Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 704
Book Description
The American Journal of Archaeology and of the History of the Fine Arts
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 704
Book Description
The American Journal Of Archaeology And Of The History Of The Fine Arts (Volume Vii)
Author:
Publisher: Alpha Edition
ISBN: 9789354217098
Category : History
Languages : en
Pages : 648
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Publisher: Alpha Edition
ISBN: 9789354217098
Category : History
Languages : en
Pages : 648
Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
American Journal of Archaeology
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 666
Book Description
Textile Production in Pre-Roman Italy
Author: Margarita Gleba
Publisher: Oxbow Books
ISBN: 1782976035
Category : History
Languages : en
Pages : 296
Book Description
Older than both ceramics and metallurgy, textile production is a technology which reveals much about prehistoric social and economic development. This book examines the archaeological evidence for textile production in Italy from the transition between the Bronze Age and Early Iron Ages until the Roman expansion (1000-400 BCE), and sheds light on both the process of technological development and the emergence of large urban centres with specialised crafts. Margarita Gleba begins with an overview of the prehistoric Appennine peninsula, which featured cultures such as the Villanovans and the Etruscans, and was connected through colonisation and trade with the other parts of the Mediterranean. She then focuses on the textiles themselves: their appearance in written and iconographic sources, the fibres and dyes employed, how they were produced and what they were used for: we learn, for instance, of the linen used in sails and rigging on Etruscan ships, and of the complex looms needed to produce twill. Featuring a comprehensive analysis of textiles remains and textile tools from the period, the book recovers information about funerary ritual, the sexual differentiation of labour (the spinners and weavers were usually women) and the important role the exchange of luxury textiles played in the emergence of an elite. Textile production played a part in ancient Italian society's change from an egalitarian to an aristocratic social structure, and in the emergence of complex urban communities.
Publisher: Oxbow Books
ISBN: 1782976035
Category : History
Languages : en
Pages : 296
Book Description
Older than both ceramics and metallurgy, textile production is a technology which reveals much about prehistoric social and economic development. This book examines the archaeological evidence for textile production in Italy from the transition between the Bronze Age and Early Iron Ages until the Roman expansion (1000-400 BCE), and sheds light on both the process of technological development and the emergence of large urban centres with specialised crafts. Margarita Gleba begins with an overview of the prehistoric Appennine peninsula, which featured cultures such as the Villanovans and the Etruscans, and was connected through colonisation and trade with the other parts of the Mediterranean. She then focuses on the textiles themselves: their appearance in written and iconographic sources, the fibres and dyes employed, how they were produced and what they were used for: we learn, for instance, of the linen used in sails and rigging on Etruscan ships, and of the complex looms needed to produce twill. Featuring a comprehensive analysis of textiles remains and textile tools from the period, the book recovers information about funerary ritual, the sexual differentiation of labour (the spinners and weavers were usually women) and the important role the exchange of luxury textiles played in the emergence of an elite. Textile production played a part in ancient Italian society's change from an egalitarian to an aristocratic social structure, and in the emergence of complex urban communities.
