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Author: Gertrud Bauer Pickar
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 302
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Book Description
Author: Gertrud Bauer Pickar
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 302
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Book Description
Author: John David Pizer
Publisher: Camden House
ISBN: 1571135170
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
"This is the first book-length study devoted to modern German "author-as-character" fiction set in the Age of Goethe. It shows for the first time in a sustained manner the powerful hold the Goethezeit continues to exercise on the imagination of many of Germany's leading writers. This inner-German dialogue across the ages provides an important corrective to the dominant critical view that contemporary German-language literature is composed primarily under the sign of both globalization and the influence of mass American culture." -- Book cover.
Author: Edgar Landgraf
Publisher: Rutgers University Press
ISBN: 1684482089
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
We are inundated with game play today. Digital devices offer opportunities to play almost anywhere and anytime. No matter our age, gender, social, cultural, or educational background—we play. Play in the Age of Goethe: Theories, Narratives, and Practices of Play around 1800 is the first book-length work to explore how the modern discourse of play was first shaped during this pivotal period (approximately 1770-1830). The eleven chapters illuminate critical developments in the philosophy, pedagogy, psychology, politics, and poetics of play as evident in the work of major authors of the period including Lessing, Goethe, Kant, Schiller, Pestalozzi, Jacobi, Tieck, Jean Paul, Schleiermacher, and Fröbel. While drawing on more recent theories of play by thinkers such as Jean Piaget, Donald Winnicott, Jost Trier, Gregory Bateson, Jacques Derrida, Thomas Henricks, and Patrick Jagoda, the volume shows the debates around play in German letters of this period to be far richer and more complex than previously thought, as well as more relevant for our current engagement with play. Indeed, modern debates about what constitutes good rather than bad practices of play can be traced to these foundational discourses. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Robert J. Richards
Publisher: University of Chicago Press
ISBN: 0226712184
Category : Literary Criticism
Languages : en
Pages : 609
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Book Description
"All art should become science and all science art; poetry and philosophy should be made one." Friedrich Schlegel's words perfectly capture the project of the German Romantics, who believed that the aesthetic approaches of art and literature could reveal patterns and meaning in nature that couldn't be uncovered through rationalistic philosophy and science alone. In this wide-ranging work, Robert J. Richards shows how the Romantic conception of the world influenced (and was influenced by) both the lives of the people who held it and the development of nineteenth-century science. Integrating Romantic literature, science, and philosophy with an intimate knowledge of the individuals involved—from Goethe and the brothers Schlegel to Humboldt and Friedrich and Caroline Schelling—Richards demonstrates how their tempestuous lives shaped their ideas as profoundly as their intellectual and cultural heritage. He focuses especially on how Romantic concepts of the self, as well as aesthetic and moral considerations—all tempered by personal relationships—altered scientific representations of nature. Although historians have long considered Romanticism at best a minor tributary to scientific thought, Richards moves it to the center of the main currents of nineteenth-century biology, culminating in the conception of nature that underlies Darwin's evolutionary theory. Uniting the personal and poetic aspects of philosophy and science in a way that the German Romantics themselves would have honored, The Romantic Conception of Life alters how we look at Romanticism and nineteenth-century biology.
Author: Alice A. Kuzniar
Publisher: Stanford University Press
ISBN: 0804726159
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
When Goethe christened the 1700's "the Century of Winckelmann" and Kant dubbed it "the Century of Frederick the Great," they invoked two notorious figures in gay history. This collection of twelve essays reclaims "the Age of Goethe"To call upon a literary designation of roughly the same period - as a time when same-sex erotic attraction suffused artistic production from Winckelmann's art treatises and Goethe's plays to Friedrich Schlegel's self-reflexive novel Lucinde and Kleist's letters. This volume employs historical, biographical, and textual evidence to paint a cohesive picture of the incontrovertibly sexual nature of male-male and female-female relationships in late-eighteenth- and early-nineteenth-century Germany. The literature of this era bequeathed to us the cultural inventions of Romantic love, classical femininity, the marriage partnership, and the aesthetics of beauty - all, as this volume demonstrates, via and despite the ever-resurgent erotic desire for one's own sex. In the process, it offers radically new readings of canonical authors - including Wieland, Lenz, Goethe, Friedrich Schlegel, and Kleist in light of the eroticized same-sex relations in their works.
Author: Nicholas Boyle
Publisher: Oxford University Press, USA
ISBN: 9780192829818
Category : Biography & Autobiography
Languages : en
Pages : 852
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Book Description
The author of Faust, the best-selling sentimental novel The Sorrows of Young Werther, of exquisite lyric poetry (set to music by Schubert and Mozart), and of a bewildering variety of other plays, novels, poems, and treatises, Johann Wolfgang von Goethe also excelled as an administrator in thecabinet of Carl August, Duke of Saxe-Weimar. Considered by Nietzsche to have been 'not just a good and great man, but an entire culture', Goethe was as vital a part of late eighteenth- and early nineteenth-century German social and political life, as he was its cultural nucleus. However, as this perceptive biography shows, the originality ofhis art lay in his complex distance from his times.
Author: Thomas Bauman
Publisher: Cambridge University Press
ISBN: 9780521260275
Category : Music
Languages : en
Pages : 464
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Book Description
This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically, the period witnessed the flowering of the German stage and German letters. German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment. Thomas Bauman stresses the vital role of the mixed repertories of German companies in effecting changes in the genre. North German opera began as a basically literary genre. It then changed dramatically in response to two major trends: first, the contact with the serious elements and styles of tragedy and secondly, the triumph on German stages of Italian, French, and Viennese comic operas. The book is generously illustrated with music examples. There is also a complete catalogue of texts of North German opera: those composed for performance and unset published librettos both cross-indexed under the librettists' names.
Author: Rüdiger Safranski
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
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Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
Author: Robert Deam Tobin
Publisher: University of Pennsylvania Press
ISBN: 0812235444
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
"Well argued, clearly written, with interesting emphases and ambitious breadth, this excellent book maintains a uniformly high level of scholarship."--Choice
Author: Nicholas Boyle
Publisher: Oxford University Press
ISBN: 9780198158691
Category : Authors, German
Languages : en
Pages : 998
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Book Description
In this, the second volume of Goethe: The Poet and the Age, Nicholas Boyle covers the most eventful and crowded years of Goethe's life: the period of the French Revolution, which turned his life upside down, and of the German philosophical revolution which ushered in the periods of Idealismand Romanticism. It was also a period dominated by two intense personal relationships: with Schiller, Weimar's other great poet, philosopher, and dramatist, and with Christiana Vulpius, the mother of his son. Goethe was a poet of supreme intelligence and sensitivity living through political andintellectual changes which have shaped the modern world. The transition into modernity is the theme of this volume: Goethe's harrowing experiences of the Revolutionary wars; the explosion of new ideas in philosophy and literature which he absorbed and adapted and which for ten years made Jena theintellectual capital of Europe; the political upheaval initiated by Napoleon which destroyed the Holy Roman Empire in which Goethe had grown up, and with it the cultural role he had envisaged for Jena and Weimar. Boyle vividly narrates both the large-scale events and the personal dramas of thisexciting time, to give lucid accounts of important thinkers whom English readers have hitherto found inaccessible, and to analyse in new ways Goethe's works of the period, notably Wilhelm Meister, The Natural Daughter, and Faust.
