Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 408
Book Description
The American Annual of Photography
The Photographic Times
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 554
Book Description
Nature Through Microscope & Camera
Author: Richard Kerr
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : Biology
Languages : en
Pages : 336
Book Description
The American Catalogue
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1642
Book Description
American national trade bibliography.
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1642
Book Description
American national trade bibliography.
Van Nostrand's Chemical Annual
Author: John Charles Olsen
Publisher:
ISBN:
Category : Chemistry
Languages : en
Pages : 702
Book Description
The issues for 1907 and 1909 contain a "Review of chemical literature."
Publisher:
ISBN:
Category : Chemistry
Languages : en
Pages : 702
Book Description
The issues for 1907 and 1909 contain a "Review of chemical literature."
American Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1268
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 1268
Book Description
Clarence H. White and His World
Author: Anne McCauley
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Publisher: Yale University Press
ISBN: 0300229089
Category : Photography
Languages : en
Pages : 409
Book Description
Restoring a gifted art photographer to his place in the American canon and, in the process, reshaping and expanding our understanding of early 20th-century American photography Clarence H. White (1871–1925) was one of the most influential art photographers and teachers of the early 20th century and a founding member of the Photo-Secession. This beautiful publication offers a new appraisal of White’s contributions, including his groundbreaking aesthetic experiments, his commitment to the ideals of American socialism, and his embrace of the expanding fields of photographic book and fashion illustration, celebrity portraiture, and advertising. Based on extensive archival research, the book challenges the idea of an abrupt rupture between prewar, soft-focus idealizing photography and postwar “modernism” to paint a more nuanced picture of American culture in the Progressive era. Clarence H. White and His World begins with the artist’s early work in Ohio, which shares with the nascent Arts and Crafts movement the advocacy of hand production, closeness to nature, and the simple life. White’s involvement with the Photo-Secession and his move to New York in 1906 mark a shift in his production, as it grew to encompass commercial portraiture and an increasing commitment to teaching, which ultimately led him to establish the first institutions in America to combine instruction in both technical and aesthetic aspects of photography. The book also incorporates new formal and scientific analysis of White’s work and techniques, a complete exhibition record, and many unpublished illustrations of the moody outdoor scenes and quiet images of domestic life for which he was revered.
Publishers' Circular and Booksellers' Record of British and Foreign Literature
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 2060
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 2060
Book Description
The Publisher
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1300
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1300
Book Description
The Professional and Amateur Photographer
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 568
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 568
Book Description