On Art in the Ancient Near East Volume I
Author: Irene Winter
Publisher: BRILL
ISBN: 9047425847
Category : History
Languages : en
Pages : 656
Book Description
This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
Publisher: BRILL
ISBN: 9047425847
Category : History
Languages : en
Pages : 656
Book Description
This volume of collected essays brings together for the first time the range of Winter’s pioneering studies related to Neo-Assyrian relief sculpture and seals, Phoenician and Syrian ivory and bronze production, and inter-polity connections across the various cultures of first millennium B.C.E. from the Aegean to Iran. Consistent threads are an emphasis on the potential for art historical analysis to yield ‘history’ in the broadest sense; the importance of making the theoretical frame of interpretation explicit; and the necessity of textual evidence being brought to bear upon elements of formal analysis and archaeological context. "These beautifully produced volumes bring together essays written over a 35-year period, creating a whole that is much more than the sum of its parts...No library should be without this impressive collection." J.C. Exum
Archaeology
Author: Bj¿rnar Olsen
Publisher: Univ of California Press
ISBN: 0520274164
Category : Social Science
Languages : en
Pages : 266
Book Description
“This book exhorts the reader to embrace the materiality of archaeology by recognizing how every step in the discipline’s scientific processes involves interaction with myriad physical artifacts, ranging from the camel-hair brush to profile drawings to virtual reality imaging. At the same time, the reader is taken on a phenomenological journey into various pasts, immersed in the lives of peoples from other times, compelled to engage their senses with the sights, smells, and noises of the publics and places whose remains they study. This is a refreshingly original and provocative look at the meaning of the material culture that lies at the foundation of the archaeological discipline.”—Michael Brian Schiffer, author of The Material Life of Human Beings “This volume is a radical call to fundamentally rethink the ontology, profession, and practice of archaeology. The authors present a closely reasoned, epistemologically sound argument for why archaeology should be considered the discipline of things, rather than its more commonplace definition as the study of the human past through material traces. All scholars and students of archaeology will need to read and contemplate this thought-provoking book.”—Wendy Ashmore, Professor of Anthropology, UC Riverside "A broad, illuminating, and well-researched overview of theoretical problems pertaining to archaeology. The authors make a calm defense of the role of objects against tedious claims of 'fetishism.'"—Graham Harman, author of The Quadruple Object
Publisher: Univ of California Press
ISBN: 0520274164
Category : Social Science
Languages : en
Pages : 266
Book Description
“This book exhorts the reader to embrace the materiality of archaeology by recognizing how every step in the discipline’s scientific processes involves interaction with myriad physical artifacts, ranging from the camel-hair brush to profile drawings to virtual reality imaging. At the same time, the reader is taken on a phenomenological journey into various pasts, immersed in the lives of peoples from other times, compelled to engage their senses with the sights, smells, and noises of the publics and places whose remains they study. This is a refreshingly original and provocative look at the meaning of the material culture that lies at the foundation of the archaeological discipline.”—Michael Brian Schiffer, author of The Material Life of Human Beings “This volume is a radical call to fundamentally rethink the ontology, profession, and practice of archaeology. The authors present a closely reasoned, epistemologically sound argument for why archaeology should be considered the discipline of things, rather than its more commonplace definition as the study of the human past through material traces. All scholars and students of archaeology will need to read and contemplate this thought-provoking book.”—Wendy Ashmore, Professor of Anthropology, UC Riverside "A broad, illuminating, and well-researched overview of theoretical problems pertaining to archaeology. The authors make a calm defense of the role of objects against tedious claims of 'fetishism.'"—Graham Harman, author of The Quadruple Object
The Origins of the Civilization of Angkor, Volume 4
Author: Charles Higham
Publisher: Fine Arts Department of Thailand
ISBN: 9744173890
Category : Social Science
Languages : en
Pages : 238
Book Description
This volume reports on the initial settlement of Ban Non Wat and represents a further step towards illuminating the prehistoric societies of the upper Mun Valley during the two millennia of cultural changes that led ultimately to the swift transition to the state as represented at Phimai and beyond, to the civilisation of Angkor. It begins by describing the mortuary sequence. One of the many surprises encountered during the excavations was the presence of burials laid out in a flexed position. This was a widespread practice of hunter-gatherers in Southeast Asia, and it is likely that a group of hunters and gatherers occupied the area and used the mound of Ban Non Wat as a cemetery. Paradoxically, the radiocarbon determinations for these are contemporary with those of the Neolithic occupation. There are two phases of Neolithic occupation, which began in the 17th century BC and ended about six centuries later. These differ on the basis of the orientation of the human graves and the nature of the mortuary offerings placed with the dead. It proceeds with a consideration of the economy and the material culture of the Neolithic inhabitants who occupied the site from the 17th to the 11th centuries BC. This is the first complete report on a Neolithic site in Southeast Asia.
