Author: Andrew Sinclair
Publisher: Random House (UK)
ISBN: 9781856193429
Category : Arts
Languages : en
Pages : 501
Book Description
This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.
Arts and Cultures
Author: Andrew Sinclair
Publisher: Random House (UK)
ISBN: 9781856193429
Category : Arts
Languages : en
Pages : 501
Book Description
This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.
Publisher: Random House (UK)
ISBN: 9781856193429
Category : Arts
Languages : en
Pages : 501
Book Description
This text looks at the history of the Arts Council of Great Britain. It follows its fortunes from its creation by John Maynard Keynes and its first triumph at the Festival of Britain in 1951, to its recent struggles with the government over its budget of 200 million pounds.
London's Arts Labs and the 60s Avant-Garde
Author: David Curtis
Publisher: John Libbey Publishing
ISBN: 0861969804
Category : Art
Languages : en
Pages : 177
Book Description
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.
Publisher: John Libbey Publishing
ISBN: 0861969804
Category : Art
Languages : en
Pages : 177
Book Description
This is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967–69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko / John Latham / Takis / Roelof Louw), poetry and music (first UK performance of Erik Satie's 24-hour Vexations) and fringe theatre (People Show / Freehold / Jane Arden's Vagina Rex and the Gas Oven / Will Spoor Mime Theatre). The Robert Street 'New Arts Lab' (1969–71) housed Britain's first video workshop TVX, the London Filmmakers Co-op's first workshop and a 5-days-a-week cinema devoted to showing new work by moving-image artists (David Larcher / Malcolm Le Grice / Sally Potter / Carolee Schneemann / Peter Gidal). It staged J G Ballard's infamous Crashed Cars exhibition and John & Dianne Lifton's pioneering computer-aided dance/mime performances. The impact of London's Labs led to an explosion of new artist-led spaces across Britain. This book relates the struggles of FACOP (Friends of the Arts Council Operative) to make the case for these new kinds of space and these new art-forms and the Arts Council's hesitant response – in the context of a popular press already hostile to youth culture, experimental art and the 'underground'. With a Foreword by Andrew Wilson, Curator Modern & Contemporary British Art and Archives, Tate Gallery.
Achieving Great Art for Everyone
Author: Art Council England
Publisher:
ISBN: 9780728714939
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9780728714939
Category :
Languages : en
Pages :
Book Description
Cultural Capital
Author: Robert Hewison
Publisher: Verso Books
ISBN: 1781685924
Category : Art
Languages : en
Pages : 289
Book Description
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Publisher: Verso Books
ISBN: 1781685924
Category : Art
Languages : en
Pages : 289
Book Description
Britain began the twenty-first century convinced of its creativity. Throughout the New Labour era, the visual and performing arts, museums and galleries, were ceaselessly promoted as a stimulus to national economic revival, a post-industrial revolution where spending on culture would solve everything, from national decline to crime. Tony Blair heralded it a “golden age.” Yet despite huge investment, the audience for the arts remained a privileged minority. So what went wrong? In Cultural Capital, leading historian Robert Hewison gives an in-depth account of how creative Britain lost its way. From Cool Britannia and the Millennium Dome to the Olympics and beyond, he shows how culture became a commodity, and how target-obsessed managerialism stifled creativity. In response to the failures of New Labour and the austerity measures of the Coalition government, Hewison argues for a new relationship between politics and the arts.
Art for the Nation
Author: Brandon Taylor
Publisher: Manchester University Press
ISBN: 9780719054532
Category : Art
Languages : en
Pages : 346
Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
Publisher: Manchester University Press
ISBN: 9780719054532
Category : Art
Languages : en
Pages : 346
Book Description
Art first became public in Britain through a series of interlocking relationships between national galleries, patrons, collections of art, and sections or classes of the population as a whole. This study concentrates on London, and analyzes the formation of the major national art institutions at its geographical and managerial centre.
The State and the Visual Arts
Author: Nicholas Pearson
Publisher: Milton Keynes : Open University Press
ISBN:
Category : Art and state
Languages : en
Pages : 144
Book Description
Publisher: Milton Keynes : Open University Press
ISBN:
Category : Art and state
Languages : en
Pages : 144
Book Description
Unpopular Culture
Author: Grayson Perry
Publisher: Hayward Gallery Publishing
ISBN: 9781853322679
Category : Art, British
Languages : en
Pages : 0
Book Description
Text by Grayson Perry, Blake Morrison.
Publisher: Hayward Gallery Publishing
ISBN: 9781853322679
Category : Art, British
Languages : en
Pages : 0
Book Description
Text by Grayson Perry, Blake Morrison.
Agnes Martin, Paintings and Drawings, 1957-1975
Author: Arts Council of Great Britain
Publisher: Australian Geographic
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Publisher: Australian Geographic
ISBN:
Category : Art
Languages : en
Pages : 54
Book Description
Art in Revolution
Author: Arts Council of Great Britain
Publisher: London : Arts Council of Great Britain
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
Publisher: London : Arts Council of Great Britain
ISBN:
Category : Art
Languages : en
Pages : 122
Book Description
British Women Sculptors
Author:
Publisher:
ISBN: 9781853323676
Category : Art
Languages : en
Pages : 112
Book Description
The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.
Publisher:
ISBN: 9781853323676
Category : Art
Languages : en
Pages : 112
Book Description
The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.