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Author: Laurie Tye
Publisher: Graphic Arts Center Publishing Co.
ISBN: 1558688641
Category : Juvenile Nonfiction
Languages : en
Pages : 33
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Book Description
THE ANIMAL IN ME is a picture book for all ages, from toddlers who are just learning to turn pages, to eager, first-time readers. This richly illustrated book encourages children to imagine just what kind of animal they most resemble when they are hungry, sleepy, playing, or even screaming. Animated imagery by award-winning photographer Thomas D. Mangelsen will have children participating in story time and even making up their own scenarios. From hummingbirds to tigers, chipmunks to swans, creatures and their unique behaviors are colorful and fun examples for children to learn more about themselves and the natural world around them.
Author: Laurie Tye
Publisher: Graphic Arts Center Publishing Co.
ISBN: 1558688641
Category : Juvenile Nonfiction
Languages : en
Pages : 33
Get Book Here
Book Description
THE ANIMAL IN ME is a picture book for all ages, from toddlers who are just learning to turn pages, to eager, first-time readers. This richly illustrated book encourages children to imagine just what kind of animal they most resemble when they are hungry, sleepy, playing, or even screaming. Animated imagery by award-winning photographer Thomas D. Mangelsen will have children participating in story time and even making up their own scenarios. From hummingbirds to tigers, chipmunks to swans, creatures and their unique behaviors are colorful and fun examples for children to learn more about themselves and the natural world around them.
Author: Peter Sahlins
Publisher: Princeton University Press
ISBN: 1935408275
Category : History
Languages : en
Pages : 497
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Book Description
Peter Sahlins’s brilliant new book reveals the remarkable and understudied “animal moment” in and around 1668 in which authors (including La Fontaine, whose Fables appeared in that year), anatomists, painters, sculptors, and especially the young Louis XIV turned their attention to nonhuman beings. At the center of the Year of the Animal was the Royal Menagerie in the gardens of Versailles, dominated by exotic and graceful birds. In the remarkable unfolding of his original and sophisticated argument, Sahlins shows how the animal bodies of the menagerie and others (such as the dogs and lambs of the first xenotransfusion experiments) were critical to a dramatic rethinking of governance, nature, and the human. The animals of 1668 helped to shift an entire worldview in France — what Sahlins calls Renaissance humanimalism — toward more modern expressions of Classical naturalism and mechanism. In the wake of 1668 came the debasement of animals and the strengthening of human animality, including in Descartes’s animal-machine, highly contested during the Year of the Animal. At the same time, Louis XIV and his intellectual servants used the animals of Versailles to develop and then to transform the symbolic language of French absolutism. Louis XIV came to adopt a model of sovereignty after 1668 where his absolute authority is represented in manifold ways with the bodies of animals and justified by the bestial nature of his human subjects. 1668: The Year of the Animal in France explores and reproduces the king’s animal collections — in printed text, weaving, poetry, and engraving, all seen from a unique interdisciplinary perspective. Sahlins brings the animals of 1668 together and to life as he observes them critically in their native habitats — within the animal palace itself by Louis Le Vau, the paintings and tapestries of Charles Le Brun, the garden installations of André Le Nôtre, the literary work of Charles Perrault and the natural history of his brother Claude, the poetry of Madeleine de Scudéry, the philosophy of René Descartes, the engravings of Sébastien Leclerc, the trans_fusion experiments of Jean Denis, and others. The author joins the non_human and human agents of 1668 — panthers and painters, swans and scientists, weasels and weavers — in a learned and sophisticated treatment that will engage scholars and students of early modern France and Europe and readers broadly interested in the subject of animals in human history.
Author: Joseph Asphahani
Publisher: Inkshares
ISBN: 1947848607
Category : Fiction
Languages : en
Pages : 273
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Book Description
Maxan, a cunning fox, stalks the Leoran capital city of Crosswall as a “shadow”—a lone operative for the city guard who must never be seen or heard, and never engage with the enemy. But when he’s caught in an explosion that levels a city block, the fox ignores his mission and retrieves a dangerous artifact that could bring the whole planet of Herbridia to its knees: the relay, a weapon that turns civilized animals into savage beasts. Maxan must fight to keep the mysterious relay from falling into the hands of those who would abuse its power. There’s just one problem: he doesn’t know who to trust, or why he alone is immune to the deadliest weapon in the world. With Leora on the brink of a massive civil war, can Maxan find his allies in time to save animalkind from itself?
Author: Randall Jarrell
Publisher:
ISBN: 9780063435858
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
Author: Jim Moore (Vocalist)
Publisher:
ISBN: 9780975261903
Category : Bands (Music)
Languages : en
Pages : 0
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Book Description
Five animal friends learn about music, form the world's only all-animal band, becomes the hit of the forest, and acquire their own talent agent. Includes text of the song.
