through 125 works in all media from the 1930s to the present. An essay by Connie Choi and entries by Eliza A. Butler, Akili Tommasino, Taylor Aldridge, Larry Ossei Mensah, Daniela Fifi , and other luminaries contextualize the works and provide detailed commentary. A dialogue between Thelma Golden, Connie Choi, and Kellie Jones draws out themes and challenges in collecting and exhibiting modern and contemporary art by artists of African descent. More than a document of a particular institution's trailblazing path, or catalytic role in the development of American appreciation for art of the African diaspora, this volume is a compendium of a vital art tradition.
Author:
Publisher: DelMonico Books
ISBN: 9783791356792
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
"Now in its fourth iteration, Prospect New Orleans draws its inspiration from the city itself, a place of graceful beauty that thrives in adverse conditions. By positioning itself in the city of New Orleans, the Prospect triennial aims to echo the city's history of cross-cultural fertilization. From Creole culture to jazz, in waves of migration and colonization, and as the American South's largest port, New Orleans is truly a cultural and historic nexus. 'Prospect.4' plumbs New Orleans's richly hybrid character to offer a diverse and exhilarating panoply of new and exciting art. Exhibition: New Orleans (various venues), United States (11.11.2017-25.02.2018)"--
Author: Kerry James Marshall
Publisher: Thames & Hudson
ISBN: 9781941701089
Category : African American art
Languages : en
Pages : 0
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Book Description
With a career spanning almost three decades, Kerry James Marshall is well known for his complex and multilayered portrayals of youths, interiors, nudes, housing estate gardens, land- and seascapes, all of which synthesize different traditions and genres while seeking to counter stereotypical representations of black people in society. Working across various mediums, from paintings to comic-style drawings to sculptural installations, photographs, and videos, the artist conflates actual and imagined events from African-American history, integrating a range of stylistic influences to address the limited historiography of black art. Produced on the occasion of Marshall's first exhibition at David Zwirner in London and designed by JNL Design in Chicago, Look See features beautiful reproductions of every painting on view in the show - all of them brand-new compositions - as well as numerous details and preparatory drawings, installation photographs and new scholarship by Robert Storr and Hamza Walker. As suggested by the show's title, these portraits use the etymological differences between looking and seeing as their point of departure, featuring subjects whose dissociated stares seem as defiant as they are mystifying. In keeping with his signature approach, Marshall has painted his figures in strikingly opaque black pigments, both fashioning and abstracting their presences in order to assimilate the limitations and contradictions of style, subject, and chronology inherent in art-historical narratives written from a white, Western perspective. Taken all together, the range of materials included in Look See constitutes a vibrant and comprehensive portrait of Marshall's original and ever-evolving practice.
Author:
Publisher: Skira
ISBN: 9788857241487
Category : Art
Languages : en
Pages : 96
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Book Description
The court, the ball and the hoop: Barkley Hendricks paints basketball The third installment in Skira and Jack Shainman Gallery's five-volume overview of American artist Barkley L. Hendricks (1945-2017) explores the artist's relationship to basketball, which provided a significant source of artistic inspiration throughout his life. In his Basketballseries, Hendricks applied his keen compositional sense and stylish use of color to depictions of the sport's essential elements: hoops, nets, backboards and, of course, basketballs themselves. In one painting, the image of a basketball about to make its way into a hoop is repeated twice on a round canvas; on another circular canvas, the iconic black ribs of a basketball are rendered in a bold orange to create a minimalistic yet instantly recognizable pattern. A study in movement and geometry, Hendricks' paintings offer a uniquely compelling perspective on the sport as an artistic pursuit. This book's focus on this aspect of Hendricks' work allows for a detail-oriented study of the artist's techniques as a painter.
Author: Darby English
Publisher:
ISBN: 9781633450349
Category : Art
Languages : en
Pages : 488
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Book Description
Among Others: Blackness at MoMA begins with an essay that provides a rigorous and in-depth analysis of MoMA's history regarding racial issues. It also calls for further developments, leaving space for other scholars to draw on particular moments of that history. It takes an integrated approach to the study of racial blackness and its representation: the book stresses inclusion and, as such, the plate section, rather than isolating black artists, features works by non-black artists dealing with race and race- related subjects. As a collection book, the volume provides scholars and curators with information about the Museum's holdings, at times disclosing works that have been little documented or exhibited. The numerous and high-quality illustrations will appeal to anyone interested in art made by black artists, or in modern art in general.
