The Art of Humour in the Teatro Breve and Comedias of Caldero ́n de la Barca PDF Download
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Author: Ted L. L. Bergman
Publisher: Tamesis Books
ISBN: 9781846150227
Category : Literary Criticism
Languages : en
Pages : 255
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Book Description
Contrary to popular belief, Pedro Calderón de la Barca had a sense of humour. This book examines the integral and often essential use of humour in his works, looking beyond his persistent reputation as a dour and dogmatic representative of the Spanish canon. Calderón's teatro breve (featuring mojigangas, entremeses and jácaras) thrives on comic techniques and situations that poke fun at everything and everybody, from aspiring nobility to people facing execution; and he parodies and satirizes genres and themes such as the auto sacramental or the infamous 'honour code'. His irreverence and desire for the audience's laughter are not just expressed in his teatro breve: the very same humorous techniques and situations, and even entire small works themselves, are found in his comedias, blurring and often eliminating the distinction between 'major' and 'minor' genres. Calderón proves that the 'complementary' teatro breve need not live a separate existence, and that its presence within the comedia itself offers untold opportunities for novelty, diversion and criticism. By turning jokes into a dramatic art form and vice versa, Calderón has much to teach us about the presence, role and functioning of humour in all of Spanish Golden Age theatre. TED L.L. BERGMAN is Professor of Spanish Language and Culture, Soka University of America.
Author: Ted L. L. Bergman
Publisher: Tamesis Books
ISBN: 9781846150227
Category : Literary Criticism
Languages : en
Pages : 255
Get Book Here
Book Description
Contrary to popular belief, Pedro Calderón de la Barca had a sense of humour. This book examines the integral and often essential use of humour in his works, looking beyond his persistent reputation as a dour and dogmatic representative of the Spanish canon. Calderón's teatro breve (featuring mojigangas, entremeses and jácaras) thrives on comic techniques and situations that poke fun at everything and everybody, from aspiring nobility to people facing execution; and he parodies and satirizes genres and themes such as the auto sacramental or the infamous 'honour code'. His irreverence and desire for the audience's laughter are not just expressed in his teatro breve: the very same humorous techniques and situations, and even entire small works themselves, are found in his comedias, blurring and often eliminating the distinction between 'major' and 'minor' genres. Calderón proves that the 'complementary' teatro breve need not live a separate existence, and that its presence within the comedia itself offers untold opportunities for novelty, diversion and criticism. By turning jokes into a dramatic art form and vice versa, Calderón has much to teach us about the presence, role and functioning of humour in all of Spanish Golden Age theatre. TED L.L. BERGMAN is Professor of Spanish Language and Culture, Soka University of America.
Author: Ted Lars Lennard Bergman
Publisher: Tamesis Books
ISBN: 9781855660960
Category : Drama
Languages : en
Pages : 262
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Book Description
Frantic and popular characters and situations from the entremes tradition, thought by many as opposing the comedias' main features, are instead shown to join and often dominate these features through the introduction of absurd figuras, slapstick, and burlas."--BOOK JACKET.
Author: Pedro Calderon de la Barca
Publisher: Penguin
ISBN: 1440649391
Category : Drama
Languages : en
Pages : 161
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Book Description
The masterwork of Spain’s preeminent dramatist—now in a new verse translation Life Is a Dream is a work many hold to be the supreme example of Spanish Golden Age drama. Imbued with highly poetic language and humanist ideals, it is an allegory that considers contending themes of free will and predestination, illusion and reality, played out against the backdrop of court intrigue and the restoration of personal honor. In the mountainous barrens of Poland, the rightful heir to the kingdom has been imprisoned since birth in an attempt by his father to thwart fate. Meanwhile, a noblewoman arrives to seek revenge against the man who deceived and forsook her love for the prospect of becoming king of Poland. Richly symbolic and metaphorical, Life Is a Dream explores the deepest mysteries of human experience. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: Roy Norton
Publisher: Boydell & Brewer
ISBN: 1855663155
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
The first comprehensive study of Calderón in EnglishPedro Calderón de la Barca (1600-1681) is one of the most important dramatists - many would say the single most important dramatist - of the Spanish Golden Age. Spain''s dominant and most prestigious playwright for much of the seventeenth century, his work is still regularly staged and translated, influential in more recent times on writers as diverse as Schiller, Shelley and Lorca. The author of around 120 plays (not counting his numerous Corpus Christi autos) in a variety of styles, Calderón is most famous for his stirring dramas, characterized by rhetorically powerful poetry, dramatic structures carefully calibrated to produce poignant echoes, and the fizzing intellectual energy they apply to the age''s ontological, eschatological and political preoccupations. His plays succeed in combining these perennial concerns with compelling plots subtle enough to defy definitive interpretation. As this volume seeks to show, however, Calderón''s comedies deserve equal recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.ual recognition. Too long stereotyped as a dour, cerebral conservative, this playwright''s comic works are as amusing as they are clever. This Companion is the first comprehensive study of Calderón in English. It provides a rigorous but readable introduction to the man, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.an, his work and its legacy. Its chapters - written by leading international comedia specialists - provide an overview of his life, explain his intellectual, social, moral, and literary contexts, and examine his stagecraft, his corpus, and his reception both within and without the Hispanic world up to the twenty-first century. Specific chapters are devoted to La vida es sueño, his most famous work, which appears on many a university syllabus, and to his infamous wife-murder plays.
