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Author: The Akurians
Publisher: AuthorHouse
ISBN: 1438948107
Category : Social Science
Languages : en
Pages : 518
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Book Description
The Most High Lord God of All Creation, The Most High Supreme Lord of Spirits, the God of Ish (Adam) and Isha (Eve), the God of Enoch, the God of Noe (Noah), the God of Shem, the God of Melchizedek, the God of Audreah, the God of Abraham, the God of Ishmael, the God of Isaac, the God of Jacob (Israel) will personally communicate with YOU, personally! Be prepared to understand YOU have been lied to all your life about everything; and to possess True Spiritual Knowledge you have been deliberately denied. The Most High, Himself, will testify to you that each and every word, statement and claim in this book is absolute, irrevocable, consistently verifiable, indispensable and indisputable TRUTH!
Author: The Akurians
Publisher: AuthorHouse
ISBN: 1438948107
Category : Social Science
Languages : en
Pages : 518
Get Book Here
Book Description
The Most High Lord God of All Creation, The Most High Supreme Lord of Spirits, the God of Ish (Adam) and Isha (Eve), the God of Enoch, the God of Noe (Noah), the God of Shem, the God of Melchizedek, the God of Audreah, the God of Abraham, the God of Ishmael, the God of Isaac, the God of Jacob (Israel) will personally communicate with YOU, personally! Be prepared to understand YOU have been lied to all your life about everything; and to possess True Spiritual Knowledge you have been deliberately denied. The Most High, Himself, will testify to you that each and every word, statement and claim in this book is absolute, irrevocable, consistently verifiable, indispensable and indisputable TRUTH!
Author: Friedrich Ohly
Publisher: Cambridge University Press
ISBN: 9780521154666
Category : History
Languages : en
Pages : 232
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Book Description
A comparative cultural history of figures such as oedipus, Judas and Faust, from antiquity to modern times.
Author: John Milton
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
Author: George Sloan
Publisher: iUniverse
ISBN: 1532078587
Category : Religion
Languages : en
Pages : 163
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Book Description
“The Parable code” is spiritual to the living and the dead. Those “Indwelled with the Holy Spirit of God” live in “Forgiveness Peace and Love” with their fellow man and their persecutors just as Jesus was ““double crossed” and “Trumped”” by the High Priests. Jesus assigned cross as your God assigned cross is to bear without “Whining and Sniveling”. Who Killed Homer, by Victor Davis Hanson and John Heath speaks to how Academia was destroyed; also points to how Biblical Fellowship was sold to become the religions of men by men. The elects “Communion” is only with Jesus Christ; not to be replaced by the god Gain, the Profit Lucre or St. Mammon in their quest of Wealth, Power and Fame. “A History of the Jewish People” by H.H. Ben-Sasson, Part III by M. Stern, is about “The Antichrist” John of Gischala Jewish hero of the last four years of “The Apocalypse”, God used the Atheist Issacs Asimov to shanghaies this fool fair and square and guided by the Holy Spirit to this work, words, and reason herein to simplify God’s “WORD” because it has been misused by the predestined dead from the foundation of the World, when God “RESTED”. UPDATED 07/03/19: “The Parables Code” is provided by God to enlighten the elect to salvation and to delude the dead to proceed to their earthly demise on the lake of fire which is forever.
Author: Enoch
Publisher: Lulu.com
ISBN: 1631184296
Category : Religion
Languages : en
Pages : 58
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Book Description
One of numerous texts that were removed from the Bible. This piece was traditionally attributed to Enoch. These Parables are part of the tradition of Apocalyptic Literature, and come to us as the Voice of God.
Author: R H 1855-1931 Charles
Publisher: Franklin Classics
ISBN: 9780343138257
Category :
Languages : en
Pages : 892
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: David Howarth
Publisher: Univ of California Press
ISBN: 9780520209916
Category : Art
Languages : en
Pages : 352
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Book Description
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.
Author: Adam Weishaupt
Publisher: Magus Books
ISBN:
Category : Social Science
Languages : en
Pages : 1207
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Book Description
"I'm plotting revolution against this lie that the majority has a monopoly of the truth. What are these truths that always bring the majority rallying round? Truths so elderly they are practically senile. And when a truth is as old as that, gentlemen, you can hardly tell it from a lie." – Dr Stockmann (in Henrik Ibsen's play An Enemy of the People) Contra Mundum is a handbook for all those who think there is something fundamentally wrong with the world. The ancient Gnostics claimed that the world was actually created and ruled by the Devil (the Demiurge), hence why everything is so hideous, unfair and horrific. Modern Gnostics (Illuminists) assert that the problem with the world is that it's ruled by the forces of unreason rather than reason, by Mythos rather than Logos, by silly story-based religions rather than mathematics, philosophy and science.
Author: Liliane Binnyuy
Publisher: Liliane Binnyuy
ISBN: 0463398920
Category : Religion
Languages : en
Pages : 32
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Book Description
Is Jesus Christ the one true God? What is the spiritual life in Christ? How can we live in him and be victorious over sin, and the world? What is the Baptism of the Holy Spirit? Who is a religious man? Who is a spiritual man? How do we identify fake Bible Preachers? This book will answer all these questions.
Author: Marie Noonan Sabin
Publisher: Oxford University Press, USA
ISBN: 0195143590
Category : Religion
Languages : en
Pages : 315
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Book Description
In Reopening the Word, Marie Sabin argues that Mark's gospel represents an early and evolving Christianity, which shaped its theological discourse out of the forms familiar to early Judaism.
