The Art of Assemblage PDF Download
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Author: William Chapin Seitz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.
Author: William Chapin Seitz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 188
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Book Description
"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.
Author: John Elderfield
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 192
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Book Description
Author: Dona Z. Meilach
Publisher: Random House Value Publishing
ISBN:
Category : Art
Languages : en
Pages : 112
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Book Description
Author: Norman Laliberté
Publisher: New York : Van Nostrand Reinhold Company
ISBN:
Category : Art
Languages : en
Pages : 88
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Book Description
Author: Marlis Maehrle
Publisher: Schiffer Publishing
ISBN: 9780764358418
Category : Crafts & Hobbies
Languages : en
Pages : 176
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Book Description
In the multimillion-dollar crafter market, this is one art form that appeals to artists and makers of all kinds, whatever their other mediums may be. Also termed 3-D collage, shadow boxes, or assemblage, it's based on how you choose and arrange items in a "box" (term used loosely!) to create a visual message. With 30 intriguing projects of varied complexity, this complete guide teaches techniques for arranging, organizing, mounting, and creating narratives. The boxes use easily available items like cigar boxes, unusual packaging containers, or mint tins. The form's history is covered too, including the curiosity cabinets of Renaissance Europe, the found-object assemblage boxes created in the 20th century by Joseph Cornell, and the works artists create today. Includes examples to teach arrangement, grouping, and assembly and offers extra inspiration with a 40-page gallery of a wide range of works by expert artists.
Author: Diane Waldman
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 346
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Book Description
"In 1912 Georges Braque and Pablo Picasso created the first papiers colles by gluing pieces of oak-grained faux bois wallpaper onto their drawings. In 1917 Marcel Duchamp selected a urinal, signed it R. Mutt, and presented it as an object of art under the title Fountain. In 1919 Kurt Schwitters began gathering scraps of rubbish and assembled them into a series of works that he titled Merz constructions. These acts represent three of the most significant achievements in twentieth-century art." "The definitive book on its subject, Collage, Assemblage, and the Found Object offers a comprehensive and dynamic history of the mediums that revolutionized our ideas about the nature of art and influenced virtually every major art movement of the twentieth century." "Made up of fragments, of debris, of rejected pieces and common artifacts of popular culture, collage and assemblage are arts of protest, of challenge, of exploration. They emphasize the everyday and commonplace over precious materials and refinement; concept and process over end product; the temporary and ephemeral over the lasting. They propose a dislocation in time and space and, by the nature of their makeup, offer multiple layers of meaning. They also furnish a compelling historical record of their time." "All these currents are explored by Diane Waldman, deputy director and senior curator of the Solomon R. Guggenheim Museum, New York. In clear and cogent prose, generously illustrated with examples and comparative works, she traces collage, the found object - and the related development, assemblage - from their Cubist beginnings to the present." "Waldman moves from the outrageous experiments of the Dadaists in the 1920s to the irreverent debunkings of the 1960s Pop artists to the provocative appropriation art of the 1990s; from the intricate towers and assemblages of the Russian Constructivists early in this century to the surprising piles of materials put together by such midcentury artists as Robert Rauschenberg, Jasper Johns, and John Chamberlain; from the cerebral and Freudian collages and objects of the Surrealists in the 1920s and 1930s to the probing conundrums posed by the conceptualists of the 1980s and 1990s." "A lively book on lively arts, Collage, Assemblage, and the Found Object gives us a comprehensive and dynamic view of what are arguably the most important artistic developments of our time."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Dona Z. Meilach
Publisher: Crown Pub
ISBN: 9780517512173
Category : Assemblage (Art)
Languages : en
Pages : 268
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Book Description
Surveys the history of the art form and details the stenciling, laminating, photocopying, wax resist, and other processes used in applying materials to canvas
Author: Stephen Fredman
Publisher: Stanford University Press
ISBN: 0804763585
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Fredman makes the original argument that some of the most innovative works of poetry and art in the postwar period (1945–1970) engaged in a "contextual practice," a term that refers both to a way of making art characterized by assemblage and to a new relationship between art and life, an "erotic poetics."
Author: Paulo de Assis
Publisher: Leuven University Press
ISBN: 9462702543
Category : Music
Languages : en
Pages : 468
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Book Description
The concept of assemblage has emerged in recent decades as a central tool for describing, analysing, and transforming dynamic systems in a variety of disciplines. Coined by Deleuze and Guattari in relation to different fields of knowledge, human practices, and nonhuman arrangements, “assemblage” is variously applied today in the arts, philosophy, and human and social sciences, forming links not only between disciplines but also between critical thought and artistic practice. Machinic Assemblages focuses on the concept’s uses, transpositions, and appropriations in the arts, bringing together the voices of artists and philosophers that have been working on and with this topic for many years with those of emerging scholar-practitioners. The volume embraces exciting new and reconceived artistic practices that discuss and challenge existing assemblages, propose new practices within given assemblages, and seek to invent totally unprecedented assemblages.
Author: Aline Chipman Brandauer
Publisher: SF Design, LLC / Frescobooks
ISBN:
Category : Art
Languages : en
Pages : 226
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Book Description
An exciting exploration of the work of over thirty New Mexico artists who create in three dimensions.
