Author: Antonio Paolucci
Publisher: Scripta Maneant Editori
ISBN: 9788895847535
Category : Architecture
Languages : en
Pages : 0
Book Description
Every day up to 22,000 tourists visit the Sistine Chapel. In collaboration with the Edizioni Musei Vaticani, this book reproduces close-up views of Michelangelo's supreme work in new photography of the restored Sistine Chapel. It covers the frescoes of the 15th century, the ceiling and the Last Judgement.
The Sistine Chapel
Author: Antonio Paolucci
Publisher: Scripta Maneant Editori
ISBN: 9788895847535
Category : Architecture
Languages : en
Pages : 0
Book Description
Every day up to 22,000 tourists visit the Sistine Chapel. In collaboration with the Edizioni Musei Vaticani, this book reproduces close-up views of Michelangelo's supreme work in new photography of the restored Sistine Chapel. It covers the frescoes of the 15th century, the ceiling and the Last Judgement.
Publisher: Scripta Maneant Editori
ISBN: 9788895847535
Category : Architecture
Languages : en
Pages : 0
Book Description
Every day up to 22,000 tourists visit the Sistine Chapel. In collaboration with the Edizioni Musei Vaticani, this book reproduces close-up views of Michelangelo's supreme work in new photography of the restored Sistine Chapel. It covers the frescoes of the 15th century, the ceiling and the Last Judgement.
The Art of the Sister Chapel
Author: Andrew Hottle
Publisher: Routledge
ISBN: 1351546368
Category : Art
Languages : en
Pages : 334
Book Description
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women‘s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.
Publisher: Routledge
ISBN: 1351546368
Category : Art
Languages : en
Pages : 334
Book Description
The Sister Chapel (1974-78) was an important collaborative installation that materialized at the height of the women‘s art movement. Conceived as a nonhierarchical, secular commemoration of female role models, The Sister Chapel consisted of an eighteen-foot abstract ceiling that hung above a circular arrangement of eleven monumental canvases, each depicting the standing figure of a heroic woman. The choice of subject was left entirely to the creator of each work. As a result, the paintings formed a visually cohesive group without compromising the individuality of the artists. Contemporary and historical women, deities, and conceptual figures were portrayed by distinguished New York painters-Alice Neel, May Stevens, and Sylvia Sleigh-as well as their accomplished but less prominent colleagues. Among the role models depicted were Artemisia Gentileschi, Frida Kahlo, Betty Friedan, Joan of Arc, and a female incarnation of God. Although last exhibited in 1980, The Sister Chapel has lingered in the minds of art historians who continue to note its significance as an exemplar of feminist collaboration. Based on previously-unpublished archival materials and featuring dozens of rarely-seen works of art, this comprehensive study details the fascinating history of The Sister Chapel, its constituent paintings, and its ambitious creators.
The First Book of Moses, Called Genesis
Author:
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
Publisher: Grove/Atlantic, Inc.
ISBN: 9780802136107
Category : Bible
Languages : en
Pages : 146
Book Description
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
The Agony And The Ecstasy
Author: Irving Stone
Publisher: Random House
ISBN: 1473505704
Category : Fiction
Languages : en
Pages : 787
Book Description
Irving Stone's powerful and passionate biographical novel of Michelangelo. His time: the turbulent Renaissance, the years of poisoning princes, warring popes, the all-powerful Medici family, the fanatic monk Savonarola. His loves: the frail and lovely daughter of Lorenzo de Medici; the ardent mistress of Marco Aldovrandi; and his last love - his greatest love - the beautiful, unhappy Vittoria Colonna. His genius: a God-driven fury from which he wrested the greatest art the world has ever known. Michelangelo Buonarotti, creator of David, painter of the Sistine ceiling, architect of the dome of St Peter's, lives once more in the tempestuous, powerful pages of Irving Stone's marvellous book.
Publisher: Random House
ISBN: 1473505704
Category : Fiction
Languages : en
Pages : 787
Book Description
Irving Stone's powerful and passionate biographical novel of Michelangelo. His time: the turbulent Renaissance, the years of poisoning princes, warring popes, the all-powerful Medici family, the fanatic monk Savonarola. His loves: the frail and lovely daughter of Lorenzo de Medici; the ardent mistress of Marco Aldovrandi; and his last love - his greatest love - the beautiful, unhappy Vittoria Colonna. His genius: a God-driven fury from which he wrested the greatest art the world has ever known. Michelangelo Buonarotti, creator of David, painter of the Sistine ceiling, architect of the dome of St Peter's, lives once more in the tempestuous, powerful pages of Irving Stone's marvellous book.
