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Author: Erin R. Hochman
Publisher: Cornell University Press
ISBN: 1501706616
Category : History
Languages : en
Pages : 288
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Book Description
In Imagining a Greater Germany, Erin R. Hochman offers a fresh approach to the questions of state- and nation-building in interwar Central Europe. Ever since Hitler annexed his native Austria to Germany in 1938, the term "Anschluss" has been linked to Nazi expansionism. The legacy of Nazism has cast a long shadow not only over the idea of the union of German-speaking lands but also over German nationalism in general. Due to the horrors unleashed by the Third Reich, German nationalism has seemed virulently exclusionary, and Anschluss inherently antidemocratic.However, as Hochman makes clear, nationalism and the desire to redraw Germany's boundaries were not solely the prerogatives of the political right. Focusing on the supporters of the embattled Weimar and First Austrian Republics, she argues that support for an Anschluss and belief in the großdeutsch idea (the historical notion that Germany should include Austria) were central to republicans’ persistent attempts to legitimize democracy. With appeals to a großdeutsch tradition, republicans fiercely contested their opponents’ claims that democracy and Germany, socialism and nationalism, Jew and German, were mutually exclusive categories. They aimed at nothing less than creating their own form of nationalism, one that stood in direct opposition to the destructive visions of the political right. By challenging the oft-cited distinction between "good" civic and "bad" ethnic nationalisms and drawing attention to the energetic efforts of republicans to create a cross-border partnership to defend democracy, Hochman emphasizes that the triumph of Nazi ideas about nationalism and politics was far from inevitable.
Author: Erin R. Hochman
Publisher: Cornell University Press
ISBN: 1501706616
Category : History
Languages : en
Pages : 288
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Book Description
In Imagining a Greater Germany, Erin R. Hochman offers a fresh approach to the questions of state- and nation-building in interwar Central Europe. Ever since Hitler annexed his native Austria to Germany in 1938, the term "Anschluss" has been linked to Nazi expansionism. The legacy of Nazism has cast a long shadow not only over the idea of the union of German-speaking lands but also over German nationalism in general. Due to the horrors unleashed by the Third Reich, German nationalism has seemed virulently exclusionary, and Anschluss inherently antidemocratic.However, as Hochman makes clear, nationalism and the desire to redraw Germany's boundaries were not solely the prerogatives of the political right. Focusing on the supporters of the embattled Weimar and First Austrian Republics, she argues that support for an Anschluss and belief in the großdeutsch idea (the historical notion that Germany should include Austria) were central to republicans’ persistent attempts to legitimize democracy. With appeals to a großdeutsch tradition, republicans fiercely contested their opponents’ claims that democracy and Germany, socialism and nationalism, Jew and German, were mutually exclusive categories. They aimed at nothing less than creating their own form of nationalism, one that stood in direct opposition to the destructive visions of the political right. By challenging the oft-cited distinction between "good" civic and "bad" ethnic nationalisms and drawing attention to the energetic efforts of republicans to create a cross-border partnership to defend democracy, Hochman emphasizes that the triumph of Nazi ideas about nationalism and politics was far from inevitable.
Author: Alfred D. Low
Publisher: Scholarly Title
ISBN:
Category : History
Languages : en
Pages : 216
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Book Description
Author: Michael Mann
Publisher: Cambridge University Press
ISBN: 9780521538558
Category : History
Languages : en
Pages : 438
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Book Description
Fascists presents a new theory of fascism based on intensive analysis of the men and women who became fascists. It covers the six European countries in which fascism became most dominant - Italy, Germany, Austria, Hungary, Romania and Spain. It is the most comprehensive analysis of who fascists actually were, what beliefs they held and what actions they committed. The book suggests that fascism was essentially a product of post World War I conditions in Europe and is unlikely to re-appear in its classic garb in the future. Nonetheless, elements of its ideology remain relevant to modern conditions and are now re-appearing, though mainly in different parts of the world.
Author: John T. Lauridsen
Publisher: Museum Tusculanum Press
ISBN: 9788763502214
Category : History
Languages : en
Pages : 552
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Book Description
Part of the "Danish Humanist Texts and Studies" series, this work presents a comparative analysis of the two most important radical right-wing movements in Austria during the inter-war period: Heimwehr and NSDAP. It examines the movements from their emergence until they respectively came in to the power apparatus (Heimwehr) and forbidden (NSDAP).
Author: Frederick Dumin
Publisher:
ISBN:
Category : Anschluss movement, 1918-1938
Languages : en
Pages : 862
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Book Description
Author: Kurt von Schuschnigg
Publisher: Ignatius Press
ISBN: 1586177095
Category : Religion
Languages : en
Pages : 364
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Book Description
Chronicles the lives of Kurt von Schuschnigg, son of the former Austrian Chancellor, and his family during the time of the Anschluss and how their faith helped them survive these difficult times.
