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Author: F. L. Taylor
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545592915
Category :
Languages : en
Pages : 184
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Book Description
THE change from mediaeval to modern methods in the art of war is closely related to the general transformation of European civilization which goes by the name of the Renaissance. The revival of interest in ancient history and literature had a distinct effect on military theory and practice. The new spirit of inquiry and experiment applied itself vigorously to military problems. Moreover the avowed national separatism which replaced the sham imperialism of the Middle Ages accentuated the rivalry between states and produced wars which were more frequent, more prolonged, more general, and more intense than those of the preceding centuries. The history of these wars, waged in an age of eager intellectual activity, reveals, as we should expect it to reveal, rapid progress, amounting almost to revolution, in the use of arms, but what makes an examination of the subject singularly instructive is the fact that the most important of these campaigns were fought in Italy during the culminating years of the Italian Renaissance. The finest minds of the day had the opportunity of witnessing, of recording, and of commenting on the exploits of the leading captains and the most famous troops of Europe. They assisted in the interplay of ideas and the comparison of experiences. The fruit of this period of intensive cultivation of the art of war was the military science of the modern world. When, in the autumn of 1494, Charles VIII of France set out for the conquest of Naples he did so in a spirit of adventure, at the head of an army raised for the occasion, and with the declared desire to proceed ultimately to the Holy Land. When, in 1529, the treaty of Cambrai brought the Italian wars to a close there had already appeared in Europe such modern phenomena as the principle of the balance of power, trained standing armies, and competitive armaments. In the following chapters an attempt will be made to trace the stages of the process by which this change from mediaeval to modern Europe manifested itself in the development of the art of war. The inquiry will be restricted to the campaigns which were fought in Italy between the years mentioned above, but since during that period Italy was the battlefield of Europe it will be well to begin with a brief consideration of the military condition of the countries which took part in the wars...
![The Art of War in Italy [Didactic Press Paperbacks] PDF](https://books.google.com/books/content/images/frontcover/y4HhtAEACAAJ?fife=w80-h100)
Author: F. L. Taylor
Publisher: Createspace Independent Publishing Platform
ISBN: 9781545592915
Category :
Languages : en
Pages : 184
Get Book Here
Book Description
THE change from mediaeval to modern methods in the art of war is closely related to the general transformation of European civilization which goes by the name of the Renaissance. The revival of interest in ancient history and literature had a distinct effect on military theory and practice. The new spirit of inquiry and experiment applied itself vigorously to military problems. Moreover the avowed national separatism which replaced the sham imperialism of the Middle Ages accentuated the rivalry between states and produced wars which were more frequent, more prolonged, more general, and more intense than those of the preceding centuries. The history of these wars, waged in an age of eager intellectual activity, reveals, as we should expect it to reveal, rapid progress, amounting almost to revolution, in the use of arms, but what makes an examination of the subject singularly instructive is the fact that the most important of these campaigns were fought in Italy during the culminating years of the Italian Renaissance. The finest minds of the day had the opportunity of witnessing, of recording, and of commenting on the exploits of the leading captains and the most famous troops of Europe. They assisted in the interplay of ideas and the comparison of experiences. The fruit of this period of intensive cultivation of the art of war was the military science of the modern world. When, in the autumn of 1494, Charles VIII of France set out for the conquest of Naples he did so in a spirit of adventure, at the head of an army raised for the occasion, and with the declared desire to proceed ultimately to the Holy Land. When, in 1529, the treaty of Cambrai brought the Italian wars to a close there had already appeared in Europe such modern phenomena as the principle of the balance of power, trained standing armies, and competitive armaments. In the following chapters an attempt will be made to trace the stages of the process by which this change from mediaeval to modern Europe manifested itself in the development of the art of war. The inquiry will be restricted to the campaigns which were fought in Italy between the years mentioned above, but since during that period Italy was the battlefield of Europe it will be well to begin with a brief consideration of the military condition of the countries which took part in the wars...
