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Author: George Milpurrurru
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 48
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Book Description
Catalogue to accompany retrospective exhibition of the work of one of the major bark painters in Arnhem Land; covers period 1975-1992, a time when Milpurrurru came to prominence in a traditional context and in the public domain; aims to present Milpurrurrus own view of his work and his life; the catalogue is presented as a commentary told by Milpurrurru and other members of his family; includes description of Ganalbingu people, their environment and creation stories.
Author: George Milpurrurru
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 48
Get Book Here
Book Description
Catalogue to accompany retrospective exhibition of the work of one of the major bark painters in Arnhem Land; covers period 1975-1992, a time when Milpurrurru came to prominence in a traditional context and in the public domain; aims to present Milpurrurrus own view of his work and his life; the catalogue is presented as a commentary told by Milpurrurru and other members of his family; includes description of Ganalbingu people, their environment and creation stories.
Author:
Publisher:
ISBN:
Category : Artists, Australian
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Exhibition of bark paintings from the collection of the National Gallery of Australia in the years 1975-1992; includes a note on the Ganalbingu, the mapgpie goose people.
Author: National Museum of Australia
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
This rich collection of Aboriginal bark paintings is the largestin the world, with many pieces dating back to the 1930s. Among theheroes of this collection are two influential artists, Narritjin Maymurruand Billy Yirawala, whose works feature prominently in this book.
Author: George Malibirr
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Michael A. O'Ferrall
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 80
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Book Description
Author: Joseph P. Reser
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Review of the exhibition The art of George Milpurrurru; brief background information on Georges life and attitude to art; bark painting.
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Jane E. Anderson
Publisher: Edward Elgar Publishing
ISBN: 1848447191
Category : Law
Languages : en
Pages : 269
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Book Description
Combining unique practical experience with a sophisticated historical and theoretical framework, this impressive work offers a new basis to explore indigenous intellectual property. In this wide-ranging and imaginative study, Anderson has laid the groundwork for future scholarship in the field. Hopefully this work will set a new trajectory for how this important topic is approached and advanced with indigenous people. Brad Sherman, University of Queensland, Australia This informative book investigates how indigenous and traditional knowledge has been produced and positioned within intellectual property law and the effects of this position in both national and international jurisdictions. Drawing upon critical cultural and legal theory, Jane Anderson illustrates how the problems facing the inclusion of indigenous knowledge resonate with tensions that characterise intellectual property as a whole. She explores the extent that the emergence of indigenous interests in intellectual property law is a product of shifting politics within law, changing political environments, governmental intervention through strategic reports and innovative instances of individual agency. The author draws on long-term practical experience of working with indigenous people and communities whilst engaging with ongoing debates in the realm of legal theory. Detailing a comprehensive view on how indigenous knowledge has emerged as a discrete category within intellectual property law, this book will benefit researchers, academics and students dealing with law in the fields of IP, human rights, property and environmental law. It will also appeal to anthropologists, sociologists, philosophers and cultural theorists.
Author: James A. R. Nafziger
Publisher: Cambridge University Press
ISBN: 0521865506
Category : Law
Languages : en
Pages : 1041
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Book Description
A collection on cultural law that demonstrates efficacy of comparative, international, and indigenous law in the context of culture-related issues.
