Author: James Harry Howard
Publisher: Ravenio Books
ISBN:
Category : Design
Languages : en
Pages : 301
Book Description
Man was cutting, carving and polishing gems long before he began to leave written records of his doings. Many Museums have countless examples of the lapidary work done by those artisans and artists, who wrought from raw materials, with exceedingly primitive equipment, objects of art that our modern workers would be hard taxed to surpass. Today, in the Far East, native artisans with hand or foot driven wheels are producing perfect polishes on difficult gems, showing workmanship of which we amateurs with full complement of tools may well be envious. Gem cutting is only one of many arts that are old. Ceramics, wood working, metal working and so forth are old arts. The thing that is peculiar is that these other arts all have their extensive literatures. One may go to any public library and find many volumes on any of these subjects except gem cutting. These volumes are all-revealing, authoritative and detailed. But the subject of gem cutting is shrouded in mystery. Few have written even in generalities on the subject. The Author, several years ago, conducted a search for such literature. He found absolutely nothing. Much later he learned of and borrowed, a copy of Oliver Byrnes, “Handbook for the Mechanic, Artisan and Engineer” and found in it an exceedingly interesting chapter on gem cutting. But the volume was written about 75 years ago, probably had a very limited circulation, was never reprinted, and not one library in fifty ever heard of it. That is the only volume the Author has ever found that treats even briefly of gem cutting. This excludes of course such texts as “The Gem Cutters Craft” by Leopold Cleremont which have chapters on the technique of cutting, but that treat of it so generally that they cannot be used as instructions. The art for some reason has always been passed down from generation to generation by apprenticeship only. When the Author began the above mentioned investigation he was told “The cutting of gems can be learned only through an apprenticeship.” There is no desire here to picture the art as an easy one to learn nor to minimize the skill that is shown by the work of the professional lapidaries, nor to intimate that the professional could, if he would, reveal all his secrets in one brief volume. The desire is to lift the cloud of mystery that has always surrounded the operation and show that actually there is nothing mysterious in the practices of the profession, but only certain basic rules, which, if obeyed, will bring definite results. It is hoped that the instructions herein given are sufficiently explicit that the beginner in the work will have no especial difficulties. It is hoped also that they are not so tedious but that they will be readable by those who do not propose to cut gems but who are, nevertheless, interested in the operation.
The Amateur Lapidary
Author: Reginald Arthur Jerrard
Publisher:
ISBN:
Category : Grinding and polishing
Languages : en
Pages : 96
Book Description
Publisher:
ISBN:
Category : Grinding and polishing
Languages : en
Pages : 96
Book Description
Handbook for the Amateur Lapidary
Author: James Harry Howard
Publisher: Ravenio Books
ISBN:
Category : Design
Languages : en
Pages : 301
Book Description
Man was cutting, carving and polishing gems long before he began to leave written records of his doings. Many Museums have countless examples of the lapidary work done by those artisans and artists, who wrought from raw materials, with exceedingly primitive equipment, objects of art that our modern workers would be hard taxed to surpass. Today, in the Far East, native artisans with hand or foot driven wheels are producing perfect polishes on difficult gems, showing workmanship of which we amateurs with full complement of tools may well be envious. Gem cutting is only one of many arts that are old. Ceramics, wood working, metal working and so forth are old arts. The thing that is peculiar is that these other arts all have their extensive literatures. One may go to any public library and find many volumes on any of these subjects except gem cutting. These volumes are all-revealing, authoritative and detailed. But the subject of gem cutting is shrouded in mystery. Few have written even in generalities on the subject. The Author, several years ago, conducted a search for such literature. He found absolutely nothing. Much later he learned of and borrowed, a copy of Oliver Byrnes, “Handbook for the Mechanic, Artisan and Engineer” and found in it an exceedingly interesting chapter on gem cutting. But the volume was written about 75 years ago, probably had a very limited circulation, was never reprinted, and not one library in fifty ever heard of it. That is the only volume the Author has ever found that treats even briefly of gem cutting. This excludes of course such texts as “The Gem Cutters Craft” by Leopold Cleremont which have chapters on the technique of cutting, but that treat of it so generally that they cannot be used as instructions. The art for some reason has always been passed down from generation to generation by apprenticeship only. When the Author began the above mentioned investigation he was told “The cutting of gems can be learned only through an apprenticeship.” There is no desire here to picture the art as an easy one to learn nor to minimize the skill that is shown by the work of the professional lapidaries, nor to intimate that the professional could, if he would, reveal all his secrets in one brief volume. The desire is to lift the cloud of mystery that has always surrounded the operation and show that actually there is nothing mysterious in the practices of the profession, but only certain basic rules, which, if obeyed, will bring definite results. It is hoped that the instructions herein given are sufficiently explicit that the beginner in the work will have no especial difficulties. It is hoped also that they are not so tedious but that they will be readable by those who do not propose to cut gems but who are, nevertheless, interested in the operation.
