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Author: Allison Rudnick
Publisher: Metropolitan Museum of Art
ISBN: 1588397742
Category : Antiques & Collectibles
Languages : en
Pages : 252
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Book Description
Spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period—including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed—these advertisements for books and high-tone periodicals such as Harper’s and Lippincott’s went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design, The Art of the Literary Poster is sure to delight enthusiasts of illustration, advertising, and book arts.
Author: Postertext
Publisher: Chronicle Books
ISBN: 9781452148649
Category : Design
Languages : en
Pages : 0
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Book Description
In this book, a picture is indeed worth a thousand words. Within its covers are 50 literary classics, deconstructed and then put back together word by word to create singularly beautiful pieces of art. The silhouettes that emerge from the text illustrate the central characters, landscapes, and themes of each story. This collection ranges across the canon, from 620 BCE to 1937. Bibliophiles will find many of their favorite reads as well as lesser-known gems to discover or rediscover. Each piece of art contains an entire text in legible type, so that, with the help of the magnifying glass on a ribbon marker, readers can enjoy both the striking images and the timeless words themselves.
Author: Allison Rudnick
Publisher: Metropolitan Museum of Art
ISBN: 1588397742
Category : Antiques & Collectibles
Languages : en
Pages : 252
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Book Description
Spurred by innovations in printing technology, the modern poster emerged in the 1890s as a popular form of visual culture in the United States. Created by some of the best-known illustrators and graphic designers of the period—including Will H. Bradley, Florence Lundborg, Edward Penfield, and Ethel Reed—these advertisements for books and high-tone periodicals such as Harper’s and Lippincott’s went beyond the realm of commercial art, incorporating bold, stylized imagery and striking typography. This book, based on the renowned Leonard A. Lauder Collection, explores the craze for literary posters, which became sought after collectibles even in their day. It offers new scholarly perspectives that address the aesthetic sophistication and modernity of the literary poster; the impact of early experiments in the field of advertising psychology; the expanded opportunities for women artists, who played an important role in advancing the so-called poster style; and the printmaking techniques that artists employed in this novel art form. A lively survey of a little-known but highly influential period in graphic design, The Art of the Literary Poster is sure to delight enthusiasts of illustration, advertising, and book arts.
Author: Jurgen Doring
Publisher: National Geographic Books
ISBN: 379135986X
Category : Art
Languages : en
Pages : 0
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Book Description
This stunningly illustrated book examines the history of poster design and its relation to the arts and broader culture. The poster is a versatile marketing tool widely used from the 19th century to today for everything from political events to movies. A good poster has many layers, it goes beyond advertising and makes statements about style, history, fashion, and taste at the time. It is these layers that can turn a poster into a work of art. This book showcases 480 posters by more than 200 artists and designers and tells a comprehensive history of the poster. The book includes Art Nouveau, Bauhaus, Pop art, and contemporary posters from preeminent artists such as Alphonse Mucha, Egon Schiele, Pablo Picasso, and Andy Warhol and from noted designers ranging from Lucian Bernhard and A.M. Cassandre to Saul Bass, Tadanori Yokoo, and Stefan Sagmeister. The book also introduces many other leading poster designers whose names are less well-known. Contemporary advertisements for Calvin Klein, United Colors of Benetton, and Coachella are also explored. By tracing the history of the poster, this book shows social developments throughout the world and illuminates how art styles have changed over time.
Author: Peter Drew
Publisher: Black Inc.
ISBN: 1743820844
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
When you’re sneaking around the city at night you feel like a kid again. The seriousness of the world is unmasked as a series of facades, dead objects just waiting to be painted. I was immediately hooked. Out on the street I could say anything I wanted. So what did I want to say? Peter Drew’s posters are a familiar sight across Australia – his ‘Real Australians Say Welcome’ and ‘Aussie’ campaigns took on lives of their own, attaining cult status and starting conversations all over the country. But who made them, and why? In this irresistible and unexpected memoir, Peter Drew searches for the answers to these questions. He traces the links between his creative and personal lives, and discovers surprising parallels between Australia’s dark, unacknowledged past and the unspoken conflict at the core of his own family. Packed full of Peter Drew’s memorable images, Poster Boy is an intelligent, funny and brutally honest dive into the stew of individual, family and national identity. It’s about politics and art, and why we need them both. And it’s about making a mark. ‘Peter Drew’s work changes how we see our streets and country, as well as activism and art. Be warned: This galvanising book might propel you to start a movement yourself.’ —Benjamin Law 'An unflinching look at modern Australia, Poster Boy is a tale literally told from the streets. It is a stark story where the villains blend in with those devoted to pushing for change. This book floored me.' —Osher Günsberg ‘To read Poster Boy is to experience the life-enriching idea that one person can make real change. Then wait for the minute, the day, the week, when the afterglow of his story works its magic on your own simple deeds. From little things, big things truly grow.’ —Megan Morton ‘An insightful look into the life and mind of one of Australia's most progressive and forthright artists of our generation.’ —Nick Mitzevich, director of the National Gallery of Australia
