Author: David H. J. Larmour
Publisher: University of Oklahoma Press
ISBN: 0806155051
Category : Fiction
Languages : en
Pages : 369
Book Description
In this first comprehensive reading of Juvenal’s satires in more than fifty years, David H. J. Larmour deftly revises and sharpens our understanding of the second-century Roman writer who stands as the archetype for all later practitioners of the satirist’s art. The enduring attraction of Juvenal’s satires is twofold: they not only introduce the character of the “angry satirist” but also offer vivid descriptions of everyday life in Rome at the height of the Empire. In Larmour’s interpretation, these two elements are inextricably linked. The Arena of Satire presents the satirist as flaneur traversing the streets of Rome in search of its authentic core—those distinctly Roman virtues that have disappeared amid the corruption of the age. What the vengeful, punishing satirist does to his victims, as Larmour shows, echoes what the Roman state did to outcasts and criminals in the arena of the Colosseum. The fact that the arena was the most prominent building in the city and is mentioned frequently by Juvenal makes it an ideal lens through which to examine the spectacular and punishing characteristics of Roman satire. And the fact that Juvenal undertakes his search for the uncorrupted, authentic Rome within the very buildings and landmarks that make up the actual, corrupt Rome of his day gives his sixteen satires their uniquely paradoxical and contradictory nature. Larmour’s exploration of “the arena of satire” guides us through Juvenal’s search for the true Rome, winding from one poem to the next. He combines close readings of passages from individual satires with discussions of Juvenal’s representation of Roman space and topography, the nature of the “arena” experience, and the network of connections among the satirist, the gladiator, and the editor—or producer—of Colosseum entertainments. The Arena of Satire also offers a new definition of “Juvenalian satire” as a particular form arising from the intersection of the body and the urban landscape—a form whose defining features survive in the works of several later satirists, from Jonathan Swift and Evelyn Waugh to contemporary writers such as Russian novelist Victor Pelevin and Irish dramatist Martin McDonagh.
The Arena of Satire
Author: David H. J. Larmour
Publisher: University of Oklahoma Press
ISBN: 0806155051
Category : Fiction
Languages : en
Pages : 369
Book Description
In this first comprehensive reading of Juvenal’s satires in more than fifty years, David H. J. Larmour deftly revises and sharpens our understanding of the second-century Roman writer who stands as the archetype for all later practitioners of the satirist’s art. The enduring attraction of Juvenal’s satires is twofold: they not only introduce the character of the “angry satirist” but also offer vivid descriptions of everyday life in Rome at the height of the Empire. In Larmour’s interpretation, these two elements are inextricably linked. The Arena of Satire presents the satirist as flaneur traversing the streets of Rome in search of its authentic core—those distinctly Roman virtues that have disappeared amid the corruption of the age. What the vengeful, punishing satirist does to his victims, as Larmour shows, echoes what the Roman state did to outcasts and criminals in the arena of the Colosseum. The fact that the arena was the most prominent building in the city and is mentioned frequently by Juvenal makes it an ideal lens through which to examine the spectacular and punishing characteristics of Roman satire. And the fact that Juvenal undertakes his search for the uncorrupted, authentic Rome within the very buildings and landmarks that make up the actual, corrupt Rome of his day gives his sixteen satires their uniquely paradoxical and contradictory nature. Larmour’s exploration of “the arena of satire” guides us through Juvenal’s search for the true Rome, winding from one poem to the next. He combines close readings of passages from individual satires with discussions of Juvenal’s representation of Roman space and topography, the nature of the “arena” experience, and the network of connections among the satirist, the gladiator, and the editor—or producer—of Colosseum entertainments. The Arena of Satire also offers a new definition of “Juvenalian satire” as a particular form arising from the intersection of the body and the urban landscape—a form whose defining features survive in the works of several later satirists, from Jonathan Swift and Evelyn Waugh to contemporary writers such as Russian novelist Victor Pelevin and Irish dramatist Martin McDonagh.
Publisher: University of Oklahoma Press
ISBN: 0806155051
Category : Fiction
Languages : en
Pages : 369
Book Description
In this first comprehensive reading of Juvenal’s satires in more than fifty years, David H. J. Larmour deftly revises and sharpens our understanding of the second-century Roman writer who stands as the archetype for all later practitioners of the satirist’s art. The enduring attraction of Juvenal’s satires is twofold: they not only introduce the character of the “angry satirist” but also offer vivid descriptions of everyday life in Rome at the height of the Empire. In Larmour’s interpretation, these two elements are inextricably linked. The Arena of Satire presents the satirist as flaneur traversing the streets of Rome in search of its authentic core—those distinctly Roman virtues that have disappeared amid the corruption of the age. What the vengeful, punishing satirist does to his victims, as Larmour shows, echoes what the Roman state did to outcasts and criminals in the arena of the Colosseum. The fact that the arena was the most prominent building in the city and is mentioned frequently by Juvenal makes it an ideal lens through which to examine the spectacular and punishing characteristics of Roman satire. And the fact that Juvenal undertakes his search for the uncorrupted, authentic Rome within the very buildings and landmarks that make up the actual, corrupt Rome of his day gives his sixteen satires their uniquely paradoxical and contradictory nature. Larmour’s exploration of “the arena of satire” guides us through Juvenal’s search for the true Rome, winding from one poem to the next. He combines close readings of passages from individual satires with discussions of Juvenal’s representation of Roman space and topography, the nature of the “arena” experience, and the network of connections among the satirist, the gladiator, and the editor—or producer—of Colosseum entertainments. The Arena of Satire also offers a new definition of “Juvenalian satire” as a particular form arising from the intersection of the body and the urban landscape—a form whose defining features survive in the works of several later satirists, from Jonathan Swift and Evelyn Waugh to contemporary writers such as Russian novelist Victor Pelevin and Irish dramatist Martin McDonagh.