Publisher: Ravenio Books
ISBN:
Category : Design
Languages : en
Pages : 301
Book Description
Man was cutting, carving and polishing gems long before he began to leave written records of his doings. Many Museums have countless examples of the lapidary work done by those artisans and artists, who wrought from raw materials, with exceedingly primitive equipment, objects of art that our modern workers would be hard taxed to surpass. Today, in the Far East, native artisans with hand or foot driven wheels are producing perfect polishes on difficult gems, showing workmanship of which we amateurs with full complement of tools may well be envious. Gem cutting is only one of many arts that are old. Ceramics, wood working, metal working and so forth are old arts. The thing that is peculiar is that these other arts all have their extensive literatures. One may go to any public library and find many volumes on any of these subjects except gem cutting. These volumes are all-revealing, authoritative and detailed. But the subject of gem cutting is shrouded in mystery. Few have written even in generalities on the subject. The Author, several years ago, conducted a search for such literature. He found absolutely nothing. Much later he learned of and borrowed, a copy of Oliver Byrnes, “Handbook for the Mechanic, Artisan and Engineer” and found in it an exceedingly interesting chapter on gem cutting. But the volume was written about 75 years ago, probably had a very limited circulation, was never reprinted, and not one library in fifty ever heard of it. That is the only volume the Author has ever found that treats even briefly of gem cutting. This excludes of course such texts as “The Gem Cutters Craft” by Leopold Cleremont which have chapters on the technique of cutting, but that treat of it so generally that they cannot be used as instructions. The art for some reason has always been passed down from generation to generation by apprenticeship only. When the Author began the above mentioned investigation he was told “The cutting of gems can be learned only through an apprenticeship.” There is no desire here to picture the art as an easy one to learn nor to minimize the skill that is shown by the work of the professional lapidaries, nor to intimate that the professional could, if he would, reveal all his secrets in one brief volume. The desire is to lift the cloud of mystery that has always surrounded the operation and show that actually there is nothing mysterious in the practices of the profession, but only certain basic rules, which, if obeyed, will bring definite results. It is hoped that the instructions herein given are sufficiently explicit that the beginner in the work will have no especial difficulties. It is hoped also that they are not so tedious but that they will be readable by those who do not propose to cut gems but who are, nevertheless, interested in the operation.
Amateur Gemstone Faceting Volume 1
Author: Tom Herbst
Publisher: Facetable Books
ISBN: 9783000474743
Category : Gem cutting
Languages : en
Pages : 428
Book Description
Amateur faceter Tom Herbst lays out the steps necessary to transform a shapeless lump of rock into a glittering jewel that is unique and valuable. Along the way, he explains not only the "how" but also the "why," and provides helpful tips in dealing with many of the pitfalls that confront the beginning gem cutter.
Publisher: Facetable Books
ISBN: 9783000474743
Category : Gem cutting
Languages : en
Pages : 428
Book Description
Amateur faceter Tom Herbst lays out the steps necessary to transform a shapeless lump of rock into a glittering jewel that is unique and valuable. Along the way, he explains not only the "how" but also the "why," and provides helpful tips in dealing with many of the pitfalls that confront the beginning gem cutter.
