The Banks of the Wye: and Other Poems [by I. H. James]. PDF Download
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Languages : en
Pages : 146
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![The Banks of the Wye: and Other Poems [by I. H. James]. PDF](https://books.google.com/books/content/images/frontcover/fne0yeSkdQ8C?fife=w80-h100)
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Languages : en
Pages : 146
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Author:
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ISBN:
Category :
Languages : en
Pages : 450
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Author: Middle Temple (London, England). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1078
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Author: Charles Taylor
Publisher: Harvard University Press - T
ISBN: 0674297067
Category : Philosophy
Languages : en
Pages : 367
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A major new work by Charles Taylor: the long-awaited follow-up to The Language Animal, exploring the Romantic poetics central to his theory of language. The Language Animal, Charles Taylor’s 2016 account of human linguistic capacity, was a revelation, toppling scholarly conventions and illuminating our most fundamental selves. But, as Taylor noted in that work, there was much more to be said. Cosmic Connections continues Taylor’s exploration of Romantic and post-Romantic responses to disenchantment and innovations in language. Reacting to the fall of cosmic orders that were at once metaphysical and moral, the Romantics used the symbols and music of poetry to recover contact with reality beyond fragmented existence. They sought to overcome disenchantment and groped toward a new meaning of life. Their accomplishments have been extended by post-Romantic generations into the present day. Taylor’s magisterial work takes us from Hölderlin, Novalis, Keats, and Shelley to Hopkins, Rilke, Baudelaire, and Mallarmé, and on to Eliot, Miłosz, and beyond. In seeking deeper understanding and a different orientation to life, the language of poetry is not merely a pleasurable presentation of doctrines already elaborated elsewhere. Rather, Taylor insists, poetry persuades us through the experience of connection. The resulting conviction is very different from that gained through the force of argument. By its very nature, poetry’s reasoning will often be incomplete, tentative, and enigmatic. But at the same time, its insight is too moving—too obviously true—to be ignored.
Author: Faculty of Advocates (Scotland). Library
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 828
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Author: Merrilees Roberts
Publisher: Routledge
ISBN: 1000071375
Category : Literary Criticism
Languages : en
Pages : 256
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Exploring the rhetorical and phenomenological links between shame and reticence, this book examines the psychology of Shelley’s anguished poet-Subject. Shelley’s struggles with the fragility of the ‘self’ have largely been seen as the result of thinking which connects emotional hyperstimulation to moral and political undermining of the individual ‘will’. This work takes a different approach, suggesting that Shelley’s insecurities stemmed from anxieties about the nature of aesthetic self-representation. Shame is an appropriate affective marker of such anxiety because it occurs at the cusp between internal and external self-evaluation. Shelley’s reticent poetics transfers an affective sense of shame to the reader and provokes interpretive responsibility. Paying attention to the affective contours of texts, this book presents new readings of Shelley’s major works. These interpretations show that awakening the reader’s ethical discretion creates a constructive dynamic which challenges influential deconstructive readings of the unfinished nature of Shelley’s work and thought.
Author: Francis Adams Hyett
Publisher:
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Category : History
Languages : en
Pages : 368
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Author: Francis Adams Hyett
Publisher:
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Category :
Languages : en
Pages : 366
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Author:
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Category : Electronic journals
Languages : en
Pages : 670
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Author: L. Clifton Edwards
Publisher: Wipf and Stock Publishers
ISBN: 1630873667
Category : Religion
Languages : en
Pages : 214
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Book Description
With an interdisciplinary approach, Edwards utilizes literature, aesthetics, world religions, and continental philosophy as avenues into the theology of natural beauty. This is an epistemological look at our aesthetically charged knowing of God through nature. Emphasizing our embodied experience of the world, Edwards examines the phenomenon of perceptual beauty, while questioning traditional notions of God's metaphysical "beauty." Drawing upon Michael Polanyi's philosophy of science, Edwards explores the human aesthetic and religious interface with the natural world. This philosophical approach is then linked to the poetic: Polanyi's "tacit knowledge" and Jean-Luc Marion's "saturated phenomena" give support to Wordsworth's "pregnant vision" of the natural world. This approach culminates in a re-envisaging of John Ruskin's typology of natural beauty: Ruskin's vision of the world can be adapted toward an understanding of natural revelation. Edwards brings this Romantic theology back across the Atlantic in dialogue with American nature writers and the uniquely American experience of wilderness and "frontier."
