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Author: Hal Foster
Publisher: Verso Trade
ISBN: 9781844676897
Category : Architektur und Kunst
Languages : en
Pages : 0
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Book Description
No Marketing Blurb
Author: Hal Foster
Publisher: Verso Trade
ISBN: 9781844676897
Category : Architektur und Kunst
Languages : en
Pages : 0
Get Book Here
Book Description
No Marketing Blurb
Author: Reinier de Graaf
Publisher: Harvard University Press
ISBN: 0674982762
Category : Architecture
Languages : en
Pages : 529
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Book Description
A Financial Times Best Book of the Year A Guardian Best Architecture Book of the Year “Sharp, revealing, funny.” —The Guardian “An original and even occasionally hilarious book about losing ideals and finding them again... [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.” —The Economist Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution. “This is a book about power, money and influence, and architecture’s complete lack of any of them... Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.” —Financial Times “This is the most stimulating book on architecture and its practice that I have read for years.” —Architects’ Journal
Author: Reinhold Martin
Publisher: MIT Press
ISBN: 0262633264
Category : Architecture
Languages : en
Pages : 325
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Book Description
A historical and theoretical analysis of corporate architecture in the United States after the Second World War. The Organizational Complex is a historical and theoretical analysis of corporate architecture in the United States after the Second World War. Its title refers to the aesthetic and technological extension of the military-industrial complex, in which architecture, computers, and corporations formed a network of objects, images, and discourses that realigned social relations and transformed the postwar landscape. In-depth case studies of architect Eero Saarinen's work for General Motors, IBM, and Bell Laboratories and analyses of office buildings designed by Skidmore, Owings & Merrill trace the emergence of a systems-based model of organization in architecture, in which the modular curtain wall acts as both an organizational device and a carrier of the corporate image. Such an image—of the corporation as a flexible, integrated system—is seen to correspond with a "humanization" of corporate life, as corporations decentralize both spatially and administratively. Parallel analyses follow the assimilation of cybernetics into aesthetics in the writings of artist and visual theorist Gyorgy Kepes, as art merges with techno-science in the service of a dynamic new "pattern-seeing." Image and system thus converge in the organizational complex, while top-down power dissolves into networked, pattern-based control. Architecture, as one among many media technologies, supplies the patterns—images of organic integration designed to regulate new and unstable human-machine assemblages.
Author: Nanni Baltzer
Publisher: Park Publishing (WI)
ISBN: 9783038600220
Category : Architecture, Modern
Languages : en
Pages : 0
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Book Description
At the moment of going to press, a publication irreversibly reaches its final form. Simultaneously, it also reaches an audience. Naturally, this audience very often is oblivious to the many, and sometimes complex, steps towards the construction and montage of (visual) meaning that precedes the actual publication of a book. The contributors to 'Before Publication' consider such construction of meaning as montage and look at materials and processes involved before publication. Their focus is on concrete artistic and visual artifacts such as scrapbooks, book mock-ups, and press layouts by artists, authors, and graphic designers. In particular, they shed light on the relationship between the spheres of privacy and publicity. The new book features a programmatic introduction by the editors Nanni Baltzer and Martino Stierli and eight concisely illustrated topical essays.
Author: Hal Foster
Publisher: Verso Books
ISBN: 1781682305
Category : Art
Languages : en
Pages : 561
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Book Description
Hal Foster, author of the acclaimed Design and Crime, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style” of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex” provides invaluable insight into broader social and economic trajectories in urgent need of analysis.
Author: Paul Goldberger
Publisher: Vintage
ISBN: 0307946398
Category : Biography & Autobiography
Languages : en
Pages : 546
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Book Description
Here, from Pulitzer Prize–winning critic Paul Goldberger, is the first full-fledged critical biography of Frank Gehry, undoubtedly the most famous architect of our time. Goldberger follows Gehry from his humble origins—the son of working-class Jewish immigrants in Toronto—to the heights of his extraordinary career. He explores Gehry’s relationship to Los Angeles, a city that welcomed outsider artists and profoundly shaped him in his formative years. He surveys the full range of his work, from the Bilbao Guggenheim to the Walt Disney Concert Hall in L.A. to the architect’s own home in Santa Monica, which galvanized his neighbors and astonished the world. He analyzes his carefully crafted persona, in which an amiable surface masks a driving ambition. And he discusses his use of technology, not just to change the way a building looks, but to revolutionize the very practice of the field. Comprehensive and incisive, Building Art is a sweeping view of a singular artist—and an essential story of architecture’s modern era.
Author: Zaha Hadid
Publisher: Princeton Architectural Press
ISBN: 9781568985367
Category : Architecture
Languages : en
Pages : 172
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Book Description
Zaha Hadid's highly inventive and seemingly unbuildable designs have defied conventional ideas of architectural space and construction. The BMW Central Building in Leipzig, Germany, is no exception. It is the heart of the BMW factory complexthe dynamic focal point of the entire plant that visually, physically, and experientially sustains a sense of animation and motion. With an audacious and abstracted geometry of forms and lines, the BMW Central Building challenges the notion of building as static and is definitive evidence of architecture as art. Zaha Hadid: BMW Central Building, the seventh volume in the Source Books in Architecture series, provides a comprehensive look at this instant modern masterpiece.