Multi-Storey Precast Concrete Framed Structures
Author: Kim S. Elliott
Publisher: John Wiley & Sons
ISBN: 1118587359
Category : Technology & Engineering
Languages : en
Pages : 1
Book Description
Precast reinforced and prestressed concrete frames provide a high strength, stable, durable and robust solution for any multi-storey structure, and are widely regarded as a high quality, economic and architecturally versatile technology for the construction of multi-storey buildings. The resulting buildings satisfy a wide range of commercial and industrial needs. Precast concrete buildings behave in a different way to those where the concrete is cast in-situ, with the components subject to different forces and movements. These factors are explored in detail in the second edition of Multi-Storey Precast Concrete Framed Structures, providing a detailed understanding of the procedures involved in precast structural design. This new edition has been fully updated to reflect recent developments, and includes many structural calculations based on EUROCODE standards. These are shown in parallel with similar calculations based on British Standards to ensure the designer is fully aware of the differences required in designing to EUROCODE standards. Civil and structural engineers as well as final year undergraduate and postgraduate students of civil and structural engineering will all find this book to be thorough overview of this important construction technology.
Publisher: John Wiley & Sons
ISBN: 1118587359
Category : Technology & Engineering
Languages : en
Pages : 1
Book Description
Precast reinforced and prestressed concrete frames provide a high strength, stable, durable and robust solution for any multi-storey structure, and are widely regarded as a high quality, economic and architecturally versatile technology for the construction of multi-storey buildings. The resulting buildings satisfy a wide range of commercial and industrial needs. Precast concrete buildings behave in a different way to those where the concrete is cast in-situ, with the components subject to different forces and movements. These factors are explored in detail in the second edition of Multi-Storey Precast Concrete Framed Structures, providing a detailed understanding of the procedures involved in precast structural design. This new edition has been fully updated to reflect recent developments, and includes many structural calculations based on EUROCODE standards. These are shown in parallel with similar calculations based on British Standards to ensure the designer is fully aware of the differences required in designing to EUROCODE standards. Civil and structural engineers as well as final year undergraduate and postgraduate students of civil and structural engineering will all find this book to be thorough overview of this important construction technology.
The Australian Amateur Lapidary
Author: K. J. Buchester
Publisher:
ISBN:
Category : Gem cutting
Languages : en
Pages : 272
Book Description
Publisher:
ISBN:
Category : Gem cutting
Languages : en
Pages : 272
Book Description
A Lapidary of Sacred Stones
Author: Claude Lecouteux
Publisher: Simon and Schuster
ISBN: 1594775087
Category : Body, Mind & Spirit
Languages : en
Pages : 251
Book Description
A comprehensive dictionary of sacred and magical gem lore that draws on the rarest source texts of Antiquity and the Middle Ages • Reveals the healing and magical virtues of familiar gemstones, such as amethyst, emerald, and diamond, as well as the lore surrounding exotic stones such as astrios, a stone celebrated by ancient magicians • Examines bezoars (stones formed in animals’ bodies) and “magnets” that attract materials other than metal • Based on ancient Arabic, Greek, Jewish, and European sources, ranging from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones Our ancestors believed stones were home to sacred beings of power, entities that if properly understood and cultivated could provide people protection from ill fortune, envy, and witchcraft; grant invisibility and other magical powers; improve memory; and heal the sick from a wide variety of diseases. These benefits could be obtained by wearing the stone on a ring, bracelet, or pendant; through massage treatments with the stone; or by reducing the gem into a powder and drinking it mixed with water or wine. Drawing from a wealth of ancient Arabic, Greek, Jewish, and European sources--from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones--Claude Lecouteux provides a synthesis of all known lore for more than 800 stones. He includes such common examples as the emerald, which when engraved with the figure of a harpy holding a lamprey in its claws will banish panic and nightmares, and beryl, which when appropriately carved can summon water spirits or win its owner high renown, as well as more exotic stones such as astrios, a stone celebrated by ancient magicians and whose center glows like a star. Lecouteux also examines bezoars--stones formed in animals’ bodies--as well as “magnets” that attract materials other than iron, such as gold, flesh, cotton, or scorpions. This comprehensive dictionary of sacred and magical gem lore, drawn from the rarest sources of Antiquity and the Middle Ages, represents a one-of-a-kind resource for gem enthusiasts and magical practitioners alike.