Publisher: Fine Arts Department of Thailand
ISBN: 9744173890
Category : Social Science
Languages : en
Pages : 238
Book Description
This volume reports on the initial settlement of Ban Non Wat and represents a further step towards illuminating the prehistoric societies of the upper Mun Valley during the two millennia of cultural changes that led ultimately to the swift transition to the state as represented at Phimai and beyond, to the civilisation of Angkor. It begins by describing the mortuary sequence. One of the many surprises encountered during the excavations was the presence of burials laid out in a flexed position. This was a widespread practice of hunter-gatherers in Southeast Asia, and it is likely that a group of hunters and gatherers occupied the area and used the mound of Ban Non Wat as a cemetery. Paradoxically, the radiocarbon determinations for these are contemporary with those of the Neolithic occupation. There are two phases of Neolithic occupation, which began in the 17th century BC and ended about six centuries later. These differ on the basis of the orientation of the human graves and the nature of the mortuary offerings placed with the dead. It proceeds with a consideration of the economy and the material culture of the Neolithic inhabitants who occupied the site from the 17th to the 11th centuries BC. This is the first complete report on a Neolithic site in Southeast Asia.
Catalogue of Books Relating to Architecture, Construction & Decoration
Author: Boston Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 558
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 558
Book Description
Catalogue of Books Relating to Architecture
Author: Boston Public Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 720
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 720
Book Description
Architects and Intellectual Culture in Post-Restoration England
Author: Matthew Walker
Publisher: Oxford University Press
ISBN: 019252853X
Category : History
Languages : en
Pages : 377
Book Description
Architects, Builders, and Intellectual Culture in Restoration England charts the moment when well-educated, well-resourced, English intellectuals first became interested in classical architecture in substantial numbers. This occurred after the Restoration of the Monarchy in 1660 and involved people such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North. Matthew Walker explores how these figures treated architecture as a subject of intellectual enquiry, either as writers, as designers of buildings, or as both. In four substantial chapters it looks at how the architect was defined as a major intellectual figure, how architects acquired material that allowed them to define themselves as intellectually competent architects, how intellectual writers in the period handled knowledge of ancient architecture in their writing, and how the design process in architecture was conceived of in theoretical writing at the time. In all, Walker shows that the key to understanding English architectural culture at the time is to understand how architecture was handled as knowledge, and how architects were conceived of as collectors and producers of such knowledge. He also makes the claim that architecture was treated as an extremely serious and important area of intellectual enquiry, the result of which was that by the turn of the eighteenth century, architects and architectural writers could count themselves amongst England's intellectual and cultural elite.
Publisher: Oxford University Press
ISBN: 019252853X
Category : History
Languages : en
Pages : 377
Book Description
Architects, Builders, and Intellectual Culture in Restoration England charts the moment when well-educated, well-resourced, English intellectuals first became interested in classical architecture in substantial numbers. This occurred after the Restoration of the Monarchy in 1660 and involved people such as John Evelyn, Robert Hooke, Sir Christopher Wren, and Roger North. Matthew Walker explores how these figures treated architecture as a subject of intellectual enquiry, either as writers, as designers of buildings, or as both. In four substantial chapters it looks at how the architect was defined as a major intellectual figure, how architects acquired material that allowed them to define themselves as intellectually competent architects, how intellectual writers in the period handled knowledge of ancient architecture in their writing, and how the design process in architecture was conceived of in theoretical writing at the time. In all, Walker shows that the key to understanding English architectural culture at the time is to understand how architecture was handled as knowledge, and how architects were conceived of as collectors and producers of such knowledge. He also makes the claim that architecture was treated as an extremely serious and important area of intellectual enquiry, the result of which was that by the turn of the eighteenth century, architects and architectural writers could count themselves amongst England's intellectual and cultural elite.