Author: Bernard Smith
Publisher:
ISBN:
Category : Aboriginal Australians in European art
Languages : en
Pages : 264
Book Description
In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.
The Art of the First Fleet & Other Early Australian Drawings
Author: Bernard Smith
Publisher:
ISBN:
Category : Aboriginal Australians in European art
Languages : en
Pages : 264
Book Description
In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.
Publisher:
ISBN:
Category : Aboriginal Australians in European art
Languages : en
Pages : 264
Book Description
In 1788, the First Fleet landed in New South Wales, and European settlement in Australia began. Among those on board the eleven ships of the fleet were artists who recorded their impressions of the land, its indigenous people, its flora and fauna, and incidents or events which they considered significant.
Natural Curiosity
Author: Louise Anemaat
Publisher: NewSouth
ISBN: 1742246788
Category : Art
Languages : en
Pages : 256
Book Description
Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.
Publisher: NewSouth
ISBN: 1742246788
Category : Art
Languages : en
Pages : 256
Book Description
Parrots and lorikeets swoop down, vivid, bright and colourful. Black swans glide through the air. Owls stare out from pages, wide-eyed. A sense of awe swept through natural history circles in eighteenth-century London when the first ships returned from Sydney with their cargo of exotic animals, birds and plants – and striking watercolour illustrations. The sudden emergence, in 2011, of a large number of these watercolour illustrations has revealed much about the early years of the colony. In Natural Curiosity, Louise Anemaat uncovers never-before-published works from the artists of the First Fleet, including convicts-turned-watercolourists Thomas Watling and John Doody, and the anonymous 'Port Jackson Painter'. She unravels the complex network of natural history collectors who spanned the globe – eagerly acquiring, copying and exchanging these artworks – from New South Wales Surgeon-General John White to passionate British collector Aylmer Bourke Lambert.
Feather and Brush
Author: Penny Olsen
Publisher: CSIRO PUBLISHING
ISBN: 9780643065475
Category : Animal painters
Languages : en
Pages : 350
Book Description
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
Publisher: CSIRO PUBLISHING
ISBN: 9780643065475
Category : Animal painters
Languages : en
Pages : 350
Book Description
This volume traces the 300-year history of bird art in Australia, from the crudely illustrated records of the earliest European voyages of discovery to the diversity of artwork available at the start of the 21st century. It is a history inseparable from the development of Australian ornithology. Against a background of establishment of the country itself, naval draftsmen, convicts, officers, settlers, naturalists, artists and scientists alike contributed both to the art and to science.
The First Fleet Piano: Volume One
Author: Geoffrey Lancaster
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
Publisher: ANU Press
ISBN: 1922144657
Category : Music
Languages : en
Pages : 919
Book Description
During the late eighteenth century, a musical–cultural phenomenon swept the globe. The English square piano—invented in the early 1760s by an entrepreneurial German guitar maker in London—not only became an indispensable part of social life, but also inspired the creation of an expressive and scintillating repertoire. Square pianos reinforced music as life’s counterpoint, and were played by royalty, by musicians of the highest calibre and by aspiring amateurs alike. On Sunday, 13 May 1787, a square piano departed from Portsmouth on board the Sirius, the flagship of the First Fleet, bound for Botany Bay. Who made the First Fleet piano, and when was it made? Who owned it? Who played it, and who listened? What music did the instrument sound out, and within what contexts was its voice heard? What became of the First Fleet piano after its arrival on antipodean soil, and who played a part in the instrument’s subsequent history? Two extant instruments contend for the title ‘First Fleet piano’; which of these made the epic journey to Botany Bay in 1787–88? The First Fleet Piano: A Musician’s View answers these questions, and provides tantalising glimpses of social and cultural life both in Georgian England and in the early colony at Sydney Cove. The First Fleet piano is placed within the musical and social contexts for which it was created, and narratives of the individuals whose lives have been touched by the instrument are woven together into an account of the First Fleet piano’s conjunction with the forces of history. View ‘The First Fleet Piano: Volume Two Appendices’. Note: Volume 1 and 2 are sold as a set ($180 for both) and cannot be purchased separately.
