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Author: John Patrick Spiegel
Publisher: Ardent Media
ISBN: 9780829002294
Category : Psychology
Languages : en
Pages : 170
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Book Description
Author: John Patrick Spiegel
Publisher: Ardent Media
ISBN: 9780829002294
Category : Psychology
Languages : en
Pages : 170
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Book Description
Author: Anne Dennis
Publisher: MIT Press
ISBN: 9781854596833
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
This manual shows how the actor can use his or her body to be as expressive and articulate as he or she is with words. It analyses the actor's physical needs, offering a series of graded exercises.
Author: Kylee-Anne Hingston
Publisher: Liverpool University Press
ISBN: 1789624959
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Articulating Bodies shows how Victorian fiction’s narrative form as well as narrative theme to negotiate how to categorize bodies, both constructing and questioning the boundary dividing normalcy from abnormality.
Author: Tami Spry
Publisher: Routledge
ISBN: 131543279X
Category : Psychology
Languages : en
Pages : 168
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Book Description
Tami Spry provides a methodological introduction to the budding field of performative autoethnography. She intertwines three necessary elements comprising the process. First one must understand the body – navigating concepts of self, culture, language, class, race, gender, and physicality. The second task is to put that body on the page, assigning words for that body’s sociocultural experiences. Finally, this merger of body and paper is lifted up to the stage, crafting a persona as a method of personal inquiry. These three stages are simultaneous and interdependent, and only in cultivating all three does performance autoethnography begin to take shape. Replete with examples and exercises, this is an important introductory work for autoethnographers and performance artists alike.
Author: Brian Johnson
Publisher: Crown King Books
ISBN: 1939506042
Category : Law
Languages : en
Pages : 301
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Book Description
An advocate may know what to say but is only effective when he or she knows how to be persuasive. Combining fact with know-how to persuade judges, juries, and arbitrator, the book teaches immediately useful techniques such as how to channel the initial adrenaline buzz, grab and hold the fact finder's attention, gesture while speaking, speaking in phrases, and polishing the persuasive style. Based on 25 years of experience from coaching practitioners, this guide integrates cutting edge discoveries in human factors, gesture studies, linguistics, neuroscience, and sports psychology to give litigators a competitive edge. This brand new edition includes all new illustrations and new information on motions, arbitrations, and appeals.
Author: Simon Murray
Publisher: Routledge
ISBN: 1317379403
Category : Performing Arts
Languages : en
Pages : 359
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Book Description
This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.
Author: Hanjo Berressem
Publisher: LIT Verlag Münster
ISBN: 3643101740
Category : Art
Languages : en
Pages : 394
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Book Description
Deleuzian Events: Writing / History brings together articles that deal with Gilles Deleuze's concept of "the event," many of them written by leading Deleuze scholars. The eminently transdisciplinary collection relates the Deleuzian event to the larger cultural field, addressing not only the philosophy of the event, but also its history, its politics and its presence in the arts. Among the variety of topics are zeta-physics, modern dance and postcolonial history. It is indispensable reading for anyone interested in how to make Deleuzian philosophy a productive force within contemporary life.
Author: John Keefe
Publisher: Routledge
ISBN: 1134230974
Category : Performing Arts
Languages : en
Pages : 312
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Book Description
Physical Theatres: A Critical Reader is an invaluable resource for students of physically orientated theatre and performance. This book aims to trace the roots and development of physicality in theatre by combining practical experience of the field with a strong historical and theoretical underpinning. In exploring the histories, cross-overs and intersections of physical theatres, this critical Reader provides: six new, specially commissioned essays, covering each of the book’s main themes, from technical traditions to contemporary practises discussion of issues such as the foregrounding of the body, training and performance processes, and the origins of theatre in both play and human cognition a focus on the relationship and tensions between the verbal and the physical in theatre contributions from Augusto Boal, Stephen Berkoff, Étienne Decroux, Bertolt Brecht, David George, J-J. Rousseau, Ana Sanchez Colberg, Michael Chekhov, Jeff Nuttall, Jacques Lecoq, Yoshi Oida, Mike Pearson, and Aristotle.
Author: Rachel Dickstein
Publisher: Taylor & Francis
ISBN: 1040039170
Category : Performing Arts
Languages : en
Pages : 241
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Book Description
Towards Embodied Performance invites directors and other generative performance makers to experiment with making their own original, visually stunning, sonically immersive, and physically rigorous embodied performance. Through historical context, the author’s 30-plus years of experience, and original interviews with leading theatre artists, this book sets the stage for a new generation of artists building boundary-breaking work. Directors are often categorized into one of only two frameworks: the Stanislavskian director, whose method is based on text analysis and character wants and needs, and the “auteur” director, whose work might focus on visual spectacle at the expense of text or character objectives. This book argues that the director of embodied performance fuses these two approaches, acting as the author of the event. In Part I, readers will explore the core elements of embodied performance – space, time, body, language, and action – through a lens that bridges traditional directing methodology with experimental, devised, collaborative theatre-making. Part II provides examples of this embodied practice by multi-disciplinary artists in visual and sound installation, video and film, dance-theatre, and new music/opera, including such artists as Shirin Neshat, James Turrell, Bill T. Jones, Janet Cardiff, Okwui Okpokwasili, William Kentridge, and Heather Christian. Part III suggests creative prompts and exercises for performance makers to engage the visual, physical, textual, and sonic in compositional storytelling on stage. Towards Embodied Performance is an invaluable resource for theatre directors, devisers, and generative artists at all levels from students to teachers, from early-career to mid-career artists. Directors, actors, choreographers, designers, composers, writers, scholars, and engaged audience members can all use this text to explore collaboratively created performance that invites its audience into the ripest version of the present moment.
Author: Wilhelm Braune
Publisher: Springer Science & Business Media
ISBN: 3642703267
Category : Medical
Languages : en
Pages : 448
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Book Description
The different chapters of the present book were published separately each as a complete entity in the Proceedings of the Royal Saxon Society for Sciences. Chapter 1 appeared in 1895 under the names of Wilhelm Braune and Otto Fischer although Braune died immediately after the initial experiments, before the recordings had been interpreted. Chapters 2-6 were signed by Fischer only and appeared in 1899, 1900, 1901, 1903 and 1904. Basic data needed for this investigation of the human gait had been provided previously. A research on the centre of gravity ofthe human body and its different segments by both authors was published in 1889, determination of the moments of inertia of the human body and its segments in 1892. So far only the fIrst of these two works has been published in English. The other has been translated and awaits publication. Springer-Verlag must be congratulated for the quality of this edition and for the care they took in reproducing the original fIgures. This was certainly no easy task. We thank them for the patience they displayed towards the translators. Publication of the present book was made possible fInancially by Prof. M. Muller, Bern. We are grateful to him for his generosity and so will be the scientifIc community.
