The Alchemical Actor PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Alchemical Actor PDF full book. Access full book title The Alchemical Actor by Jane Gilmer. Download full books in PDF and EPUB format.
Author: Jane Gilmer
Publisher: Consciousness, Literature and
ISBN: 9789004440838
Category : Drama
Languages : en
Pages : 262
Get Book Here
Book Description
"This book offers an imagination for new theatre inspired by the directives of Antonin Artaud. The alchemical four elements - earth, water, air and fire and four alchemical stages - nigredo, albedo, citrino and rubedo perform initiatory steps in the practice of alchemical transformational consciousness"--
Author: Jane Gilmer
Publisher: BRILL
ISBN: 9004449426
Category : Drama
Languages : en
Pages : 262
Get Book Here
Book Description
The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking - key to new and future theatre.
Author: Jane Gilmer
Publisher: Consciousness, Literature and
ISBN: 9789004440838
Category : Drama
Languages : en
Pages : 262
Get Book Here
Book Description
"This book offers an imagination for new theatre inspired by the directives of Antonin Artaud. The alchemical four elements - earth, water, air and fire and four alchemical stages - nigredo, albedo, citrino and rubedo perform initiatory steps in the practice of alchemical transformational consciousness"--
Author: Alan Bleakley
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111159906
Category : Literary Criticism
Languages : en
Pages : 286
Get Book Here
Book Description
Alchemy is popularly viewed as a secret way of turning worthless base metal into gold, and then a precursor to modern chemistry. This is often taken as a metaphor for psychological development. This book describes an innovative "third way" for both the education and exercise of an alchemical imagination that embraces both material matters and psychological insight: alchemy as lyrical poetics, or the intensive production of embodied metaphor. Alchemy here is viewed as an immanent set of metaphor-driven "best practices" for indwelling complex and contradictory earthly matters in a sensual, artistic and humane manner. Or, again, it describes best psychotherapeutic practice. Alchemy is read not as a medium for "personal growth", but optimal co-existence with the natural world. It is an eco-logical rather than ego-logical project with deep aesthetic concerns (education of the senses in close noticing) and political intentions (a democracy of worldly things). The book echoes post-Freudian developments in psychoanalysis that avoid the mysticism of symbol systems to work rather with everyday signs and linguistic registers such as embodied metaphors, keeping the focus on known and sensed phenomena rather than abstractions.
Author: Dawn Langman
Publisher: Temple Lodge Publishing
ISBN: 1912230828
Category : Performing Arts
Languages : en
Pages : 392
Get Book Here
Book Description
In this third volume in The Actor of the Future series, Dawn Langman continues to explore the integration of Steiner’s research into speech, drama and eurythmy with Michael Chekhov’s acting methodology. Her advanced applications of all the basic processes allow the art of the actor and speaker to evolve beyond the ‘soul and body’ paradigm – still broadly accepted in contemporary culture – to include dimensions of the spirit. The book contains a seminal analysis of comedy and tragedy, showing how an understanding of their esoteric roots – sprung from the Eleusis mysteries of ancient Greece – deepen our appreciation and our ability to implement the practical suggestions made by Steiner and Chekhov to differentiate the fundamental styles. A comprehensive exploration of the vowels in relation to planetary beings lays the foundation for many layers of artistic deepening and application. ‘Dawn Langman gifts us with yet another magnificent contribution to her book series developing an integrated acting technique based on the indications of Rudolf Steiner and Michael Chekhov, in which actors become the work of art. Venturing even further into the deeper alchemical mysteries of the work, Langman leads us into an imagination of future theatre that includes a genuine experience of the I AM, the origin of comedy and tragedy, Dante’s Paradiso as example of how we can experience the planetary spheres in word and gesture, and much more, inspiring the unfoldment of actors of the future.’ – Dr Jane Gilmer, actress and teacher, author of The Alchemical Actor (2021) and former Assistant Professor of Drama, VPA, National Institute of Education, Singapore ‘In this present volume, Dawn Langman continues her in-depth exploration of the integration of Michael Chekhov’s system of psycho-physical awareness with Rudolf Steiner’s indications for creative speech and eurythmy. In so doing, she genuinely models both teachers’ emphasis on experimentation and exploration absent the dogmatism sometimes associated with such work. The careful, conscious communication of her own advanced exercises created to develop this new methodology will be most effective when worked in conjunction with her previous books, The Art of Acting, The Art of Speech and The Actor of the Future, Vols. 1 & 2. Taken as a whole, Langman reveals the degree of empathy and responsiveness possible not only between human beings, but with all the manifold community of beings “between earth and heaven.”’ – Dr Diane Carracciolo, Associate Professor of Educational Theatre, Adelphi University, USA