Gender and Sexuality in Juvenal's Rome
Author: Chiara Sulprizio
Publisher: University of Oklahoma Press
ISBN: 080616672X
Category : Foreign Language Study
Languages : en
Pages : 124
Book Description
The poet Juvenal is one of the most important ancient Roman authors, and his sixteen satires have left a strong mark on western literature. Despite his great influence, little is known about the poet’s life, beyond unreliable details gleaned from his poetry. Yet Juvenal’s satires contain a wealth of information about the mentality of imperial-era Romans. This volume offers a fresh and student-friendly translation of two of Juvenal’s most provocative poems: Satire 2 and Satire 6. With their common focus on gender and sexuality, these two works are of particular interest to today’s readers. Both Satire 2 and Satire 6 target effeminate men and wayward women as objects of ridicule, and they ruthlessly mock their behavior in an effort to expose deep-seated problems in Roman society. The longer of the two works, Juvenal’s sixth satire, addresses a basic question, “Why get married?,” in a tone of spite and ferocity, and its details are disturbingly graphic. Satire 2 is a shorter but equally pointed tirade against effeminacy and passive homosexuality. Taken together, the poems compel readers to critique the discourse of gender stereotypes and misogyny. For students and scholars of gender and sexuality, these poems are crucial texts. Chiara Sulprizio’s lively translation, perfectly suited for classroom use, captures the vivid spirit of Juvenal’s poems, and her extensive notes enhance the volume’s appeal by explicating the poems from a gendered perspective. An in-depth introduction by Sarah H. Blake places the satires within their broader literary, historical, and cultural context.
Publisher: University of Oklahoma Press
ISBN: 080616672X
Category : Foreign Language Study
Languages : en
Pages : 124
Book Description
The poet Juvenal is one of the most important ancient Roman authors, and his sixteen satires have left a strong mark on western literature. Despite his great influence, little is known about the poet’s life, beyond unreliable details gleaned from his poetry. Yet Juvenal’s satires contain a wealth of information about the mentality of imperial-era Romans. This volume offers a fresh and student-friendly translation of two of Juvenal’s most provocative poems: Satire 2 and Satire 6. With their common focus on gender and sexuality, these two works are of particular interest to today’s readers. Both Satire 2 and Satire 6 target effeminate men and wayward women as objects of ridicule, and they ruthlessly mock their behavior in an effort to expose deep-seated problems in Roman society. The longer of the two works, Juvenal’s sixth satire, addresses a basic question, “Why get married?,” in a tone of spite and ferocity, and its details are disturbingly graphic. Satire 2 is a shorter but equally pointed tirade against effeminacy and passive homosexuality. Taken together, the poems compel readers to critique the discourse of gender stereotypes and misogyny. For students and scholars of gender and sexuality, these poems are crucial texts. Chiara Sulprizio’s lively translation, perfectly suited for classroom use, captures the vivid spirit of Juvenal’s poems, and her extensive notes enhance the volume’s appeal by explicating the poems from a gendered perspective. An in-depth introduction by Sarah H. Blake places the satires within their broader literary, historical, and cultural context.
The Satires
Author: Juvenal,
Publisher: Oxford Paperbacks
ISBN: 0199540667
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Juvenal, writing between AD 110 and 130, was the greatest satirist of Imperial Rome. His powerful and witty attacks on the vices, abuses, and follies of the big city have been admired and used by many English writers. His writings here (titles supplied by translator) range from "Hypocritical perverts" and "The woes of a gigolo" to "A case of cannibalism."
Publisher: Oxford Paperbacks
ISBN: 0199540667
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Juvenal, writing between AD 110 and 130, was the greatest satirist of Imperial Rome. His powerful and witty attacks on the vices, abuses, and follies of the big city have been admired and used by many English writers. His writings here (titles supplied by translator) range from "Hypocritical perverts" and "The woes of a gigolo" to "A case of cannibalism."
