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Author: Nicolette Jones
Publisher: Tate Publishing
ISBN: 9781849767576
Category : Art
Languages : en
Pages : 240
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Book Description
Tells the story of 1960s pop art through the voices of its creators In 1965, British artist and university lecturer John Jones left the United Kingdom with his wife and daughters to live in the United States for a year and interview some 100 artists. The family moved to Greenwich Village and spent three months on a road trip west to visit artists beyond the immediate reach of New York. Some of the artists, like Yoko Ono and Claes Oldenburg, became Jones's personal friends. Although Jones's daughter Nicolette was young, her memories of New York and their transAmerican adventure are vivid. Published here for the first time, this book presents a fascinating selection of Jones's edited conversations with American artists practicing in 1965-66. A foreword by Nicolette contextualizes the setting in which these interviews took place, and a further introduction amalgamated from Jones's lectures in which he drew on these conversations illustrates and explores the range of contrasting ideas behind what became known as pop art. Thanks to his personal interaction with the artists and his knowledge of their work, Jones became the foremost expert in the art of this period in the UK. Amid a unique family story, this is art presented not through the filter of art critics, but from the mouths of the practitioners. Jones's interviews explore a specific place and time: the United States in the 1960s, and are crucial reading for those wishing to understand the decade and the influence of American art and British tradition on each other, as well as anyone curious about the famous figures of the time and the thinking that gave rise to this extraordinarily fertile creative moment.
Author: Nicolette Jones
Publisher: Tate Publishing
ISBN: 9781849767576
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Tells the story of 1960s pop art through the voices of its creators In 1965, British artist and university lecturer John Jones left the United Kingdom with his wife and daughters to live in the United States for a year and interview some 100 artists. The family moved to Greenwich Village and spent three months on a road trip west to visit artists beyond the immediate reach of New York. Some of the artists, like Yoko Ono and Claes Oldenburg, became Jones's personal friends. Although Jones's daughter Nicolette was young, her memories of New York and their transAmerican adventure are vivid. Published here for the first time, this book presents a fascinating selection of Jones's edited conversations with American artists practicing in 1965-66. A foreword by Nicolette contextualizes the setting in which these interviews took place, and a further introduction amalgamated from Jones's lectures in which he drew on these conversations illustrates and explores the range of contrasting ideas behind what became known as pop art. Thanks to his personal interaction with the artists and his knowledge of their work, Jones became the foremost expert in the art of this period in the UK. Amid a unique family story, this is art presented not through the filter of art critics, but from the mouths of the practitioners. Jones's interviews explore a specific place and time: the United States in the 1960s, and are crucial reading for those wishing to understand the decade and the influence of American art and British tradition on each other, as well as anyone curious about the famous figures of the time and the thinking that gave rise to this extraordinarily fertile creative moment.
Author: Alan Solomon
Publisher:
ISBN: 9780692082768
Category : Art
Languages : en
Pages : 224
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Book Description
In 1969 curator, critic and former Jewish Museum director Alan Solomon interviewed Craig Kauffman, Larry Bell, James Turrell and Robert Irwin in conjunction with an exhibition he was organizing. They are the earliest in-depth interviews with each artist. Because of his untimely death they have remained in his archives and are published here for the first time. The interviews provide a rare glimpse into the early careers of these seminal artists, documenting their critical, aesthetic and intellectual concerns at a pivotal moment, allowing readers new insight into an important era of American postwar art. Solomon rose to prominence in the 1960s as a curator at the Jewish Museum in New York, where he organized a series of first solo exhibitions for the likes of Jasper Johns and Robert Rauschenberg. He also curated several major international surveys, including the 1964 Venice Biennale, where Rauschenberg won the Golden Lion. In 1968 Solomon left New York to take up a position at the fledgling University of California campus in Irvine, which was home to a dynamic group of young faculty and students. There he became acquainted with Kauffman, Bell, Turrell and Irwin, who have since been recognized as canonical participants in California Light and Space art of the 1960s. With this volume his engagement with these artists, and their roles in this important art historical episode, has finally been brought to light.
Author: Joan M. Marter
Publisher: Oxford University Press, USA
ISBN: 0195335791
Category : Architecture
Languages : en
Pages : 3140
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Book Description
Arranged in alphabetical order, these 5 volumes encompass the history of the cultural development of America with over 2300 entries.
Author: Thurston Moore
Publisher: Universe Publishing(NY)
ISBN:
Category : Music
Languages : en
Pages : 104
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Book Description
Mix Tape: The Art of Cassette Culture is the first book to focus on the unique confluence of cassette culture, featuring stories, essays and images from tapes compiled by and for friends, family and lovers over the last twenty years.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1642
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Book Description
American national trade bibliography.