Author: Robert Venturi
Publisher: The Museum of Modern Art
ISBN: 9780870702822
Category : Architecture
Languages : en
Pages : 142
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Book Description
Foreword by Arthur Drexler. Introduction by Vincent Scully.
Author: Gabriele Cappellato
Publisher:
ISBN: 9781536129953
Category : Fractals in art
Languages : en
Pages : 0
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Book Description
In this compilation, the authors begin with a description of fractal geometry, its property of self-similarity, and how its processes of bifurcation can appear in the arts and architecture. These fractal features are common in different cultures and in different architectural styles. Next, the role of algebraic curves in painting, sculpture, and architecture is discussed. These shapes acted as sources of inspiration for artistic themes in many of the geometrical forms of Modern Art. Today, these beautiful shapes can be easily constructed by computers. The authors discuss an art world devoted to the entanglement phenomenon through modifying the perception of space, approaching new horizons educational fields. An investigation of the function and characteristics of fog in various paintings by famous artists of different art movements (in which the presence of fog significantly affects the visual experience) is provided. Following this, the authors describe where fractality appears in architecture and in urban organization, opening new opportunities in virtual architecture and hyperarchitecture. An additional paper presents a study on complexity in architecture. Complexity is the property of a real world system that is manifested in the inability of any one formalism being adequate to capture all of its properties. Continuing, the authors present a study shows that germs of fractals exist in old Indian literature, e.g., fractal architecture in Indian temples and fractal weapons, with the goal of collecting a few examples from old Indian history and presenting their fractal aspects. A paper is presented including some examples of industrial design objects analysed using complexity and fractal geometry. Complex and fractal components appeared in the industrial design after the development of materials, for example, the introduction of float glass. Afterwards, this book aims to show how and where the concept of time can be applied in architecture, maintaining that time is a parameter which architects seldom consider in their projects. The authors go on to illustrate some properties using Markov matrices, open symbolic dynamic nets, and fields on Julia sets, finding find both symmetrical and spiral patterns on local regions of Julia sets, and discontinuous series in the dynamics of some region that are recordable in the neurophysiology of intermittent consciousness. Synchronization can also be called self-similarity, in induced noncommutative geometry. In the next paper, new Koch curves are generated by dividing the initiator into unequal parts. With the increase in size of the set of Koch curves also comes a need for classification. Superior iterations in the study of Julia sets for rational maps are introduced, showing how new Sierpinski curve Julia sets are effectively different from those obtained by other means. Production rules to draw the new Hilbert curves are discussed, as well as production rules to draw the conventional Hilbert Curve. Later, a paper on Mandelbrot and Julia sets rendered in 3 dimensions is presented. In this paper, new Julia sets have been generated for zn+c, n 4 in superior orbit, and modelled in 3 dimensions. The authors examine the Gingko leaf, commonly referred to as a living fossil, that has been declared as tree of the millennium. This chapter aims to show that there are many ways to generate Gingko leaf. In conclusion, techniques to generate Sierpinski Gasket and Sierpinski Carpet as 3- variable and as 4-variable fractals respectively using superior iterates for contractive operators are described.
Author: Spyros Papapetros
Publisher: MIT Press
ISBN: 0262027593
Category : Art
Languages : en
Pages : 288
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Book Description
Scholars and artists revisit a hugely influential essay by Rosalind Krauss and map the interactions between art and architecture over the last thirty-five years. Expansion, convergence, adjacency, projection, rapport, and intersection are a few of the terms used to redraw the boundaries between art and architecture during the last thirty-five years. If modernists invented the model of an ostensible “synthesis of the arts,” their postmodern progeny promoted the semblance of pluralist fusion. In 1979, reacting against contemporary art's transformation of modernist medium-specificity into postmodernist medium multiplicity, the art historian Rosalind Krauss published an essay, “Sculpture in the Expanded Field,” that laid out in a precise diagram the structural parameters of sculpture, architecture, and landscape art. Krauss tried to clarify what these art practices were, what they were not, and what they could become if logically combined. The essay soon assumed a canonical status and affected subsequent developments in all three fields. Retracing the Expanded Field revisits Krauss's hugely influential text and maps the ensuing interactions between art and architecture. Responding to Krauss and revisiting the milieu from which her text emerged, artists, architects, and art historians of different generations offer their perspectives on the legacy of “Sculpture in the Expanded Field.” Krauss herself takes part in a roundtable discussion (moderated by Hal Foster). A selection of historical documents, including Krauss's essay, presented as it appeared in October, accompany the main text. Neither eulogy nor hagiography, Retracing the Expanded Field documents the groundbreaking nature of Krauss's authoritative text and reveals the complex interchanges between art and architecture that increasingly shape both fields. Contributors Stan Allen, George Baker, Yve-Alain Bois, Benjamin Buchloh, Beatriz Colomina, Penelope Curtis, Sam Durant, Edward Eigen, Kurt W. Forster, Hal Foster, Kenneth Frampton, Branden W. Joseph, Rosalind Krauss, Miwon Kwon, Sylvia Lavin, Sandro Marpillero, Josiah McElheny, Eve Meltzer, Michael Meredith, Mary Miss, Sarah Oppenheimer, Matthew Ritchie, Julia Robinson, Joe Scanlan, Emily Eliza Scott, Irene Small, Philip Ursprung, Anthony Vidler
