Author: Andy Warhol Foundation for the Visual Arts
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 88

Get Book Here

Book Description

Author: Andy Warhol Foundation for the Visual Arts
Publisher:
ISBN:
Category : Art patronage
Languages : en
Pages : 100

Get Book Here

Book Description

Author: Elaine Rusinko
Publisher: University of Pittsburgh Press
ISBN: 0822991691
Category : Biography & Autobiography
Languages : en
Pages : 606

Get Book Here

Book Description
While biographers of Andy Warhol have long recognized his mother as a significant influence on his life and art, Julia Warhola’s story has not yet been told. As an American immigrant who was born in a small Carpatho-Rusyn village in Austria-Hungary in 1891, Julia never had the opportunity to develop her own considerable artistic talents. Instead, she worked and sacrificed so her son could follow his dreams, helping to shape Andy’s art and persona. Julia famously followed him to New York City and lived with him there for almost twenty years, where she remained engaged in his personal and artistic life. She was well known as “Andy Warhol’s mother,” even developing a distinctive signature with the title that she used on her own drawings. Exploring previously unpublished material, including Rusyn-language correspondence and videos, Andy Warhol’s Mother provides the first in-depth look at Julia’s hardscrabble life, her creative imagination, and her spirited personality. Elaine Rusinko follows Julia’s life from the folkways of the Old Country to the smog of industrial Pittsburgh and the tumult of avant-garde New York. Rusinko explores the impact of Julia’s Carpatho-Rusyn culture, Byzantine Catholic faith, and traditional worldview on her ultra-modern son, the quintessential American artist. This close examination of the Warhola family’s lifeworld allows a more acute perception of both Andy and Julia while also illuminating the broader social and cultural issues that confronted and conditioned them.

Author: Colin MacCabe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 186

Get Book Here

Book Description
No Marketing Blurb

Author: Pepe Karmel
Publisher: The Museum of Modern Art
ISBN: 9780870700378
Category : Art
Languages : en
Pages : 288

Get Book Here

Book Description
Published to accompany the exhibition Jackson Pollock held the Museum of Modern Art, New York, from 1 November 1998 to 2 February 1999.

Author: Claude Cahun
Publisher: Tate Publishing(UK)
ISBN:
Category : Art
Languages : en
Pages : 260

Get Book Here

Book Description
By making this lost masterpiece of Surrealist literature available to an English-speaking readership, this publication will bring further recognition to a seminal and previously underrated figure in 20th century art and literature.

Author: Joyce Stoner
Publisher: Farnsworth Pub.
ISBN:
Category : Art
Languages : en
Pages : 120

Get Book Here

Book Description
Factory Work examines Andy Warhol's (1928-1987) role as a mentor for two younger artists from opposite corners of the art world. Jamie Wyeth (b. 1946) and Jean-Michel Basquiat (1960-1988) were young, independent artists with their own substantial reputations when Andy Warhol invited each of them to paint in his "Factory" on 860 Broadway, New York City. In 1976 Andy Warhol and Jamie Wyeth painted each other's portraits. They jointly attended openings from 1976 to 1980; the exhibitions were known informally as "The Patriarch of Pop Paints the Prince of Realism," and Warhol visited Wyeth's farm in Pennsylvania. Basquiat rented a studio on Great Jones Street from Warhol beginning in August 1983 and collaborated with Warhol (first as part of a trio including Francesco Clemente) later the same year and in 1984 began joint projects with Warhol alone and exhibited in 1985. Warhol influenced these younger artists, and they enabled him to stay connected to new audiences of an evolving art world. At the same time, Warhol's paintings demonstrably changed due to his contact with Wyeth and Basquiat. The works illustrated provide clues toward further investigation of these two unique partnerships, also documented in Warhol's published diary entries, Interview magazines, and Warhol's tape-recorded conversations. There are four catalogue essays: Robert Rosenblum, Professor of Fine Arts at New York University and internationally known curator of 20th-century art at the Guggenheim Museum, examines Warhol as mentor for Jamie Wyeth, "a card-carrying member of a Yankee dynasty of three generations of ultra-WASP artists," as well as for Basquiat, the "dark-skinned crazy kid from Brooklyn who began his meteoric career by raucously embracing a counter-cultural life"; Christine Daulton, consultant conservator for the Warhol Museum, describes and provides recreations of the unusual techniques used by Warhol to create his oxidation portraits in the 1970s and 1980s; Joyce Hill Stoner, conservator, art historian, and Director of the University of Delaware Preservation Studies Program, writes about Wyeth's influence on Warhol that can be seen in Warhol's 1976 cat and dog paintings, his 1979 pig photographs and print, and his 1976-1977 skull paintings and self-portraits with skull; Margaret Rose Vendryes of the City University of New York discusses Basquiat's work and his "tagging" of Warhol's commercial images on their collaborative paintings and collages. The text and illustrations also offer insights into the celebrity-obsessed culture of the '70s and the drug- and money-mad art market of the '80s.

