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Author: Antonio Corso
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 8882652955
Category : Art
Languages : en
Pages : 347
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Book Description
Praxiteles is one of the most famous sculptors from ancient Greece. This study looks at both his personal background and the activities of his workshop. Chapters are devoted to placing Praxiteles in the artistic context of the period, alongside his rivals, before Corso examines his birth, family, early life and education. Subsequent chapters look at the work of Praxiteles in the workshop of Cephisodotus the Elder in the late 4th century and the art he created then, before turning to Praxiteles' own workshop and the now famous collection of works that he produced: The kidnapping of Persephone, Persephone descending to the Underworld, The Caryatids, the Maenads, and the bronze statues of Dionysus and Eros, to name just a few.
Author: Antonio Corso
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 8882652955
Category : Art
Languages : en
Pages : 347
Get Book Here
Book Description
Praxiteles is one of the most famous sculptors from ancient Greece. This study looks at both his personal background and the activities of his workshop. Chapters are devoted to placing Praxiteles in the artistic context of the period, alongside his rivals, before Corso examines his birth, family, early life and education. Subsequent chapters look at the work of Praxiteles in the workshop of Cephisodotus the Elder in the late 4th century and the art he created then, before turning to Praxiteles' own workshop and the now famous collection of works that he produced: The kidnapping of Persephone, Persephone descending to the Underworld, The Caryatids, the Maenads, and the bronze statues of Dionysus and Eros, to name just a few.
Author: Antonio Corso
Publisher: L'ERMA di BRETSCHNEIDER
ISBN: 9788882654375
Category : Art
Languages : en
Pages : 316
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Book Description
Fifth Chapter: Praxiteles at his Peak (around 364-360); 22. The Cnidian Aphrodite; 23. The Coan Aphrodite; 24. The statues of the Twelve Gods in the sanctuary of the Savior Artemis in Megara; 25. The Aphrodite who is about to wreath herself; 26. The statue of Chaerippe; Indexes.
Author: Olga Palagia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1614513538
Category : Art
Languages : en
Pages : 800
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Book Description
The Handbook of Greek Sculpture aims to provide a detailed examination of current research and directions in the field. Bringing together an international cast of contributors from Greece, Italy, France, Great Britain, Germany, and the United States, the volume incorporates new areas of research, such as the sculptures of Messene and Macedonia, sculpture in Roman Greece, and the contribution of Greek sculptors in Rome, as well as important aspects of Greek sculpture like techniques and patronage. The written sources (literary and epigraphical) are explored in dedicated chapters, as are function and iconography and the reception of Greek sculpture in modern Europe. Inspired by recent exhibitions on Lysippos and Praxiteles, the book also revisits the style and the personal contributions of the great masters.
Author: Michael J. Bennett
Publisher: Cleveland Masterwork
ISBN:
Category : Art
Languages : en
Pages : 132
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Book Description
The Cleveland Apollo is most likely the only surviving original sculpture by Praxiteles, and the only life-size Greek bronze that can be securely attributed to a Greek sculptor by name. This new focus volume is both a personal account of an acquisition, and a rigorous art-historical re-examination of one of the most significant works to survive from antiquity.
Author: Christine Mitchell Havelock
Publisher: University of Michigan Press
ISBN: 9780472032778
Category : Art
Languages : en
Pages : 204
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Book Description
A revealing survey of Aphrodite
Author: Όλγα Παλαγιά
Publisher: Cambridge University Press
ISBN: 9780521657389
Category : Art
Languages : en
Pages : 252
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Book Description
This 1996 book Identifies and evaluates the distinctive styles of five important ancient Greek sculptors.
Author: Adolf Furtwängler
Publisher:
ISBN:
Category : Illustrated books (Photographs)
Languages : en
Pages : 606
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Book Description
Author: Frank Bigelow Tarbell
Publisher:
ISBN:
Category : Art, Greek
Languages : en
Pages : 314
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Book Description
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
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Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Author: Anna Anguissola
Publisher: Cambridge University Press
ISBN: 1108307922
Category : Art
Languages : en
Pages : 282
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Book Description
Figural and non-figural supports are a ubiquitous feature of Roman marble sculpture; they appear in sculptures ranging in size from miniature to colossal and of all levels of quality. At odds with modern ideas about beauty, completeness, and visual congruence, these elements, especially non-figural struts, have been dismissed by scholars as mere safeguards for production and transport. However, close examination of these features reveals the tastes and expectations of those who commissioned, bought, and displayed marble sculptures throughout the Mediterranean in the Hellenistic and Roman periods. Drawing on a large body of examples, Greek and Latin literary sources, and modern theories of visual culture, this study constitutes the first comprehensive investigation of non-figural supports in Roman sculpture. The book overturns previous conceptions of Roman visual values and traditions and challenges our understanding of the Roman reception of Greek art.