A Guide to Maps of Australia in Books Published 1780-1830
Author: Dorothy Francis Prescott
Publisher: National Library Australia
ISBN: 9780642252371
Category : History
Languages : en
Pages : 328
Book Description
Publisher: National Library Australia
ISBN: 9780642252371
Category : History
Languages : en
Pages : 328
Book Description
Nature and the Godly Empire
Author: Sujit Sivasundaram
Publisher: Cambridge University Press
ISBN: 9780521848367
Category : History
Languages : en
Pages : 264
Book Description
A study of the relations between nineteenth-century science and Christianity.
Publisher: Cambridge University Press
ISBN: 9780521848367
Category : History
Languages : en
Pages : 264
Book Description
A study of the relations between nineteenth-century science and Christianity.
Australian Artists in the Contemporary Museum
Author: Jennifer Barrett
Publisher: Routledge
ISBN: 135195668X
Category : Art
Languages : en
Pages : 340
Book Description
This unique book proposes a re-reading of the relationship between artists and the contemporary museum. In Australia in particular, the museum has played a significant role in the colonial project and this has generally been considered as the predominant mode of artists' engagement with such institutions and collections. Australian Artists in the Contemporary Museum expands the post-colonial frame of reference used to interpret this work, to demonstrate the broader implications of the relationship between artists and the museum, and thus to offer an alternative way of understanding recent contemporary practices. The authors' central argument is that artists' engagement with the museum has shifted from politically motivated critique taking place in museums of fine art, towards interventions taking place in non-art museums that focus on the creation of knowledge more broadly. Such interventions assume a number of forms, including the artist acting as curator, art works that highlight the use of taxonomic modes of display and categorization, and the re-consideration of the aesthetics of collections to suggest different ways of interpreting objects and their history. Central to these interventions is the challenge to better connect the museum and its public. The book will be essential reading for scholars, professionals and students in the fields of contemporary art and museum studies, art history, and in the museum sector. These include artists, curators, museum and gallery professionals, postgraduate researchers, art historians, designers and design scholars, art and museum educators, and students of visual art, art history, and museum studies. This project has been assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body.
Publisher: Routledge
ISBN: 135195668X
Category : Art
Languages : en
Pages : 340
Book Description
This unique book proposes a re-reading of the relationship between artists and the contemporary museum. In Australia in particular, the museum has played a significant role in the colonial project and this has generally been considered as the predominant mode of artists' engagement with such institutions and collections. Australian Artists in the Contemporary Museum expands the post-colonial frame of reference used to interpret this work, to demonstrate the broader implications of the relationship between artists and the museum, and thus to offer an alternative way of understanding recent contemporary practices. The authors' central argument is that artists' engagement with the museum has shifted from politically motivated critique taking place in museums of fine art, towards interventions taking place in non-art museums that focus on the creation of knowledge more broadly. Such interventions assume a number of forms, including the artist acting as curator, art works that highlight the use of taxonomic modes of display and categorization, and the re-consideration of the aesthetics of collections to suggest different ways of interpreting objects and their history. Central to these interventions is the challenge to better connect the museum and its public. The book will be essential reading for scholars, professionals and students in the fields of contemporary art and museum studies, art history, and in the museum sector. These include artists, curators, museum and gallery professionals, postgraduate researchers, art historians, designers and design scholars, art and museum educators, and students of visual art, art history, and museum studies. This project has been assisted by the Australian government through the Australia Council for the Arts, its arts funding and advisory body.