Author: J. E. Kaufmann
Publisher: Pen and Sword
ISBN: 1526736888
Category : Architecture
Languages : en
Pages : 391
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Book Description
The authors of Castrum to Castle trace the “evolution of defensive architecture at the turn of the late Middle Ages and the beginning of the Renaissance.” —Old Barbed Wire Blog Across western Europe, the long tradition of castle-building took on its most sophisticated form in the later Medieval period and then, in response to the development of gunpowder weapons, it underwent a fundamental change—from castle to fortress. This, the second volume of a highly illustrated new study of medieval fortification, gives a fascinating insight into the last great age of castles and the centuries of violence and conflict they were part of. It traces the advances made between the twelfth and the fifteenth centuries, looking in particular at the form these fortifications took in contexts as different as Italy, Wales, France and the Iberian Peninsula. Many would regard this period in the history of castles as the classic age. It was followed by a phase of relative decline as the conditions of warfare changed and castles had to be adapted to cope with cannon. The conventional castle gave way to new styles of fortification. But, as the authors demonstrate, they were still essential factors in military calculations and campaigns—they were of direct strategic and tactical importance wherever there was an attempt to take or hold territory. “A fascinating treatise on the way such buildings were modified to provide protection from growing threats.” —Books Monthly
Author: J. E. Kaufmann
Publisher: Pen and Sword
ISBN: 1473895820
Category : History
Languages : en
Pages : 434
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Book Description
A richly illustrated history of military fortifications in ancient and medieval times. For over a thousand years, from the time of the Roman Empire to the classic period of castle-building in the twelfth and thirteenth centuries, fortified sites played a key role in European warfare. This highly illustrated history gives a fascinating insight into their design and development and into the centuries of violence and conflict they were part of. The study traces the evolution of fortifications starting with those of the Romans and their successors. Included are the defenses erected to resist Islamic invasions and Viking raids and the castles built during outbreaks of warfare. As the authors demonstrate, castles and other fortifications were essential factors in military calculations and campaigns. They were of direct strategic and tactical importance wherever there was an attempt to take or hold territory. The factors that influenced their location, layout, and construction are analyzed in this fascinating book, as is the way in which they were adapted to meet the challenges of new tactics and weapons.
Author: Zahra Newby
Publisher: Cambridge University Press
ISBN: 1107072247
Category : Art
Languages : en
Pages : 409
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Book Description
A new reading of the portrayal of Greek myths in Roman art, revealing important shifts in Roman values and identities.
Author: Adrian Johns
Publisher: University of Chicago Press
ISBN: 9780226401225
Category : Literary Criticism
Languages : en
Pages : 780
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Book Description
In The Nature of the Book, a tour de force of cultural history, Adrian Johns constructs an entirely original and vivid picture of print culture and its many arenas—commercial, intellectual, political, and individual. "A compelling exposition of how authors, printers, booksellers and readers competed for power over the printed page. . . . The richness of Mr. Johns's book lies in the splendid detail he has collected to describe the world of books in the first two centuries after the printing press arrived in England."—Alberto Manguel, Washington Times "[A] mammoth and stimulating account of the place of print in the history of knowledge. . . . Johns has written a tremendously learned primer."—D. Graham Burnett, New Republic "A detailed, engrossing, and genuinely eye-opening account of the formative stages of the print culture. . . . This is scholarship at its best."—Merle Rubin, Christian Science Monitor "The most lucid and persuasive account of the new kind of knowledge produced by print. . . . A work to rank alongside McLuhan."—John Sutherland, The Independent "Entertainingly written. . . . The most comprehensive account available . . . well documented and engaging."—Ian Maclean, Times Literary Supplement
Author: Peter Brand
Publisher: Cambridge University Press
ISBN: 9780521434928
Category : Literary Criticism
Languages : en
Pages : 748
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Book Description
'There is no doubt that the present splendid volume ... is likely to remain unrivalled for many years to come for width of coverage, richness of detail, and elegance of presentation.' Modern Language Reviews
Author: Richard Moody Swain
Publisher: Government Printing Office
ISBN: 9780160937583
Category : Study Aids
Languages : en
Pages : 216
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Book Description
In 1950, when he commissioned the first edition of The Armed Forces Officer, Secretary of Defense George C. Marshall told its author, S.L.A. Marshall, that "American military officers, of whatever service, should share common ground ethically and morally." In this new edition, the authors methodically explore that common ground, reflecting on the basics of the Profession of Arms, and the officer's special place and distinctive obligations within that profession and especially to the Constitution.
