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Author: Malcolm A. R. Colledge
Publisher: Boulder, Colo. : Westview Press
ISBN:
Category : Art
Languages : en
Pages : 330
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Book Description
Author: Malcolm A. R. Colledge
Publisher: Boulder, Colo. : Westview Press
ISBN:
Category : Art
Languages : en
Pages : 330
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Book Description
Author: Joan Aruz
Publisher: Metropolitan Museum of Art
ISBN: 1588396312
Category : Art
Languages : en
Pages : 163
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Book Description
In response to the catastrophic destruction of Syria’s ancient city of Palmyra, a UNESCO world heritage site, a group of major international scholars gathered to focus on the art, archaeology, and history of the beleaguered site and present their latest findings. Their papers, given at a symposium at The Metropolitan Museum of Art in May 2016, have been collected in this fascinating and important publication. They are accompanied by a moving tribute by Waleed Khaled al-Asa‘ad to his father, Khaled al-Asa‘ad, the Syrian archaeologist and head of antiquities for the ancient city of Palmyra who was brutally murdered in 2015 while defending the site. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Palmyra: Mirage in the Desert, published simultaneously in English and Arabic, is the latest volume in the Metropolitan Museum symposium series. It is a major contribution to the knowledge and understanding of this multicultural desert—located at the crossroads of the ancient world—that will help preserve the memory of this extraordinary place for generations to come.
Author: Paul Veyne
Publisher: University of Chicago Press
ISBN: 022660005X
Category : Architecture
Languages : en
Pages : 111
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Book Description
Located northeast of Damascus, in an oasis surrounded by palms and two mountain ranges, the ancient city of Palmyra has the aura of myth. According to the Bible, the city was built by Solomon. Regardless of its actual origins, it was an influential city, serving for centuries as a caravan stop for those crossing the Syrian Desert. It became a Roman province under Tiberius and served as the most powerful commercial center in the Middle East between the first and the third centuries CE. But when the citizens of Palmyra tried to break away from Rome, they were defeated, marking the end of the city’s prosperity. The magnificent monuments from that earlier era of wealth, a resplendent blend of Greco-Roman architecture and local influences, stretched over miles and were among the most significant buildings of the ancient world—until the arrival of ISIS. In 2015, ISIS fought to gain control of the area because it was home to a prison where many members of the outlawed Muslim Brotherhood had been held, and ISIS went on to systematically destroy the city and murder many of its inhabitants, including the archaeologist Khaled al-Asaad, the antiquities director of Palymra. In this concise and elegiac book, Paul Veyne, one of Palymra’s most important experts, offers a beautiful and moving look at the history of this significant lost city and why it was—and still is—important. Today, we can appreciate the majesty of Palmyra only through its pictures and stories, and this book offers a beautifully illustrated memorial that also serves as a lasting guide to a cultural treasure.
Author: Robert Wood
Publisher:
ISBN: 9781350159808
Category : Architecture
Languages : en
Pages : 0
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Book Description
"Wood's Palmyra and Balbec were first printed in 1753 and 1757, respectively, in simultaneous English and French editions. (For the circumstances of publication, see the Introduction below.) Both were republished in a single volume in 1827 (London: William Pickering); and reprinted in separate volumes in 1971 (Westmead: Gregg International). No manuscript of the texts is known to survive, but Borra's drawings for the plates are preserved in the collection of the Royal Institute of British Architects (see, e.g., Figure 7 in the Introduction below). The present text is based on the original English editions of 1753 and 1757. Orthography and capitalization have been modernised, punctuation has not. Toponyms and names of historical figures have been modified to reflect current English usage. Wood's references to other authors, ancient and modern, are highly abbreviated, and are here reprinted as found. However, passages directly quoted from ancient authors have been updated by reference to more recent editions: the Loebs for Diodorus Siculus, the Historia Augusta, Pliny, and Strabo; Dindorf (1832) for the Chronicon Paschale; Mommsen (1868) for the Digest; Rougé (1966) for the Expositio totius mundi et gentium; Lightfoot (2003) for Lucian's On the Syrian Goddess; Willis (1994) for Macrobius; and Thurn (2000) for Malalas. Citations, by book and chapter when appropriate, have been supplied {in braces}. Internal cross-references have been updated to reflect the pagination of the present volumes. References in the Introduction give the pagination, first of the original editions, then of the present volumes."--
Author: David Joselit
Publisher: MIT Press
ISBN: 0262043696
Category : Art
Languages : en
Pages : 344
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Book Description
How global contemporary art reanimates the past as a resource for the present, combating modern art's legacy of Eurocentrism. If European modernism was premised on the new—on surpassing the past, often by assigning it to the “traditional” societies of the Global South—global contemporary art reanimates the past as a resource for the present. In this account of what globalization means for contemporary art, David Joselit argues that the creative use of tradition by artists from around the world serves as a means of combatting modern art's legacy of Eurocentrism. Modernism claimed to live in the future and relegated the rest of the world to the past. Global contemporary art shatters this myth by reactivating various forms of heritage—from literati ink painting in China to Aboriginal painting in Australia—in order to propose new and different futures. Joselit analyzes not only how heritage becomes contemporary through the practice of individual artists but also how a cultural infrastructure of museums, biennials, and art fairs worldwide has emerged as a means of generating economic value, attracting capital and tourist dollars. Joselit traces three distinct forms of modernism that developed outside the West, in opposition to Euro-American modernism: postcolonial, socialist realism, and the underground. He argues that these modern genealogies are synchronized with one another and with Western modernism to produce global contemporary art. Joselit discusses curation and what he terms “the curatorial episteme,” which, through its acts of framing or curating, can become a means of recalibrating hierarchies of knowledge—and can contribute to the dual projects of decolonization and deimperialization.