The Making of Modern Science
Author: David Knight
Publisher: John Wiley & Sons
ISBN: 0745657990
Category : Science
Languages : en
Pages : 364
Book Description
Of all the inventions of the nineteenth century, the scientist is one of the most striking. In revolutionary France the science student, taught by men active in research, was born; and a generation later, the graduate student doing a PhD emerged in Germany. In 1833 the word 'scientist' was coined; forty years later science (increasingly specialised) was a becoming a profession. Men of science rivalled clerics and critics as sages; they were honoured as national treasures, and buried in state funerals. Their new ideas invigorated the life of the mind. Peripatetic congresses, great exhibitions, museums, technical colleges and laboratories blossomed; and new industries based on chemistry and electricity brought prosperity and power, economic and military. Eighteenth-century steam engines preceded understanding of the physics underlying them; but electric telegraphs and motors were applied science, based upon painstaking interpretation of nature. The ideas, discoveries and inventions of scientists transformed the world: lives were longer and healthier, cities and empires grew, societies became urban rather than agrarian, the local became global. And by the opening years of the twentieth century, science was spreading beyond Europe and North America, and women were beginning to be visible in the ranks of scientists. Bringing together the people, events, and discoveries of this exciting period into a lively narrative, this book will be essential reading both for students of the history of science and for anyone interested in the foundations of the world as we know it today.
Publisher: John Wiley & Sons
ISBN: 0745657990
Category : Science
Languages : en
Pages : 364
Book Description
Of all the inventions of the nineteenth century, the scientist is one of the most striking. In revolutionary France the science student, taught by men active in research, was born; and a generation later, the graduate student doing a PhD emerged in Germany. In 1833 the word 'scientist' was coined; forty years later science (increasingly specialised) was a becoming a profession. Men of science rivalled clerics and critics as sages; they were honoured as national treasures, and buried in state funerals. Their new ideas invigorated the life of the mind. Peripatetic congresses, great exhibitions, museums, technical colleges and laboratories blossomed; and new industries based on chemistry and electricity brought prosperity and power, economic and military. Eighteenth-century steam engines preceded understanding of the physics underlying them; but electric telegraphs and motors were applied science, based upon painstaking interpretation of nature. The ideas, discoveries and inventions of scientists transformed the world: lives were longer and healthier, cities and empires grew, societies became urban rather than agrarian, the local became global. And by the opening years of the twentieth century, science was spreading beyond Europe and North America, and women were beginning to be visible in the ranks of scientists. Bringing together the people, events, and discoveries of this exciting period into a lively narrative, this book will be essential reading both for students of the history of science and for anyone interested in the foundations of the world as we know it today.
Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers
Author: Ray Desmond
Publisher: CRC Press
ISBN: 1000162869
Category : Science
Languages : en
Pages : 876
Book Description
Over the past four centuries botanists and gardeners in the British Isles have gathered, maintained and propagated many varying species of plants. Their work has been documented in innumerable books and articles which are often difficult to trace. The Dictionary of British and Irish Botanists and Horticulturalists represents a time-saving reference source for those who wish to discover more about the lives and achievements of the horticulturalists listed. The dictionary's utility comes not only from indicating the major publications of the named authors, but also the location of their herbaria and manuscripts.; The previous 1977 edition of the Dictionary has for many years been a much used source of information for botanists, botanic artists and archivists. In this revised edition the scope has been expanded to include among its 13,000 entries flower painters in addition to botanical artists over 1400 entries and, for the first time, garden designers.; Finally the Dictionary should have international appeal since so many botanists and gardeners worked on collective plants overseas, in particular in North America and the British Commonwealth.; Each entry gives, wherever possible, details of dates and places of birth and death, educational qualifications, professional posts, honours and awards, publications, location of plant collections, manuscripts, drawings and portraits. Its main function, however, is to provide further biographical references to books and periodicals. Comprehensive classified indices facilitate access by professions and activities, countries, and plant interests.
Publisher: CRC Press
ISBN: 1000162869
Category : Science
Languages : en
Pages : 876
Book Description
Over the past four centuries botanists and gardeners in the British Isles have gathered, maintained and propagated many varying species of plants. Their work has been documented in innumerable books and articles which are often difficult to trace. The Dictionary of British and Irish Botanists and Horticulturalists represents a time-saving reference source for those who wish to discover more about the lives and achievements of the horticulturalists listed. The dictionary's utility comes not only from indicating the major publications of the named authors, but also the location of their herbaria and manuscripts.; The previous 1977 edition of the Dictionary has for many years been a much used source of information for botanists, botanic artists and archivists. In this revised edition the scope has been expanded to include among its 13,000 entries flower painters in addition to botanical artists over 1400 entries and, for the first time, garden designers.; Finally the Dictionary should have international appeal since so many botanists and gardeners worked on collective plants overseas, in particular in North America and the British Commonwealth.; Each entry gives, wherever possible, details of dates and places of birth and death, educational qualifications, professional posts, honours and awards, publications, location of plant collections, manuscripts, drawings and portraits. Its main function, however, is to provide further biographical references to books and periodicals. Comprehensive classified indices facilitate access by professions and activities, countries, and plant interests.
