Author: David Castriota
Publisher:
ISBN: 9780691037158
Category : Art
Languages : en
Pages : 253
Book Description
David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century b.c. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilized an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolized the support and blessing of the Roman divinities for the Augustan regime. Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work, Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognize the intended message of divine sponsorship. By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art.
The Ara Pacis Augustae and the Imagery of Abundance in Later Greek and Early Roman Imperial Art
Author: David Castriota
Publisher:
ISBN: 9780691037158
Category : Art
Languages : en
Pages : 253
Book Description
David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century b.c. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilized an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolized the support and blessing of the Roman divinities for the Augustan regime. Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work, Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognize the intended message of divine sponsorship. By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art.
Publisher:
ISBN: 9780691037158
Category : Art
Languages : en
Pages : 253
Book Description
David Castriota examines one of the most important monuments of early Roman Imperial art, the Ara Pacis Augustae, the sculptured marble altar built to celebrate the peace, prosperity, and stability initiated by the reign of Augustus in the later first century b.c. Castriota argues that the floral decoration of the altar enclosure was profoundly significant, operating as a visual counterpart to the technique of metonymy in language. It utilized an array of realistic plants and flowers as allusive elements associated with various gods and goddesses, which together symbolized the support and blessing of the Roman divinities for the Augustan regime. Supporting his argument with evidence from Greek and Roman literature and religion, Castriota shows that the planners of the Ara Pacis adapted and expanded a long tradition of symbolic floral decoration from Greek monumental arts. Throughout his work, Castriota demonstrates that the Roman absorption of Greek precedent enabled viewers to recognize the intended message of divine sponsorship. By examining the origins of the Ara Pacis within its broader historical setting, the author provides new insights into a crucial period that witnessed the emergence of a distinctly Roman Imperial art.
The Artists of the Ara Pacis
Author: Diane Atnally Conlin
Publisher: UNC Press Books
ISBN: 9780807823439
Category : Art
Languages : en
Pages : 372
Book Description
Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.
Publisher: UNC Press Books
ISBN: 9780807823439
Category : Art
Languages : en
Pages : 372
Book Description
Conlin questions the long-held assumption that the friezes' sculptors were anonymous Greek masters, directly influenced by the reliefs carved on the Parthenon. Through close analysis of the sculptures, Conlin demonstrates that the carvers of the large processional friezes were actually Italian-trained sculptors influenced by both native and Hellenic stonecarving practices. Her conclusions rest on a systematic examination of the evidence left on the marble by the sculptors themselves - the traces of tool marks, the carving of specific details, and the compositional formulas of the friezes.
The Language of Images in Roman Art
Author: Tonio Hölscher
Publisher: Cambridge University Press
ISBN: 9780521665698
Category : Architecture
Languages : en
Pages : 196
Book Description
This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
Publisher: Cambridge University Press
ISBN: 9780521665698
Category : Architecture
Languages : en
Pages : 196
Book Description
This book, first published in 2004, develops a theoretical concept for understanding the Roman art of images.
The Social History of Roman Art
Author: Peter Stewart
Publisher: Cambridge University Press
ISBN: 0521816327
Category : Art
Languages : en
Pages : 201
Book Description
An introduction to the study of ancient Roman art in its social context.
Publisher: Cambridge University Press
ISBN: 0521816327
Category : Art
Languages : en
Pages : 201
Book Description
An introduction to the study of ancient Roman art in its social context.
A History of the Jewish War
Author: Steve Mason
Publisher: Cambridge University Press
ISBN: 1316419916
Category : History
Languages : en
Pages : 704
Book Description
A conflict that erupted between Roman legions and some Judaeans in late A.D. 66 had an incalculable impact on Rome's physical appearance and imperial governance; on ancient Jews bereft of their mother-city and temple; and on early Christian fortunes. Historical scholarship and cinema alike tend to see the conflict as the culmination of long Jewish resistance to Roman oppression. In this volume, Steve Mason re-examines the war in all relevant contexts (e.g., the Parthian dimension, Judaea's place in Roman Syria) and phases, from the Hasmoneans to the fall of Masada. Mason approaches each topic as a historical investigation, clarifying problems that need to be solved, understanding the available evidence, and considering scenarios that might explain the evidence. The simplest reconstructions make the conflict more humanly intelligible while casting doubt on received knowledge.
Publisher: Cambridge University Press
ISBN: 1316419916
Category : History
Languages : en
Pages : 704
Book Description
A conflict that erupted between Roman legions and some Judaeans in late A.D. 66 had an incalculable impact on Rome's physical appearance and imperial governance; on ancient Jews bereft of their mother-city and temple; and on early Christian fortunes. Historical scholarship and cinema alike tend to see the conflict as the culmination of long Jewish resistance to Roman oppression. In this volume, Steve Mason re-examines the war in all relevant contexts (e.g., the Parthian dimension, Judaea's place in Roman Syria) and phases, from the Hasmoneans to the fall of Masada. Mason approaches each topic as a historical investigation, clarifying problems that need to be solved, understanding the available evidence, and considering scenarios that might explain the evidence. The simplest reconstructions make the conflict more humanly intelligible while casting doubt on received knowledge.