Author: Ovid
Publisher: Cambridge University Press
ISBN: 9780521813709
Category : Foreign Language Study
Languages : en
Pages : 8
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Book Description
This is a full-scale commentary devoted to the third book of Ovid's Ars Amatoria. It includes an Introduction, a revision of E. J. Kenney's Oxford text of the book, and detailed line-by-line and section-by-section commentary on the language and ideas of the text. Combining traditional philological scholarship with some of the concerns of more recent critics, both Introduction and commentary place particular emphasis on: the language of the text; the relationship of the book to the didactic, 'erotodidactic' and elegiac traditions; Ovid's usurpation of the lena's traditional role of erotic instructor of women; the poet's handling of the controversial subjects of cosmetics and personal adornment; and the literary and political significances of Ovid's unexpected emphasis in the text of Ars III on restraint and 'moderation'. The book will be of interest to all postgraduates and scholars working on Augustan poetry.
Author: Millicent Marcus
Publisher: Princeton University Press
ISBN: 0691209472
Category : Performing Arts
Languages : en
Pages : 464
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Book Description
The movement known as neorealism lasted seven years, generated only twenty-one films, failed at the box office, and fell short of its didactic and aesthetic aspirations. Yet it exerted such a profound influence on Italian cinema that all the best postwar directors had to come to terms with it, whether in seeming imitation (the early Olmi), in commercial exploitation (the middle Comencini) or in ostensible rejection (the recent Tavianis). Despite the reactionary pressures of the marketplace and the highly personalized visions of Fellini, Antonioni. And Visconti, Italian cinema has maintained its moral commitment to use the medium in socially responsible ways--if not to change the world, as the first neorealists hoped, then at least to move filmgoers to face the pressing economic, political, and human problems in their midst. From Rossellini's Open City (1945) to the Taviani brothers' Night of the Shooting Stars (1982). The author does close readings of seventeen films that tell the story of neorealism's evolving influence on Italian postwar cinematic expression. Other films discussed are De Sica's Bicycle Thief and Umberto D. De Santis's Bitter Rice, Comencini's Bread, Love, and Fantasy, Fellini's La strada, Visconti's Senso, Antonioni's Red Desert, Olmi's Il Posto, Germi's Seduced and Abandoned, Pasolini's Teorema, Petri's Investigation of a Citizen above Suspicion, Bertolucci's The Conformist, Rosi's Christ Stopped at Eboli, and Wertmuller's Love and Anarchy, Scola's We All Loved Each Other So Much provides the occasion for the author's own retrospective consideration of how Italian cinema has fulfilled, or disappointed, the promise of neorealism.
Author: Zoë Ryan
Publisher: Yale University Press
ISBN: 0300228627
Category : Architecture
Languages : en
Pages : 145
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Book Description
Exhibitions have long played a crucial role in defining disciplinary histories. This fascinating volume examines the impact of eleven groundbreaking architecture and design exhibitions held between 1956 and 2006, revealing how they have shaped contemporary understanding and practice of these fields. Featuring written and photographic descriptions of the shows and illuminating essays from noted curators, scholars, critics, designers, and theorists, As Seen: Exhibitions that Made Architecture and Design History explores the multifaceted ways in which exhibitions have reflected on contemporary dilemmas and opened up new processes and ways of working. Providing a fresh perspective on some of the most important exhibitions of the 20th century from America, Europe, and Japan, including This Is Tomorrow, Expo '70, and Massive Change, this book offers a new framework for thinking about how exhibitions can function as a transformative force in the field of architecture and design.