William Dawes
Author: Richard de Grijs
Publisher: Springer Nature
ISBN: 3031387740
Category : Science
Languages : en
Pages : 280
Book Description
This book describes William Dawes’ life and professional achievements. William Dawes was a British Marine serving as the official astronomer on board the First Fleet making the 1787–1788 voyage from Britain to the new colony of New South Wales. Between 1788 and 1791, Dawes established not one but two observatories within a kilometre of Sydney’s present-day city centre, a full seven decades before the construction of Sydney’s historical Observatory at Dawes’ Point, today a stone’s throw from the Sydney Harbour Bridge. In this comprehensive biography, the authors discuss William Dawes’ life and his considerable impact—as astronomer, engineer, surveyor, ordnance officer and intellectual centre point—on the early colony in New South Wales (in essence, his impact on the earliest history of Sydney as a settlement) and, subsequently, on the British colonies of Sierra Leone on the West African coast and Antigua in the West Indies. Dawes’ life and professional achievements are closely linked to the earliest history of Sydney as a British settlement. He is often considered a man of high morals, and as such his interactions with the local populations in New South Wales, Sierra Leone and Antigua were mostly deemed respectful and above reproach. He is seen a truly enlightened individual, far ahead of his time. The authors of this book have a significant track record of successful and engaging communication of complex concepts in physics and astronomy with experts and non-experts alike. This biography touches on numerous aspects related to 18th century maritime navigation (“sailing on the stars”), societal relationships, the exploration of newly discovered lands, as well as the early history of Sydney and New South Wales, and the colonial histories of Sierra Leone and the West Indies. As such, this book will appeal to a wide range of readers, from scholars in the history of science and maritime navigation, to history enthusiasts ranging from local historians on Australia’s eastern seaboard to members of the public with a keen interest in British colonial history.
Publisher: Springer Nature
ISBN: 3031387740
Category : Science
Languages : en
Pages : 280
Book Description
This book describes William Dawes’ life and professional achievements. William Dawes was a British Marine serving as the official astronomer on board the First Fleet making the 1787–1788 voyage from Britain to the new colony of New South Wales. Between 1788 and 1791, Dawes established not one but two observatories within a kilometre of Sydney’s present-day city centre, a full seven decades before the construction of Sydney’s historical Observatory at Dawes’ Point, today a stone’s throw from the Sydney Harbour Bridge. In this comprehensive biography, the authors discuss William Dawes’ life and his considerable impact—as astronomer, engineer, surveyor, ordnance officer and intellectual centre point—on the early colony in New South Wales (in essence, his impact on the earliest history of Sydney as a settlement) and, subsequently, on the British colonies of Sierra Leone on the West African coast and Antigua in the West Indies. Dawes’ life and professional achievements are closely linked to the earliest history of Sydney as a British settlement. He is often considered a man of high morals, and as such his interactions with the local populations in New South Wales, Sierra Leone and Antigua were mostly deemed respectful and above reproach. He is seen a truly enlightened individual, far ahead of his time. The authors of this book have a significant track record of successful and engaging communication of complex concepts in physics and astronomy with experts and non-experts alike. This biography touches on numerous aspects related to 18th century maritime navigation (“sailing on the stars”), societal relationships, the exploration of newly discovered lands, as well as the early history of Sydney and New South Wales, and the colonial histories of Sierra Leone and the West Indies. As such, this book will appeal to a wide range of readers, from scholars in the history of science and maritime navigation, to history enthusiasts ranging from local historians on Australia’s eastern seaboard to members of the public with a keen interest in British colonial history.