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Author: Meredith L. Clausen
Publisher: MIT Press
ISBN: 9780262531672
Category : Architecture
Languages : en
Pages : 508
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Book Description
Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.
Author: Meredith L. Clausen
Publisher: MIT Press
ISBN: 9780262531672
Category : Architecture
Languages : en
Pages : 508
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Book Description
Meredith Clausen reveals the enormous power that Belluschi wielded as an arbiter of taste and decision-maker in the 1950s and 1960s; his role in shaping the policy of the State Department in its overseas building program; and his role in securing major commissions for favored architects such as I.M. Pei. Equally important is Clausen's discussion of Belluschi's role in the development of regionalism in the Pacific Northwest and its impact on the definition of modernism as it was emerging in the United States.
Author: Meredith L. Clausen
Publisher:
ISBN: 9780295972138
Category : Architecture
Languages : en
Pages : 208
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Book Description
Pietro Belluschi has been for decades one of the foremost modern architects in the country. Renowned for his collaboration on buildings such as the Bank of America in San Francisco and the Pan Am Building and Juilliard School of Music in New York, he first gained national attention for simple, modern, unpretentious houses and churches in the Pacific Northwest.
Author: Pietro Belluschi
Publisher:
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Pietro 1899-1994 Belluschi
Publisher: Hassell Street Press
ISBN: 9781014892553
Category :
Languages : en
Pages : 120
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Grace Ong Yan
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224070
Category : Architecture
Languages : en
Pages : 208
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Book Description
Between the Stock Market Crash and the Vietnam War, American corporations were responsible for the construction of thousands of headquarters across the United States. Over this time, the design of corporate headquarters evolved from Beaux-Arts facades to bold modernist expressions. This book examines how clients and architects together crafted buildings to reflect their company's brand, carefully considering consumers' perception and their emotions towards the architecture and the messages they communicated. By focusing on four American corporate headquarters: the PSFS Building by George Howe and William Lescaze, the Johnson Wax Administration Building by Frank Lloyd Wright, Lever House by Skidmore, Owings & Merrill, and The Röhm & Haas Building by Pietro Belluschi, it shows how corporate modernism evolved. In the 1930s, architecture and branding were separate and distinct and by the 1960s, they were completely integrated. Drawing on interviews and original material from corporations' archives, it examines how company leaders, together with their architects, conceived of their corporate headquarters not only as the consolidation of employee workplaces, but as architectural mediums to communicate their corporate identities and brands.
Author: Meredith L. Clausen
Publisher: MIT Press
ISBN: 9780262033244
Category : Architecture
Languages : en
Pages : 514
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Book Description
How a building and the reaction to it signaled the end of an era; the transformation of architectural practice in the context of New York City culture and politics.
Author: Pietro Belluschi
Publisher:
ISBN:
Category : Arquitectos italianos
Languages : en
Pages : 100
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Book Description
Author: Philip Niles
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 298
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Book Description
"All new things built with the idea of preserving the beauty of the city and adding to it." -A. E. DoyleThe Central Library, Benson Hotel, Reed College, the Meier & Frank building, the U.S. National Bank-these are just a few of the grand Portland icons designed by Albert E. Doyle. During a period of rapid growth in Portland, Oregon, after the Lewis & Clark Centennial Exposition and before the Great Depression, Doyle (1877-1928) was the city's most important architect. Beauty of the City is the first biography of this celebrated architect. Doyle's career was short, just twenty-one years. Yet everywhere Portland retains his imprint. Many of Doyle's classical, often white terra-cotta buildings became venerable city landmarks. He also designed Portland residences, Neahkahnie beach cottages, and houses and banks in Oregon and Washington.Using A. E. Doyle's own diaries and letters and his firm's records, historian Philip Niles traces the architect's life and times in the context of the burgeoning cityscape. As Portland expanded beyond its frontier origins and provincialism, Doyle helped introduce East Coast and European sophistication. Indeed, his refined sensibility influenced the development of the Northwest Regional Style by Pietro Belluschi and John Yeon, among others. Doyle set the standard for elegance and proportion that later architects adapted to more modern styles-his standard defines Portland's vibrant core and contributes to the city's beauty as much today as it did eighty years ago.Readers interested in Northwest history and culture will appreciate this compelling and richly illustrated biography of "Portland's architect" and the parallel story of the growth of the city. Likewise, architectural historians and those seeking to better understand Portland's architectural heritage will enjoy reading of Doyle's contributions to this celebrated cityscape.
Author: Clare Lise Kelly
Publisher: Lulu.com
ISBN: 0971560714
Category : Architecture
Languages : en
Pages : 258
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Book Description
An illustrated reference guide to the history of modern architecture in Montgomery County, Maryland, from 1930 to 1979, with an inventory of key buildings and communities, and biographical sketches of practitioners including architects, landscape architects, planners and developers.
Author: Marin R. Sullivan
Publisher: Princeton University Press
ISBN: 0691215774
Category : Architecture
Languages : en
Pages : 272
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Book Description
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