Author: F. Scott Fitzgerald
Publisher:
ISBN:
Category :
Languages : en
Pages : 113
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Book Description
The Great Gatsby is synonymous with parties, glitz and glamour - but this is just one of many misunderstandings about the book that began from its first publication. Few characters in literature or indeed life embody an era quite so tenaciously as Jay Gatsby does the Jazz Age. Almost a century after he was written into being, F Scott Fitzgerald's doomed romantic has become shorthand for decadent flappers, champagne fountains and never-ending parties. Cut loose by pop culture from the text into which he was born, his name adorns everything from condominiums to hair wax and a limited-edition cologne (it contains notes of vetiver, pink pepper and Sicilian lime). It's now possible to lounge on a Gatsby sofa, check in at the Gatsby hotel, even chow down on a Gatsby sandwich - essentially a supersize, souped-up chip butty. Incongruous though that last item sounds, naming anything after the man formerly known as James Gatz seems more than a touch problematic. After all, flamboyant host is just one part of his complicated identity. He's also a bootlegger, up to his neck in criminal enterprise, not to mention a delusional stalker whose showmanship comes to seem downright tacky. If he embodies the potential of the American Dream, then he also illustrates its limitations: here is a man, let's not forget, whose end is destined to be as pointless as it is violent. Of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about - F Scott Fitzgerald Misunderstanding has been a part of The Great Gatsby's story from the very start. Grumbling to his friend Edmund Wilson shortly after publication in 1925, Fitzgerald declared that "of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about." Fellow writers like Edith Wharton admired it plenty, but as the critic Maureen Corrigan relates in her book So We Read On: How The Great Gatsby Came to Be and Why It Endures, popular reviewers read it as crime fiction, and were decidedly underwhelmed by it at that. Fitzgerald's Latest A Dud, ran a headline in the New York World. The novel achieved only so-so sales, and by the time of the author's death in 1940, copies of a very modest second print run had long since been remaindered. The novel has become a force in pop culture, helped by Hollywood; the term 'Gatsbyesque' emerged a few years after the 1974 film starring Robert Redford Gatsby's luck began to change when it was selected as a giveaway by the US military. With World War Two drawing to a close, almost 155,000 copies were distributed in a special Armed Services Edition, creating a new readership overnight. As the 1950s dawned, the flourishing of the American Dream quickened the novel's topicality, and by the 1960s, it was enshrined as a set text. It's since become such a potent force in pop culture that even those who've never read it feel as if they have, helped along, of course, by Hollywood. It was in 1977, just a few short years after Robert Redford starred in the title role of an adaptation scripted by Francis Ford Coppola, that the word Gatsbyesque was first recorded.
Author: The Metropolitan Museum of Art
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
This catalogue, published annually by The Metropolitan Museum of Art, announces the Museum's publications for that year. It also features notable backlist titles and provides a complete list of books available in print at the time of publication.
Author: Bader Antart
Publisher: Koushik Das
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 201
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Book Description
American Art Posters of 1980's by Bader Artist
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0810918692
Category : Art nouveau
Languages : en
Pages : 201
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Book Description
Author: Aránzazu Ascunce
Publisher: Lexington Books
ISBN: 1611484243
Category : History
Languages : en
Pages : 289
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Book Description
For hundreds of years, Barcelona and Madrid have shared a deep rivalry. Throughout history, they have competed in practically every aspect of social life, sport, politics, and culture. While competition between cities is commonplace in many nations around the world, in the case of Barcelona and Madrid it has been, on occasion, excessively antagonistic. Over time they have each tried to demonstrate that one was more modern than the other, or more avant-garde, or richer, or more athletic, and so on. Fortunately, the Spain of today is a democracy and every nation and region of the State has the liberty to act. As such, the rivalry between these two capitals has become productive not only for the cities themselves, but also for Spain as a whole. One hundred years ago, at the onset of the Historical Avant-Garde in Spain, the connections between Barcelona and Madrid consisted of a complicated web of politics, friendships, publications, and inter-art collaborations. Over the last century, the antagonistic relationship between these two cultural capitals has been dismissed as simply a fact of life and thereby scholars, for the most part, have focused only on Barcelona or Madrid when addressing this cultural moment. By delving deep into the myriad of cultural and political complexities that surround these two cities from the onset of Futurism (1909) to the arrival of Surrealism in Spain (1929), a complex social and cultural network is revealed. Networking between artists, poets, journalists and thinkers connected avant-garde Barcelona and Madrid, thereby creating synergy for this artistic and literary movement. In a hybrid, transdisciplarian, translingual and historical approach using a wide range of visual and textual artifacts, the complexity of interactions described here opens our imagination to new ways of thinking about culture.
Author: Edward Jewitt Wheeler
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 862
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Book Description