Author: Ted Lars Lennard Bergman
Publisher: Boydell & Brewer
ISBN: 1855663392
Category : Drama
Languages : en
Pages : 271
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Book Description
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
Author: Hilaire Kallendorf
Publisher: BRILL
ISBN: 9004263012
Category : Literary Criticism
Languages : en
Pages : 404
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Book Description
A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.
Author: Carolyn A. Nadeau
Publisher: University of Toronto Press
ISBN: 1442637307
Category : Cooking
Languages : en
Pages : 335
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Book Description
Through an inventive and original engagement with Don Quixote and other Golden Age literature, Carolyn A. Nadeau explores the shifts in Spain's cultural and gastronomic history.
Author: K. Meira Goldberg
Publisher:
ISBN: 019046691X
Category : Music
Languages : en
Pages : 316
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Book Description
How is the politics of Blackness figured in the flamenco dancing body? What does flamenco dance tell us about the construction of race in the Atlantic world? Sonidos Negros traces how, in the span between 1492 and 1933, the vanquished Moor became Black, and how this figure, enacted in terms of a minstrelized Gitano, paradoxically came to represent Spain itself. The imagined Gypsy about which flamenco imagery turns dances on a knife's edge delineating Christian and non-Christian, White and Black worlds. This figure's subversive teetering undermines Spain's symbolic linkage of religion with race, a prime weapon of conquest. Flamenco's Sonidos Negros live in this precarious balance, amid the purposeful confusion and ruckus cloaking embodied resistance, the lament for what has been lost, and the values and aspirations of those rendered imperceptible by enslavement and colonization.
Author: Aníbal González
Publisher: University of Pittsburgh Press
ISBN: 0822983028
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
In Search of the Sacred Book studies the artistic incorporation of religious concepts such as prophecy, eternity, and the afterlife in the contemporary Latin American novel. It departs from sociopolitical readings by noting the continued relevance of religion in Latin American life and culture, despite modernity's powerful secularizing influence. Analyzing Jorge Luis Borges's secularized "narrative theology" in his essays and short stories, the book follows the development of the Latin American novel from the early twentieth century until today by examining the attempts of major novelists, from María Luisa Bombal, Alejo Carpentier, and Juan Rulfo, to Julio Cortázar, Gabriel García Márquez, and José Lezama Lima, to "sacralize" the novel by incorporating traits present in the sacred texts of many religions. It concludes with a view of the "desacralization" of the novel by more recent authors, from Elena Poniatowska and Fernando Vallejo to Roberto Bolaño.
Author: Claire M. Gilbert
Publisher: University of Pennsylvania Press
ISBN: 0812252462
Category : History
Languages : en
Pages : 352
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Book Description
The century that followed the fall of Granada at the end of 1491 and the subsequent consolidation of Christian power over the Iberian Peninsula was marked by the introduction of anti-Arabic legislation and the development of hostile cultural norms affecting Arabic speakers. Yet as Spanish institutions of power first restricted and then eliminated Arabic language use, marginalizing Arabic-speaking communities, officially sanctioned translation to and from Arabic played an increasingly crucial role in brokering the administration of the growing Spanish empire and its overseas territories. The move on the peninsula from a regime of legal pluralism to one of religious and legal orthodoxy created new needs and institutions for Arabic translation, which simultaneously reflected, subverted, and ultimately reaffirmed the normative anti-Arabic language politics. In Good Faith examines the administrative functions and practices of the individual translators who walked the knife's edge, as the task of the Arabic-Spanish translator became both more perilous and more coveted during a volatile historical period. Despite the myriad personal and political risks run by Arabic speakers, Claire M. Gilbert argues that Arabic translation was at the core of early modern Spanish culture and society and that translators played pivotal roles in the administrative, institutional, and ideological development of Spain and its relationships, both domestic and international. Using materials from state, local, and religious archives, Gilbert develops the notion of "fiduciary translation" and uses it to paint a vivid picture of the techniques by which translators attempted to demonstrate their expertise and trustworthiness—thereby to help protect themselves, their families, and even their communities from the Inquisition and other authorities. By emphasizing the practices and networks of the individual translators themselves, Gilbert's social history of Arabic translation deepens our understanding of religious minorities, international relations, and statecraft in early modern Spain.
