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Author: Suiyi Tang
Publisher: Civil Coping Mechanisms
ISBN: 9781948700986
Category : Fiction
Languages : en
Pages : 174
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Book Description
American Symphony is a portrait of a portrait, a mirror's reflection of someone that's gone missing, a speculative memoir that takes cues and challenges from works by Kathy Acker, Theresa Hak Kyung Cha, and Jenny Zhang. S has made it her duty to be the editor, piecing together how ! had disappeared, picking apart the words that ! had left behind in hopes of discovering what went wrong. Through a captivating assemblage of literary pieces, S solves the puzzle, inadvertently creating an impression of what people remember most of the missing and the dead. Melancholic and bravely honest, Suiyi Tang has achieved something thought to be impossible, taking linguistic fortitude and bending it into a new shape, achieving new emotional heights. American Symphony: Other White Lies is an existential travelogue that reminds me just how much the hyper-conscious 21st-century self sometimes longs for abandonment; if only we could unshackle ourselves from the conditions of our era, our origins, even our memories. Tang's prose is at once futuristic yet nostalgic, deeply interior yet fantastical, and freely associative in search of its own set of truths. The worlds Tang has built linger, and their insistent weight is sure to incite revelations big and small. - Grace Shuyi Liew, author of Careen
Author: Suiyi Tang
Publisher: Civil Coping Mechanisms
ISBN: 9781948700986
Category : Fiction
Languages : en
Pages : 174
Get Book Here
Book Description
American Symphony is a portrait of a portrait, a mirror's reflection of someone that's gone missing, a speculative memoir that takes cues and challenges from works by Kathy Acker, Theresa Hak Kyung Cha, and Jenny Zhang. S has made it her duty to be the editor, piecing together how ! had disappeared, picking apart the words that ! had left behind in hopes of discovering what went wrong. Through a captivating assemblage of literary pieces, S solves the puzzle, inadvertently creating an impression of what people remember most of the missing and the dead. Melancholic and bravely honest, Suiyi Tang has achieved something thought to be impossible, taking linguistic fortitude and bending it into a new shape, achieving new emotional heights. American Symphony: Other White Lies is an existential travelogue that reminds me just how much the hyper-conscious 21st-century self sometimes longs for abandonment; if only we could unshackle ourselves from the conditions of our era, our origins, even our memories. Tang's prose is at once futuristic yet nostalgic, deeply interior yet fantastical, and freely associative in search of its own set of truths. The worlds Tang has built linger, and their insistent weight is sure to incite revelations big and small. - Grace Shuyi Liew, author of Careen
Author: Neil Butterworth
Publisher: Routledge
ISBN: 0429789440
Category : Music
Languages : en
Pages : 385
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Book Description
First published in 1998, this volume is the first book to focus on the American symphony. Neil Butterworth surveys the development of the symphony in the United States from early European influences in the last century to the present day, and asks why American composers have shown such allegiance to a musical form which their European contemporaries appear to have discarded. An overview of the growth of musical societies in America during the eighteenth century and the establishment of the first professional orchestras during the early part of the nineteenth century is followed by chronological analyses of the works of those composers who have played important parts in the progress of symphony in the United States, from Charles Ives, Aaron Copland and Leonard Bernstein, to contemporary figures such as William Bolcom and John Harbison. Complete with a comprehensive catalogue of symphonies and an extensive discography, this book is an indispensable reference work.
Author: Anthony J. Cirone
Publisher: Hal Leonard Corporation
ISBN: 1574631950
Category : Music
Languages : en
Pages : 217
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Book Description
(Meredith Music Resource). This book is a must-read for anyone interested in acquiring a "back-stage" tour of symphony life, not included in the price of a box-office ticket! Gain a behind-the-scenes look at the orchestra as a family; its discipline, artistry, and devotion, the overwhelming audition process, and the good and bad about the orchestra musicians' profession. Learn about the love-hate relationship between musicians and conductors as the author shares his experiences performing under conductors Josef Krips, Seiji Ozawa, Edo DeWaart, Herbert Blomsted, Michael Tilson Thomas, Eugene Ormandy, Igor Stravinsky, Arron Copland, and Arthur Fiedler. Discover conductors' dictatorial control, interpretative powers, and technical skills, as revealed through quotes from James Levine, John Barbariolli, Gustav Mahler, Daniel Barenboim, and Herbert von Karajan. Examine comments from Leonard Bernstein, Arturo Toscanini, Carl Nielsen, and Lou Harrison that bring a unique awareness to avante-garde music in the chapter titled Cruel and Unmusical. Understand the difference between conducting talent and composing talent and how rare it is to possess both.