Author: Jacques Derrida
Publisher: Fordham Univ Press
ISBN: 0823227928
Category : Philosophy
Languages : en
Pages : 321
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Book Description
The translated, complete text of Derrida’s 1997 ten-hour address, “The Autobiographical Animal,” focusing on the industrialized treatment of animals. The Animal That Therefore I Am is at once an affectionate look back over the multiple roles played by animals in Derrida’s work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction?dating from Descartes?between man as thinking animal and every other living species. That starts with the very fact of the line of separation drawn between the human and the millions of other species that are reduced to a single “the animal.” Derrida finds that distinction, or versions of it, surfacing in thinkers as far apart as Descartes, Kant, Heidegger, Lacan, and Levinas, and he dedicates extended analyses to the question in the work of each of them. The book’s autobiographical theme intersects with its philosophical analysis through the figures of looking and nakedness, staged in terms of Derrida’s experience when his cat follows him into the bathroom in the morning. In a classic deconstructive reversal, Derrida asks what this animal sees and thinks when it sees this naked man. Yet the experiences of nakedness and shame also lead all the way back into the mythologies of “man’s dominion over the beasts” and trace a history of how man has systematically displaced onto the animal his own failings or bêtises. The Animal That Therefore I Am is at times a militant plea and indictment regarding, especially, the modern industrialized treatment of animals. However, Derrida cannot subscribe to a simplistic version of animal rights that fails to follow through, in all its implications, the questions and definitions of “life” to which he returned in much of his later work.
Author: Dan Miron
Publisher: Rowman & Littlefield
ISBN: 1498595146
Category : Religion
Languages : en
Pages : 167
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Book Description
The Animal in the Synagogue explores Franz Kafka’s sense of being a Jew in the modern world and its literary and linguistic ramifications. It falls into two parts. The first is organized around the theme of Kafka’s complex and often self-derogatory understanding and assessment of his own Jewishness and of the place the modern Jew occupies in “the abyss of the world” (Martin Buber). That part is based on a close reading of Kafka’s correspondence with his Czech lover, Milena Jesenska, and on a meticulous analysis, thematic, stylistic, and structural, of Kafka’s only short story touching openly and directly upon Jewish social and ritual issues, and known as “In Our Synagogue” (the title—not by the author). In both the letters and the short story images of small animals—repulsive, dirty, or otherwise objectionable—are used by Kafka as means of exploring his own manhood and the Jewish tradition at large as he understood it. The second part of the book focuses on Kafka’s place within the complex of Jewish writing of his time in all its three linguistic forms: Hebrew writing (essentially Zionist), Yiddish writing (essentially nationalistic but not committed to Zionism), and the writing, like his, in non-Jewish languages (mainly German) and within the non-Jewish religious and artistic traditions which inhered in them. The essay deals in detail with Kafka’s responses to contemporary Jewish literatures, and his pessimistic evaluation of those literatures’ potential. Essentially, Kafka doubted the sheer possibility of a genuine and culturally tenable compromise (let alone synthesis) between Jewishness and modernity. The book deals with topics and some texts that the flourishing, ever expanding Kafka scholarship has either neglected or misunderstood because most scholars had no real background in either Hebrew or Yiddish studies, and were unable to grasp the nuances and subtle intentions in Kafka’s attitudes toward modern Hebrew and Yiddish literature and their paragons, such as the major Zionist Hebrew poet H.N. Bialik or the Yiddish master Sholem Aleichem.
Author: Roslyn Appleby
Publisher: Routledge
ISBN: 1351271466
Category : Language Arts & Disciplines
Languages : en
Pages : 153
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Book Description
This pioneering collection of essays unpacks the complex discursive and embodied relationships between humans and animals, contributing to a more informed understanding of both human-animal relations and the role of language in social processes. Focusing on the example of shark-human interactions, the book draws on forms of analysis from multimodality and critical discourse studies to examine the representations of this relationship across visual arts, popular media, and the natural sciences, each viewed through a critical feminist lens. The combined effect highlights the significance of the emergent turn to post-humanism in applied linguistics and its role in fostering more engaged discussions around broader contemporary social issues, including environmental degradation and climate change on the one hand, and resurgent feminism and challenges to normative heterosexuality on the other. Paving the way for new forms of writing and language for a post-anthropocentric age, this volume is essential reading for students and scholars in applied linguistics, gender studies, sociolinguistics, human-animal studies, and environmental humanities.
Author: Michael Malay
Publisher: Springer
ISBN: 3319706667
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
Author: Niko Tinbergen
Publisher: Harvard University Press
ISBN: 9780674037243
Category : Nature
Languages : en
Pages : 348
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Book Description
Together with Konrad Lorenz, Niko Tinbergen is generally acknowledged as the founder of the young science of ethology. These classic original studies will fascinate the increasing number of readers interested in the topical problems of animals and human behavior.