Two Satires
Author: Juvenal
Publisher:
ISBN:
Category : Rome
Languages : en
Pages : 140
Book Description
Publisher:
ISBN:
Category : Rome
Languages : en
Pages : 140
Book Description
Satires of Power in Yoruba Visual Culture
Author: Yomi Ola
Publisher:
ISBN: 9781611630374
Category : Art
Languages : en
Pages : 0
Book Description
Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine
Publisher:
ISBN: 9781611630374
Category : Art
Languages : en
Pages : 0
Book Description
Yoruba artists have long employed the visual arts to criticize dictatorial and ineffectual governments. This book examines satires of power in Yoruba visual culture from the precolonial to the postcolonial periods of Nigerian history. Prior to the imposition of British colonial rule between 1893 and 1960, there were manifestations of parodies of power in the Yoruba satirical masking as well as in the carvings of some of the leading artists of the era, including the renowned Olowe of Ise, who worked predominantly for many kings in southwestern Nigeria. By the 1940s, Yoruba artists began to use the Western modernist media of editorial cartooning and photography as tools of social and political commentary. This text explores the visual commentaries on colonialism by Akinola Lasekan and the critiques of postcolonial military and civilian leaderships conceived by prominent cartoonists such as Kenny Adamson, Josy Ajiboye, dele jegede, Bisi Ogunbadejo, Boye Gbenro, and Tayo Fatunla. And in the global arena, the book further explores the triad of identity, power, and parody in the postmodern photographs and installations of Rotimi Fani-Kayode and Yinka Shonibare, two London-based artists of Yoruba descent. While this book complements previous studies of satire among the Yoruba as an aspect of ritualized performance traditions, it departs from such studies by exploring its appropriations in secular spaces of contemporary visual culture. This book is part of the African World Series, edited by Toyin Falola, Jacob and Frances Sanger Mossiker Chair in the Humanities, University of Texas at Austin. "In original, compelling arguments, Ola considers both direct and oblique influences that the Yoruba trickster deity Esu has had on specific works by each artist. Summing up: Recommended." -- CHOICE Magazine
The Satires of Juvenal
Author: Decio Junio Juvenal
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 438
Book Description
Making Men Ridiculous
Author: Christopher Nappa
Publisher: University of Michigan Press
ISBN: 0472130668
Category : History
Languages : en
Pages : 237
Book Description
Barbed and vivid details in Juvenal's satiric poetry reveal a highly complex critique of the breakdown of traditional Roman values
Publisher: University of Michigan Press
ISBN: 0472130668
Category : History
Languages : en
Pages : 237
Book Description
Barbed and vivid details in Juvenal's satiric poetry reveal a highly complex critique of the breakdown of traditional Roman values
Juvenal and the Satiric Emotions
Author: Catherine Keane
Publisher: Oxford University Press, USA
ISBN: 0199981892
Category : Foreign Language Study
Languages : en
Pages : 265
Book Description
This text reveals Juvenal's creative exploitation of Greco-Roman ideas about the emotions in this new analysis of his Satires and their arrangement.
Publisher: Oxford University Press, USA
ISBN: 0199981892
Category : Foreign Language Study
Languages : en
Pages : 265
Book Description
This text reveals Juvenal's creative exploitation of Greco-Roman ideas about the emotions in this new analysis of his Satires and their arrangement.
Girl in the Arena
Author: Lise Haines
Publisher: Bloomsbury Publishing USA
ISBN: 1599906155
Category : Juvenile Fiction
Languages : en
Pages : 196
Book Description
As a modern gladiator's daughter, Lyn and her family live by the rules of the Gladiator Sports Association. But those rules can turn against you. When Lyn's seventh father dies in the ring, his opponent, Uber, captures Lyn's dowry bracelet-and her hand in marriage. To win her freedom, Lyn will do what no girl has done before: enter the arena and fight her father's murderer-even though she's falling in love with him.
Publisher: Bloomsbury Publishing USA
ISBN: 1599906155
Category : Juvenile Fiction
Languages : en
Pages : 196
Book Description
As a modern gladiator's daughter, Lyn and her family live by the rules of the Gladiator Sports Association. But those rules can turn against you. When Lyn's seventh father dies in the ring, his opponent, Uber, captures Lyn's dowry bracelet-and her hand in marriage. To win her freedom, Lyn will do what no girl has done before: enter the arena and fight her father's murderer-even though she's falling in love with him.
Roman Satire
Author: Jennifer Ferriss-Hill
Publisher: BRILL
ISBN: 9004453474
Category : History
Languages : en
Pages : 108
Book Description
This volume, from an innovative scholar of Latin Literature and Greek Old Comedy, distills the modern corpus of scholarship on Roman Satire, presenting the genre in particular through the themes of literary ambition, self-fashioning, and poetic afterlife.
Publisher: BRILL
ISBN: 9004453474
Category : History
Languages : en
Pages : 108
Book Description
This volume, from an innovative scholar of Latin Literature and Greek Old Comedy, distills the modern corpus of scholarship on Roman Satire, presenting the genre in particular through the themes of literary ambition, self-fashioning, and poetic afterlife.