Author: David Wojnarowicz
Publisher: National Geographic Books
ISBN: 1635900174
Category : Art
Languages : en
Pages : 0
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Book Description
Audio journals that document Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these moments I hate language. I hate what words are like, I hate the idea of putting these preformed gestures on the tip of my tongue, or through my lips, or through the inside of my mouth, forming sounds to approximate something that's like a cyclone, or something that's like a flood, or something that's like a weather system that's out of control, that's dangerous, or alarming.... It just seems like sounds that have been uttered back and forth maybe now over centuries. And it always boils down to the same meaning within those sounds, unless you're more intense uttering them, or you precede them or accompany them with certain forms of violence. —from The Weight of the Earth Artist, writer, and activist David Wojnarowicz (1954–1992) was an important figure in the downtown New York art scene. His art was preoccupied with sex, death, violence, and the limitations of language. At the height of the AIDS epidemic, Wojnarowicz began keeping audio journals, returning to a practice he'd begun in his youth.The Weight of the Earth presents transcripts of these tapes, documenting Wojnarowicz's turbulent attempts to understand his anxieties and passions, and tracking his thoughts as they develop in real time. In these taped diaries, Wojnarowicz talks about his frustrations with the art world, recounts his dreams, and describes his rage, fear, and confusion about his HIV diagnosis. Primarily spanning the years 1987 and 1989, recorded as Wojnarowicz took solitary road trips around the United States or ruminated in his New York loft, the audio journals are an intimate and affecting record of an artist facing death. By turns despairing, funny, exalted, and angry, this volume covers a period largely missing from Wojnarowicz's written journals, providing us with an essential new record of a singular American voice.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 314
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Book Description
Author: Nicholas Zurbrugg
Publisher: U of Minnesota Press
ISBN: 9780816638321
Category : Art
Languages : en
Pages : 514
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Book Description
Over the course of fifteen years, Nicholas Zurbrugg interviewed the avant-garde poets, filmmakers, dancers, writers, composers, and performance artists who were defying tradition, crossing genres, and forever changing how art would be created, performed, and interpreted. These conversations with thirty-one of the leading multimedia artists in the United States now form a comprehensive record, from the insiders' perspectives, of the most vital component of the postmodern American art world. Passionate about postmodernism and committed to innovative creativity, Zurbrugg asks these artists probing and insightful questions. How did their work evolve? Who most influenced them? How did they assess changes in contemporary art, and what did they think of each other's work? Which of their experiences had the most powerful effects on their creative development? What could lie ahead for American art? As these questions are answered by individual artists, the interviews also cumulatively address larger issues of artistic expression, including the idea of the avant-garde itself. The book features interviews with Kathy Acker, Charles Amirkhanian, Laurie Anderson, Robert Ashley, Beth B, David Blair, William S. Burroughs, Warren Burt, John Cage, Richard Foreman, Kenneth Gaburo, Diamanda Galas, John Giorno, Philip Glass, Brion Gysin, Dick Higgins, Jenny Holzer, Mike Kuchar, Robert Lax, Jackson Mac Low, Meredith Monk, Nam June Paik, Yvonne Rainer, Steve Reich, Rachel Rosenthal, Bill Viola, Larry Wendt, Emmett Williams, Robert Wilson, Nick Zedd, and Ellen Zweig. Introductory notes to each interview provide context and connect the work and experiences of various artists, and photographs of theseartists contribute a significant visual element to the book. Nicholas Zurbrugg (1947-2001) was professor of English and cultural studies, as well as director of the Centre of Contemporary Arts, at De Montfort University in Leicester, England. He is the author of The Parameters of Postmodernism and Critical Vices: The Myths of Postmodern Theory.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 794
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Book Description
Author: Rob Roth
Publisher: Simon and Schuster
ISBN: 1982103825
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
An enthralling play based on lost tapes between two cultural giants and friends—Andy Warhol and Truman Capote. In 1978 Andy Warhol and Truman Capote decided to write a Broadway play. Andy suggested that he record their private conversations over the period of a few months, and that these tapes would be the source material for the play. The tapes were then filed away and forgotten. Their play was never completed. Now, award-winning director Rob Roth brings their vision to life after a years-long search to unearth the eighty hours of tapes between two of the most daring artists of postwar America. WARHOLCAPOTE, based on words actually spoken by the two men, is set in the ’70s and ’80s, toward the end of their close connection and not too long before their untimely deaths. Their special, complex friendship is captured by Roth with bracing intimacy as they discuss life, love, and art and everything in between. Every word in the play comes directly from these two 20th century geniuses. The structure of the conversations springs from Roth’s imagination.