Author: John Henry Mueller
Publisher: Bloomington, Ind., Indiana U. P
ISBN:
Category : Composers
Languages : en
Pages : 474
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Book Description
This book provides a history of what has been termed the monumental orchestra in America. It traces the growth of the symphony orchestra to its roots in European traditions, recounts the crises which it has overcome, and describes the musical repertoires with which it has regaled its audiences during the past century.
Author: Kate Hevner Mueller
Publisher: Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 472
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Book Description
Author: Nicholas Tawa
Publisher: Indiana University Press
ISBN: 0253002877
Category : Music
Languages : en
Pages : 257
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Book Description
The years of the Great Depression, World War II, and their aftermath brought a sea change in American music. This period of economic, social, and political adversity can truly be considered a musical golden age. In the realm of classical music, Aaron Copland, Samuel Barber, Howard Hanson, Virgil Thompson, and Leonard Bernstein -- among others -- produced symphonic works of great power and lasting beauty during these troubled years. It was during this critical decade and a half that contemporary writers on American culture began to speculate about "the Great American Symphony" and looked to these composers for music that would embody the spirit of the nation. In this volume, Nicholas Tawa concludes that they succeeded, at the very least, in producing music that belongs in the cultural memory of every American. Tawa introduces the symphonists and their major works from the romanticism of Barber and the "all-American" Roy Harris through the theatrics of Bernstein and Marc Blitzstein to the broad-shouldered appeal of Thompson and Copland. Tawa's musical descriptions are vivid and personal, and invite music lovers and trained musicians alike to turn again to the marvelous and lasting music of this time.
Author: John Spitzer
Publisher: University of Chicago Press
ISBN: 0226769763
Category : History
Languages : en
Pages : 504
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Book Description
Studies of concert life in nineteenth-century America have generally been limited to large orchestras and the programs we are familiar with today. But as this book reveals, audiences of that era enjoyed far more diverse musical experiences than this focus would suggest. To hear an orchestra, people were more likely to head to a beer garden, restaurant, or summer resort than to a concert hall. And what they heard weren’t just symphonic works—programs also included opera excerpts and arrangements, instrumental showpieces, comic numbers, and medleys of patriotic tunes. This book brings together musicologists and historians to investigate the many orchestras and programs that developed in nineteenth-century America. In addition to reflecting on the music that orchestras played and the socioeconomic aspects of building and maintaining orchestras, the book considers a wide range of topics, including audiences, entrepreneurs, concert arrangements, tours, and musicians’ unions. The authors also show that the period saw a massive influx of immigrant performers, the increasing ability of orchestras to travel across the nation, and the rising influence of women as listeners, patrons, and players. Painting a rich and detailed picture of nineteenth-century concert life, this collection will greatly broaden our understanding of America’s musical history.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Author: Joseph Horowitz
Publisher: W. W. Norton & Company
ISBN: 9780393057171
Category : History
Languages : en
Pages : 664
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Book Description
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
Author: Douglas W. Shadle
Publisher: Oxford University Press
ISBN: 0190645652
Category : Music
Languages : en
Pages : 209
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Book Description
Before Antonín Dvorák's New World Symphony became one of the most universally beloved pieces of classical music, it exposed the deep wounds of racism at the dawn of the Jim Crow era while serving as a flashpoint in broader debates about the American ideals of freedom and equality. Drawing from a diverse array of historical voices, author Douglas W. Shadle's richly textured account of the symphony's 1893 premiere shows that even the classical concert hall could not remain insulated from the country's racial politics.