An Environmental Ethic for the End of the World
Author: Scott C. Powell
Publisher: Cambridge Scholars Publishing
ISBN: 1527535967
Category : Religion
Languages : en
Pages : 213
Book Description
Is there a place for religious texts in today’s global environmental conversation? Some have claimed over the centuries that the Bible has given humans license to devastate the world of nature. Can those same texts be a source of ecological healing? This book investigates Romans 8:19-22, Paul’s enigmatic passage about “creation groaning out in travail”, which comes at the conclusion of his long Christological discourse. His inclusion of nature in the Christ event is both unprecedented and has baffled scholars for centuries. Could Genesis provide the explanation? Four relationships shape the creation stories. Prior to the fall of Adam and Eve, human beings are said to live in harmony with God, with themselves, with one another, and with the world of nature. As humans disobey God, each of these relationships unravels, climaxing with the cursing of nature itself. Is this paradigm in the background of Paul’s Christology? Read this way, Paul’s midrash on the story of creation in light of the Christ event provides deep insight into the biblical role of humans and their instrumentality in bringing both harm and healing to the world of nature.
Publisher: Cambridge Scholars Publishing
ISBN: 1527535967
Category : Religion
Languages : en
Pages : 213
Book Description
Is there a place for religious texts in today’s global environmental conversation? Some have claimed over the centuries that the Bible has given humans license to devastate the world of nature. Can those same texts be a source of ecological healing? This book investigates Romans 8:19-22, Paul’s enigmatic passage about “creation groaning out in travail”, which comes at the conclusion of his long Christological discourse. His inclusion of nature in the Christ event is both unprecedented and has baffled scholars for centuries. Could Genesis provide the explanation? Four relationships shape the creation stories. Prior to the fall of Adam and Eve, human beings are said to live in harmony with God, with themselves, with one another, and with the world of nature. As humans disobey God, each of these relationships unravels, climaxing with the cursing of nature itself. Is this paradigm in the background of Paul’s Christology? Read this way, Paul’s midrash on the story of creation in light of the Christ event provides deep insight into the biblical role of humans and their instrumentality in bringing both harm and healing to the world of nature.
Domesticating Empire
Author: Caitlín Eilís Barrett
Publisher: Oxford University Press
ISBN: 0190641363
Category : Art
Languages : en
Pages : 473
Book Description
Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
Publisher: Oxford University Press
ISBN: 0190641363
Category : Art
Languages : en
Pages : 473
Book Description
Domesticating Empire is the first contextually-oriented monograph on Egyptian imagery in Roman households. Caitlín Barrett draws on case studies from Flavian Pompeii to investigate the close association between representations of Egypt and a particular type of Roman household space: the domestic garden. Through paintings and mosaics portraying the Nile, canals that turned the garden itself into a miniature "Nilescape," and statuary depicting Egyptian themes, many gardens in Pompeii offered ancient visitors evocations of a Roman vision of Egypt. Simultaneously faraway and familiar, these imagined landscapes made the unfathomable breadth of empire compatible with the familiarity of home. In contrast to older interpretations that connect Roman "Aegyptiaca" to the worship of Egyptian gods or the problematic concept of "Egyptomania," a contextual analysis of these garden assemblages suggests new possibilities for meaning. In Pompeian houses, Egyptian and Egyptian-looking objects and images interacted with their settings to construct complex entanglements of "foreign" and "familiar," "self" and "other." Representations of Egyptian landscapes in domestic gardens enabled individuals to present themselves as sophisticated citizens of empire. Yet at the same time, household material culture also exerted an agency of its own: domesticizing, familiarizing, and "Romanizing" once-foreign images and objects. That which was once imagined as alien and potentially dangerous was now part of the domus itself, increasingly incorporated into cultural constructions of what it meant to be "Roman." Featuring brilliant illustrations in both color and black and white, Domesticating Empire reveals the importance of material culture in transforming household space into a microcosm of empire.
A Companion to Roman Imperialism
Author:
Publisher: BRILL
ISBN: 9004236465
Category : History
Languages : en
Pages : 414
Book Description
The Roman empire extended over three continents, and all its lands came to share a common culture, bequeathing a legacy vigorous even today. A Companion to Roman Imperialism, written by a distinguished body of scholars, explores the extraordinary phenomenon of Rome’s rise to empire to reveal the impact which this had on her subject peoples and on the Romans themselves. The Companion analyses how Rome’s internal affairs and international relations reacted on each other, sometimes with violent results, why some lands were annexed but others ignored or given up, and the ways in which Rome’s population and power élite evolved as former subjects, east and west, themselves became Romans and made their powerful contributions to Roman history and culture. Contributors are Eric Adler, Richard Alston, Lea Beness, Paul Burton, Brian Campbell, Arthur Eckstein, Peter Edwell, Tom Hillard, Richard Hingley, Benjamin Isaac, José Luis López Castro, J. Majbom Madsen, Susan Mattern, Sophie Mills, David Potter, Jonathan Prag, Steven Rutledge, Maurice Sartre, John Serrati, Tom Stevenson, Martin Stone, and James Thorne.