Publisher: Simon and Schuster
ISBN: 1594775087
Category : Body, Mind & Spirit
Languages : en
Pages : 251
Book Description
A comprehensive dictionary of sacred and magical gem lore that draws on the rarest source texts of Antiquity and the Middle Ages • Reveals the healing and magical virtues of familiar gemstones, such as amethyst, emerald, and diamond, as well as the lore surrounding exotic stones such as astrios, a stone celebrated by ancient magicians • Examines bezoars (stones formed in animals’ bodies) and “magnets” that attract materials other than metal • Based on ancient Arabic, Greek, Jewish, and European sources, ranging from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones Our ancestors believed stones were home to sacred beings of power, entities that if properly understood and cultivated could provide people protection from ill fortune, envy, and witchcraft; grant invisibility and other magical powers; improve memory; and heal the sick from a wide variety of diseases. These benefits could be obtained by wearing the stone on a ring, bracelet, or pendant; through massage treatments with the stone; or by reducing the gem into a powder and drinking it mixed with water or wine. Drawing from a wealth of ancient Arabic, Greek, Jewish, and European sources--from the observations of Pliny the Elder to extremely rare texts such as the Picatrix and Damigeron’s Virtue of Stones--Claude Lecouteux provides a synthesis of all known lore for more than 800 stones. He includes such common examples as the emerald, which when engraved with the figure of a harpy holding a lamprey in its claws will banish panic and nightmares, and beryl, which when appropriately carved can summon water spirits or win its owner high renown, as well as more exotic stones such as astrios, a stone celebrated by ancient magicians and whose center glows like a star. Lecouteux also examines bezoars--stones formed in animals’ bodies--as well as “magnets” that attract materials other than iron, such as gold, flesh, cotton, or scorpions. This comprehensive dictionary of sacred and magical gem lore, drawn from the rarest sources of Antiquity and the Middle Ages, represents a one-of-a-kind resource for gem enthusiasts and magical practitioners alike.
Photographing Minerals, Fossils, and Lapidary Materials
Author: Jeffrey A. Scovil
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 264
Book Description
Describes all the techniques and tricks for photographing mineral, lapidary, and fossil specimens.
Publisher:
ISBN:
Category : Crafts & Hobbies
Languages : en
Pages : 264
Book Description
Describes all the techniques and tricks for photographing mineral, lapidary, and fossil specimens.
Amateur Gemstone Faceting Volume 2
Author: Tom Herbst
Publisher: Facetable Books
ISBN: 9783000474750
Category : Gem cutting
Languages : en
Pages : 456
Book Description
Amateur faceter Tom Herbst helps you expand your faceting horizons. You will learn about the optics and mathematics behind the magic of gemstones. Subsequent chapters on the properties and treatment of common gem materials will help you identify and make the most of your valuable rough.
Publisher: Facetable Books
ISBN: 9783000474750
Category : Gem cutting
Languages : en
Pages : 456
Book Description
Amateur faceter Tom Herbst helps you expand your faceting horizons. You will learn about the optics and mathematics behind the magic of gemstones. Subsequent chapters on the properties and treatment of common gem materials will help you identify and make the most of your valuable rough.
Cutting Gemstones
Author: John Broadfoot
Publisher:
ISBN: 9780646414614
Category : Gem cutting
Languages : en
Pages : 282
Book Description
Publisher:
ISBN: 9780646414614
Category : Gem cutting
Languages : en
Pages : 282
Book Description
Gemstone & Mineral Data Book
Author: John Sinkankas
Publisher:
ISBN:
Category : Gem cutting
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Gem cutting
Languages : en
Pages : 346
Book Description