Author: Evan Burr Bukey
Publisher: UNC Press Books
ISBN: 9780807853634
Category : History
Languages : en
Pages : 336
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Book Description
Using evidence gathered in Europe and the United States, Evan Bukey crafts a nuanced portrait of popular opinion in Austria, Hitler's homeland, after the country was annexed by Germany in 1938. He demonstrates that despite widespread dissent, discontent,
Author: Gordon Alexander Craig
Publisher: Oxford : Clarendon Press
ISBN: 9780198221135
Category : Germany
Languages : en
Pages : 854
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Book Description
A history of the rise and fall of united Germany, which lasted only 75 years from its establishment by Bismark in 1870. Suitable for A Level and upwards. In the OXFORD HISTORY OF MODERN EUROPE series.
Author: Günter J. Bischof
Publisher: Transaction Publishers
ISBN: 1412821894
Category : Political Science
Languages : en
Pages : 332
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Book Description
The years of Chancellors Dollfuss and Schuschnigg's authoritarian governments (1933/34-1938) have been denounced as "Austrofascism" from the left, or defended as a Christian corporate state ("Stndestaat") from the right. During this period, Austria was in a desperate struggle to maintain its national independence vis--vis Hitler's Germany, a struggle that ultimately failed. In the end, the Nazis invaded and annexed Austria (Anschluss"). Volume 11 of the Contemporary Austrian Studies series stays away from these heated historiographical debates and looks at economic, domestic, and international politics sine ira et studio. Timothy Kirk opens with an assessment of "Austrofascism" in light of recent discourse on interwar European fascism. Three scholars from the Economics University of Vienna analyze the macroeconomic climate of the 1930s: Hansjrg Klausinger the "Vienna School's" theoretical contributions to end the "Great Depression"; Gerhard Senft the economic policies of the Stndestaat; and Peter Berger the financial aid from the League of Nations. Jens Wessels delves into the microeconomic arena and presents case studies of leading Austrian businesses and their performance during the depression. Jim Miller looks at Dollfuss, the agrarian reformer. Alexander Lassner and Erwin Schmidl deal with the context of the international arena and Austria's desperate search for protection against Nazi Anschluss-pressure and military preparedness against foreign aggression. In a comparativist essay Megan Greene compares the policies of Austria's Haider and Italy's Berlusconi and recent EU responses to threats from the Right. The "FORUM" looks at various recent historical commissions in Austria dealing with Holocaust-era assets and their efforts to provide restitution to victims of Nazism. Two review essays, by Evan Burr Bukey and Hermann Freudenberger, survey recent scholarly literature on Austria(ns) during World War II. This addition to the Contemporary Austrian Studies series will be welcomed by political scientists, historians and scholars with a strong interest in European affairs. Gnter Bischof is professor of history and executive director of Center Austria at the University of New Orleans. Anton Pelinka is professor of political science at the University of Innsbruck and a visiting scholar at the University of Michigan in 2001/02. Alexander Lassner completed his Ph.D. at Ohio State University with his dissertation, "Peace at Hitler's Price," on Austria's international position before the "Anschluss."
Author: Jan-Christopher Horak
Publisher: University Press of Kentucky
ISBN: 0813147190
Category : Biography & Autobiography
Languages : en
Pages : 380
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Book Description
Iconic graphic designer and Academy Award–winning filmmaker Saul Bass (1920–1996) defined an innovative era in cinema. His title sequences for films such as Otto Preminger's The Man with the Golden Arm (1955) and Anatomy of a Murder (1959), Alfred Hitchcock's Vertigo (1958) and North by Northwest (1959), and Billy Wilder's The Seven Year Itch (1955) introduced the idea that opening credits could tell a story, setting the mood for the movie to follow. Bass's stylistic influence can be seen in popular Hollywood franchises from the Pink Panther to James Bond, as well as in more contemporary works such as Steven Spielberg's Catch Me If You Can (2002) and television's Mad Men. The first book to examine the life and work of this fascinating figure, Saul Bass: Anatomy of Film Design explores the designer's revolutionary career and his lasting impact on the entertainment and advertising industries. Jan-Christopher Horak traces Bass from his humble beginnings as a self-taught artist to his professional peak, when auteur directors like Stanley Kubrick, Robert Aldrich, and Martin Scorsese sought him as a collaborator. He also discusses how Bass incorporated aesthetic concepts borrowed from modern art in his work, presenting them in a new way that made them easily recognizable to the public. This long-overdue book sheds light on the creative process of the undisputed master of film title design—a man whose multidimensional talents and unique ability to blend high art and commercial imperatives profoundly influenced generations of filmmakers, designers, and advertisers.