Author: Ben Jonson
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 262
Get Book Here
Book Description
THE greatest of English dramatists except Shakespeare, the first literary dictator and poet-laureate, a writer of verse, prose, satire, and criticism who most potently of all the men of his time affected the subsequent course of English letters: such was Ben Jonson, and as such his strong personality assumes an interest to us almost unparalleled, at least in his age. Ben Jonson came of the stock that was centuries after to give to the world Thomas Carlyle; for Jonson's grandfather was of Annandale, over the Solway, whence he migrated to England. Jonson's father lost his estate under Queen Mary, "having been cast into prison and forfeited." He entered the church, but died a month before his illustrious son was born, leaving his widow and child in poverty. Jonson's birthplace was Westminster, and the time of his birth early in 1573. He was thus nearly ten years Shakespeare's junior, and less well off, if a trifle better born. But Jonson did not profit even by this slight advantage. His mother married beneath her, a wright or bricklayer, and Jonson was for a time apprenticed to the trade.
Author: Kristin Linklater
Publisher: Theatre Communications Group
ISBN: 1559366389
Category : Drama
Languages : en
Pages : 225
Get Book Here
Book Description
A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own.
Author: Mark Evans
Publisher: Routledge
ISBN: 1135892946
Category : Art
Languages : en
Pages : 223
Get Book Here
Book Description
Focusing on the cultural history of modern movement training for actors, Evans traces the development of the ‘neutral’ body as a significant area of practice within drama school training and the relationship between movement pedagogy and the operation of discipline and power in shaping the professional identity of the actor.
Author: Dr Michelle M Dowd
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409478378
Category : Performing Arts
Languages : en
Pages : 314
Get Book Here
Book Description
Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
Author: Gabriela Curpan
Publisher: Routledge
ISBN: 1000377032
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski’s work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.
Author: Mark Morrisson
Publisher: Oxford University Press
ISBN: 0190294493
Category : Political Science
Languages : en
Pages : 389
Get Book Here
Book Description
Alchemists are generally held to be the quirky forefathers of science, blending occultism with metaphysical pursuits. Although many were intelligent and well-intentioned thinkers, the oft-cited goals of alchemy paint these antiquated experiments as wizardry, not scientific investigation. Whether seeking to produce a miraculous panacea or struggling to transmute lead into gold, the alchemists radical goals held little relevance to consequent scientific pursuits. Thus, the temptation is to view the transition from alchemy to modern science as one that discarded fantastic ideas about philosophers stones and magic potions in exchange for modest yet steady results. It has been less noted, however, that the birth of atomic science actually coincided with an efflorescence of occultism and esoteric religion that attached deep significance to questions about the nature of matter and energy. Mark Morrisson challenges the widespread dismissal of alchemy as a largely insignificant historical footnote to science by prying into the revival of alchemy and its influence on the emerging subatomic sciences of the late 19th and early 20th centuries.Morrisson demonstrates its surprising influence on the emerging subatomic sciences of the late 19th and early 20th centuries. Specifically, Morrisson examines the resurfacing of occult circles during this time period and how their interest in alchemical tropes had a substantial and traceable impact upon the science of the day. Modern Alchemy chronicles several encounters between occult conceptions of alchemy and the new science, describing how academic chemists, inspired by the alchemy revival, attempted to transmute the elements; to make gold. Examining scientists publications, correspondence, talks, and laboratory notebooks as well as the writings of occultists, alchemical tomes, and science-fiction stories, he argues that during the birth of modern nuclear physics, the trajectories of science and occultism---so often considered antithetical---briefly merged.