Author: Richard Stoneman
Publisher: University of Michigan Press
ISBN: 9780472083152
Category : History
Languages : en
Pages : 284
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Book Description
The rebellion of the dazzling Arab queen Zenobia against the fist of Roman domination
Author: Michael Sommer
Publisher: Routledge
ISBN: 1351347152
Category : History
Languages : en
Pages : 274
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Book Description
Palmyra: A History examines Palmyra, the city in the Syrian oasis of Tadmur, from its beginnings in the Bronze Age, through the classical period and its discovery and excavation, to the present day. It aims at reconstructing Palmyra’s past from literary accounts – classical and post-classical – as well as material evidence of all kinds: inscriptions, coins, art and of course the remains of Palmyra’s monumental architecture. After exploring the earliest inhabitation of Tadmur, the volume moves through the Persian and Hellenistic periods, to the city’s zenith. Under the Romans, Palmyra was unique among the cities of the empire because it became a political factor in its own right in the third century AD, when the Roman military was overpowered by Sassanian invaders and Palmyrene troops stepped in. Sommer’s assessment of Palmyra under Rome therefore considers how Palmyra achieved such an exceptional role in the Roman Near East, before its demise under the Umayyad Empire. The volume also examines the century-long history of archaeological and historical research at Palmyra, from its beginnings under Ottoman rule and the French mandate in the 1920s to the recent satellite based prospection carried out by German archaeologists. A closing chapter examines the occupation of the site by ISIS during the Syrian conflict, and the implications of the destruction there on the ruins, the archaeological finds and future investigations, and heritage in Syria more broadly. Palmyra offers academics, students and the interested reader alike the first full treatment in English of this fascinating site, providing a comprehensive account of the city’s origins, rise and fall.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870999613
Category : Art
Languages : en
Pages : 238
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Book Description
"More than 150 works of art that exemplify all these societies at the Year One are illustrated in color and explained in this volume. Historical summaries accompanied by maps briefly describe the nature of each culture and the flow of power and peoples during the period centering around the Year One.
Author:
Publisher:
ISBN: 9788774523642
Category :
Languages : en
Pages :
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Book Description
Author: Signe Krag
Publisher: Brepols Publishers
ISBN: 9782503569659
Category : Art
Languages : en
Pages : 0
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Book Description
The ancient city of Palmyra, which today lies in the desert of modern Syria, was once a flourishing city of trade. During the Roman era, when Palmyra was at the height of its powers, several hundred funerary monuments were constructed in the city, and within these, portraits of Palmyra's inhabitants were once displayed. These representations of men, women, and children from the Roman Imperial period form the largest body of portraiture known outside of Rome itself, and their study is essential to our understanding of how funerary portraiture in the Roman provinces was used as a mechanism to shape and express identity. This volume offers a study and catalogue of the funerary portraits of Palmyrene women from the first century BC to the third century AD. It explores both the visual qualities of the portraits themselves, and the complexities of the space in which they were originally situated. By analysing the civic and religious activities of women within Palmyra, this book also situates these portraits in a broader context. Through this approach, the work thus addresses key questions concerning the characteristics of Palmyrene female portraits and what this indicates about the nature of female identity in Roman Palmyra, how the portrayals of women changed over time, and what might have caused such changes.
