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Author: John C. Tibbetts
Publisher: Popular Press
ISBN: 9780879722890
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
Author: John C. Tibbetts
Publisher: Popular Press
ISBN: 9780879722890
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
Author:
Publisher: Genealogical Publishing Com
ISBN: 0806313994
Category : American monthly magazine (Washington, D.C.)
Languages : en
Pages : 174
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Book Description
Author:
Publisher:
ISBN:
Category : Canals, Interoceanic
Languages : en
Pages : 642
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Book Description
Author: Frank Luther Mott
Publisher: Harvard University Press
ISBN: 9780674395527
Category : American periodicals
Languages : en
Pages : 696
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Book Description
The first volume of this work, covering the period from 1741-1850, was issued in 1931 by another publisher, and is reissued now without change, under our imprint. The second volume covers the period from 1850 to 1865; the third volume, the period from 1865 to 1885. For each chronological period, Mr. Mott has provided a running history which notes the occurrence of the chief general magazines and the developments in the field of class periodicals, as well as publishing conditions during that period, the development of circulations, advertising, payments to contributors, reader attitudes, changing formats, styles and processes of illustration, and the like. Then in a supplement to that running history, he offers historical sketches of the chief magazines which flourished in the period. These sketches extend far beyond the chronological limitations of the period. The second and third volumes present, altogether, separate sketches of seventy-six magazines, including The North American Review, The Youth's Companion, The Liberator, The Independent, Harper's Monthly, Leslie's Weekly, Harper's Weekly, The Atlantic Monthly, St. Nicholas, and Puck. The whole is an unusual mirror of American civilization.
Author: Library of Congress. Division of Bibliography
Publisher:
ISBN:
Category : Banks and banking
Languages : en
Pages : 444
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Book Description
Author: United States. Congress. Senate. Committee on Labor and Human Resources
Publisher:
ISBN:
Category :
Languages : en
Pages : 202
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Book Description
Author: John David Smith
Publisher: University of Georgia Press
ISBN: 0820356255
Category : History
Languages : en
Pages : 437
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Book Description
William Hannibal Thomas (1843–1935) served with distinction in the U.S. Colored Troops in the Civil War (in which he lost an arm) and was a preacher, teacher, lawyer, state legislator, and journalist following Appomattox. In many publications up through the 1890s, Thomas espoused a critical though optimistic black nationalist ideology. After his mid-twenties, however, Thomas began exhibiting a self-destructive personality, one that kept him in constant trouble with authorities and always on the run. His book The American Negro (1901) was his final self-destructive act. Attacking African Americans in gross and insulting language in this utterly pessimistic book, Thomas blamed them for the contemporary “Negro problem” and argued that the race required radical redemption based on improved “character,” not changed “color.” Vague in his recommendations, Thomas implied that blacks should model themselves after certain mulattoes, most notably William Hannibal Thomas. Black Judas is a biography of Thomas, a publishing history of The American Negro, and an analysis of that book’s significance to American racial thought. The book is based on fifteen years of research, including research in postamputation trauma and psychoanalytic theory on selfhatred, to assess Thomas’s metamorphosis from a constructive race critic to a black Negrophobe. John David Smith argues that his radical shift resulted from key emotional and physical traumas that mirrored Thomas’s life history of exposure to white racism and intense physical pain.
Author: New York (State). Legislature. Assembly
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 1142
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Book Description
![Catalog of Copyright Entries. Part 1. [B] Group 2. Pamphlets, Etc. New Series PDF](https://books.google.com/books/content/images/frontcover/029aAAAAIAAJ?fife=w80-h100)
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 1168
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Book Description
Author: Kathleen A. Foster
Publisher: Yale University Press
ISBN: 030022589X
Category : Art
Languages : en
Pages : 497
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Book Description
The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.