Publisher: BRILL
ISBN: 9004236465
Category : History
Languages : en
Pages : 414
Book Description
The Roman empire extended over three continents, and all its lands came to share a common culture, bequeathing a legacy vigorous even today. A Companion to Roman Imperialism, written by a distinguished body of scholars, explores the extraordinary phenomenon of Rome’s rise to empire to reveal the impact which this had on her subject peoples and on the Romans themselves. The Companion analyses how Rome’s internal affairs and international relations reacted on each other, sometimes with violent results, why some lands were annexed but others ignored or given up, and the ways in which Rome’s population and power élite evolved as former subjects, east and west, themselves became Romans and made their powerful contributions to Roman history and culture. Contributors are Eric Adler, Richard Alston, Lea Beness, Paul Burton, Brian Campbell, Arthur Eckstein, Peter Edwell, Tom Hillard, Richard Hingley, Benjamin Isaac, José Luis López Castro, J. Majbom Madsen, Susan Mattern, Sophie Mills, David Potter, Jonathan Prag, Steven Rutledge, Maurice Sartre, John Serrati, Tom Stevenson, Martin Stone, and James Thorne.
Death and the Emperor
Author: Penelope J. E. Davies
Publisher: Univ of TX + ORM
ISBN: 0292756372
Category : Social Science
Languages : en
Pages : 501
Book Description
The role of monuments in the Roman imperial cult. “Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor.” Times Literary Supplement “This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics.” Bryn Mawr Classical Review “Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community.” American Journal of Archaeology
Publisher: Univ of TX + ORM
ISBN: 0292756372
Category : Social Science
Languages : en
Pages : 501
Book Description
The role of monuments in the Roman imperial cult. “Davies sets out to ask, How did the Romans bury Caesar? And with what monuments did they sing his praises? . . . The architectural elaboration of these structures, their siting in the capital, the lines of vision and approaches that exposed them to view, the paths their complex outworks formed for visitors to walk, are all picked out with skill and presented with care in Death and the Emperor.” Times Literary Supplement “This concise and lucidly written book is a very valuable new contribution to the studies of Roman imperial cult, political propaganda, and topography, and has the added benefit of discussing complex scholarly disputes in a manner that the non-specialist will probably follow with ease. . . . There is material in this volume that will be immensely useful to researchers in many areas: archaeology, history of architecture, iconography, history of religion, and Roman political propaganda, to name just a few. I strongly recommend it to scholars interested in any or all of the above topics.” Bryn Mawr Classical Review “Even though its focus is on only seven specimens of architecture, the book touches upon a broad array of aspects of Roman imperial culture. Elegantly written and generously illustrated . . . this book should be of great interest to the general public as well as to the scholarly community.” American Journal of Archaeology
Rome: A Sourcebook on the Ancient City
Author: Fanny Dolansky
Publisher: Bloomsbury Publishing
ISBN: 0567310310
Category : History
Languages : en
Pages : 273
Book Description
The ancient city of Rome was the site of daily activities as well as famous historical events. It was not merely a backdrop, but rather an active part of the experiences of its inhabitants, shaping their actions and infusing them with meaning. During each period in Rome's imperial history, her emperors also used the city as a canvas to be painted on, transforming it according to their own ideals or ambitions. Rather than being organized by sites or monuments, Rome: A Sourcebook on the Ancient City is divided into thematic chapters. At the intersection of topography and socio-cultural history, this volume examines the cultural and social significance of the sites of ancient Rome from the end of the Republic in the age of Cicero and Julius Caesar, to the end of the fourth century. Drawing on literary and historical sources, this is not simply a tour of the baths and taverns, the amphitheatres and temples of ancient Rome, but rather a journey through the city that is fully integrated with Roman society.
Publisher: Bloomsbury Publishing
ISBN: 0567310310
Category : History
Languages : en
Pages : 273
Book Description
The ancient city of Rome was the site of daily activities as well as famous historical events. It was not merely a backdrop, but rather an active part of the experiences of its inhabitants, shaping their actions and infusing them with meaning. During each period in Rome's imperial history, her emperors also used the city as a canvas to be painted on, transforming it according to their own ideals or ambitions. Rather than being organized by sites or monuments, Rome: A Sourcebook on the Ancient City is divided into thematic chapters. At the intersection of topography and socio-cultural history, this volume examines the cultural and social significance of the sites of ancient Rome from the end of the Republic in the age of Cicero and Julius Caesar, to the end of the fourth century. Drawing on literary and historical sources, this is not simply a tour of the baths and taverns, the amphitheatres and temples of ancient Rome, but rather a journey through the city that is fully integrated with Roman society.