Author: Dr. Loretta Würtenberger
Publisher: Hatje Cantz Verlag
ISBN: 3775751734
Category : Art
Languages : en
Pages : 349

Get Book Here

Book Description
Andy Warhol bequeathed us the words "Death can really make you look like a star." But death per se is not a catalyst for the relevance of an artist. What is of crucial importance is the proper management structure for the posthumous preservation and development of an artistic estate. The handbook by Loretta Würtenberger presents the possible legal framework, appropriate financing models, as well as the proper handling of the market, museums, and academia. Her business, Fine Art Partners, has advised artists and artists' estates for many years in their structuring and development of estate concepts as well as in operative questions. Based on numerous international examples, the author explains the different alternatives for maintaining an artist's estate and makes recommendations on how to ideally handle work, archives, and mementos following the death of an artist.

Author: Robert Storr
Publisher:
ISBN: 9780870700316
Category : Art
Languages : en
Pages : 247

Get Book Here

Book Description
Essay by Robert Storr. Foreword by Glenn D. Lowry.

Author: Leonard D. DuBoff
Publisher: Aspen Publishing
ISBN: 1543857914
Category : Law
Languages : en
Pages : 1086

Get Book Here

Book Description
The purchase of this ebook edition does not entitle you to receive access to the Connected eBook on CasebookConnect. You will need to purchase a new print book to get access to the full experience including: lifetime access to the online ebook with highlight, annotation, and search capabilities, plus an outline tool and other helpful resources. Art Law: Cases and Materials, Third Edition is written by Leonard DuBoff, a founder of the discipline of art law, and by Michael Murray, a prolific scholar of art law and intellectual property law. The current edition focuses on law and the visual arts world that now embraces the disruptive forces of blockchains and non-fungible tokens (NFTs). Designed as a primary text for courses on art law, law and the visual arts, cultural property law, or cultural heritage law, the three-part framework of this highly readable casebook explores artists’ rights under copyright, trademark, right of publicity, moral rights, and the First Amendment; art markets including the law of galleries, dealers, auctions, and museums; and the legal issues surrounding international preservation of art and cultural property, including smuggling and theft in peacetime, looting and plundering in wartime, and protection of native and indigenous peoples’ art. New to the Third Edition: As stated by the author of the introduction, Jane Ginsburg of Columbia Law School says, “The tremendous sweep of this casebook takes in the manifold fields that the apparently simple name ‘Art Law’ implicates. From ‘What is Art?’ through the different kinds of intellectual property encompassed within artists’ rights, through censorship and freedom of expression to the many permutations of the art market, and on to international and domestic protections of cultural property, the casebook enmeshes the student in an extraordinary variety of fascinating, and often intractable, legal issues. The current edition not only generally updates its predecessor but adds such cutting-edge digital matters as NFTs (which unsettle some notions of “what is art,” and pervade the gamut of IP issues), the role of artificial intelligence in the creation of works of art, and the impact of deepfakes on the right of publicity.” The Third Edition explores how NFTs and the market for digital art has changed how artists, collectors, and the general public view and interact with the art world. NFTs have disrupted the calculation of what is art and who is an artist and challenge the centuries old systems of valuation of art even though they apply the same basic factors of scarcity, provenance (authenticity), attribution to a particular artist, popularity, historical significance, and potential for growth in value. NFTs and metaverse have thrust an entirely new class of creators and content owners into a crypto community that disfavors law and champions copying. NFTs have made digital art a popular and expensive art investment, but this pushes to the forefront the uncomfortable uncertainties of how the law treats digital works under the copyright first sale doctrine. NFTs now enable American artists to list and sell art works linked to smart contracts that set a rate for the payment of resale royalties and can issue a royalty payment whenever these art works are resold on an exchange that supports the payment of royalties for transactions on the blockchain where the art is registered. The text also explores how deep fakes and AI rendering technologies have created new issues regarding unauthorized uses in false endorsement situations and lookalike avatars and profile pictures (PFPs). Professors and students will benefit from: A very current text covering the real world and metaverse art world of the 2020s A rich collection of illustrations from and about the cases and issues PowerPoints that cover each case, topic, and subtopic