The Vence Chapel
Author: Henri Matisse
Publisher: Skira
ISBN:
Category : Art
Languages : en
Pages : 480
Book Description
Completing this invaluable record, the correspondence between Matisse and Father Marie-Alain Couturier, the Dominican priest at the forefront of the post-World War II movement to commission works of religious art from leading modern painters and sculptors, details the creation of the Chapel's most remarkable feature - Matisse's bold stained-glass windows. The numerous letters he and the artist exchanged are in themselves a fascinating exchange on the art and the significance of modern stained glass.
Publisher: Skira
ISBN:
Category : Art
Languages : en
Pages : 480
Book Description
Completing this invaluable record, the correspondence between Matisse and Father Marie-Alain Couturier, the Dominican priest at the forefront of the post-World War II movement to commission works of religious art from leading modern painters and sculptors, details the creation of the Chapel's most remarkable feature - Matisse's bold stained-glass windows. The numerous letters he and the artist exchanged are in themselves a fascinating exchange on the art and the significance of modern stained glass.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Giotto and the Arena Chapel
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
The Decoration of the Sistine Chapel
Author: Johannes Wilde
Publisher:
ISBN: 9780856720109
Category : Vatican City
Languages : en
Pages : 44
Book Description
Publisher:
ISBN: 9780856720109
Category : Vatican City
Languages : en
Pages : 44
Book Description
Shirley Gorelick (1924-2000)
Author: Andrew D. Hottle
Publisher:
ISBN: 9781443866910
Category : Painting, Abstract
Languages : en
Pages : 0
Book Description
Shirley Gorelick (1924â "2000) was an American artist who evolved a distinctive realist technique that allowed her to create penetrating psychological portraiture, often on a large scale. This profusely illustrated book is the first in-depth study of Gorelickâ (TM)s oeuvre. Her development is traced from the early influences of Cubism, Surrealism, and Abstract Expressionism to her artistic maturity as a painter of compelling realist works. Gorelickâ (TM)s creative achievements are revisited and illuminated through interviews, artistâ (TM)s statements, press releases, published reviews, and detailed discussions of her major themes and important works. Shirley Gorelickâ (TM)s acrylic paintings, silverpoint drawings, and intaglio prints were exhibited widely in the 1970s and early 1980s. Her work was lauded by reviewers in the New York Times, Newsday, Soho Weekly News, Long Island Press, Arts Magazine, Feminist Art Journal, and Womanart. In 1979, Ellen Lubell aptly declared that Shirley Gorelick â oedeserves consideration with the leading figure painters of the day.â She was also an early member of SOHO 20 Gallery (est. 1973), the second artist-run, all-women exhibition space in New York City, and was among the founders of Central Hall Artists Gallery (est. 1973) in Port Washington, New York, the first cooperative of its kind on Long Island.
Publisher:
ISBN: 9781443866910
Category : Painting, Abstract
Languages : en
Pages : 0
Book Description
Shirley Gorelick (1924â "2000) was an American artist who evolved a distinctive realist technique that allowed her to create penetrating psychological portraiture, often on a large scale. This profusely illustrated book is the first in-depth study of Gorelickâ (TM)s oeuvre. Her development is traced from the early influences of Cubism, Surrealism, and Abstract Expressionism to her artistic maturity as a painter of compelling realist works. Gorelickâ (TM)s creative achievements are revisited and illuminated through interviews, artistâ (TM)s statements, press releases, published reviews, and detailed discussions of her major themes and important works. Shirley Gorelickâ (TM)s acrylic paintings, silverpoint drawings, and intaglio prints were exhibited widely in the 1970s and early 1980s. Her work was lauded by reviewers in the New York Times, Newsday, Soho Weekly News, Long Island Press, Arts Magazine, Feminist Art Journal, and Womanart. In 1979, Ellen Lubell aptly declared that Shirley Gorelick â oedeserves consideration with the leading figure painters of the day.â She was also an early member of SOHO 20 Gallery (est. 1973), the second artist-run, all-women exhibition space in New York City, and was among the founders of Central Hall Artists Gallery (est. 1973) in Port Washington, New York, the first cooperative of its kind on Long Island.
Aboriginal Church Paintings
Author: Eugene Daniel Stockton
Publisher:
ISBN: 9780646532387
Category : Aboriginal Australians
Languages : en
Pages : 0
Book Description
Generously illustrated in full colour, this book explores the varied responses by several Aboriginal artists, and groups of Aboriginal artists, across Australia to the Christian message, its relevance to their traditional culture and their firmly held beliefs. The result is a revealing insight into the depth of understanding of the Gospels by the artists and the important relevance this understanding has to Australian spirituality today.
Publisher:
ISBN: 9780646532387
Category : Aboriginal Australians
Languages : en
Pages : 0
Book Description
Generously illustrated in full colour, this book explores the varied responses by several Aboriginal artists, and groups of Aboriginal artists, across Australia to the Christian message, its relevance to their traditional culture and their firmly held beliefs. The result is a revealing insight into the depth of understanding of the Gospels by the artists and the important relevance this understanding has to Australian spirituality today.