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Author: Richard Meltzer
Publisher: Da Capo Press
ISBN: 9780306802874
Category : Music
Languages : en
Pages : 384
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Book Description
This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every "papa-ooma-mow-mow" in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.
Author: Richard Meltzer
Publisher: Da Capo Press
ISBN: 9780306802874
Category : Music
Languages : en
Pages : 384
Get Book Here
Book Description
This infamous book has enjoyed a lively underground reputation since its first publication in 1970. Richard Meltzer (a.k.a. R. Meltzer) took his training as a young philosopher and applied it with unalloyed enthusiasm to the lyrics, sound, and culture of rock and roll. Never before had anyone noticed the relationship between the philosophy of Heidegger and a tune by Little Anthony and the Imperials, heard the cries of agony in the Shangri Las' “Remember (Walkin' in the Sand)”, or transcribed every "papa-ooma-mow-mow" in the Trashmen's “Surfin' Bird.”From Dionne Warwick to Plato, Jim Morrison to Bert Brecht, Conway Twitty to Miguel de Unamuno, Meltzer subverts high and low culture in his search for meaning, emotion, and codes in popular music. At once an earnest investigation and a crypto put-on, the book can be read for its nuggets of information and insights or for its humor. Here with Greil Marcus's new introduction, yet another generation of readers can be outraged and inspired.
Author: Theodore Gracyk
Publisher: Temple University Press
ISBN: 9781566399036
Category : Music
Languages : en
Pages : 310
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Book Description
"Gracyk grapples with the ways that rock shapes--limits and expands--our notions of who we can be in the world. [He] sees rock as a mass art, open-ended and open to diverse (but not unlimited) interpretations. Recordings reach millions, drawing people together in communities of listeners who respond viscerally to its sound and intellectually to its messages. As an art form that proclaims its emotional authenticity and resistance to convention, rock music constitutes part of the cultural apparatus from which individuals mold personal and political identities. Going to the heart of this relationship between the music's role in its performers' and fans' self-construction, Gracyk probes questions of gender and appropriation. How can a feminist be a Stones fan or a straight man enjoy the Indigo Girls? Does borrowing music that carries a "racial identity" always add up to exploitation, a charge leveled at Paul Simon's Graceland? Rang[es] through forty years of rock history and offer[s] a trove of anecdotes"--Publisher description.
Author: Peter Wicke
Publisher: Cambridge University Press
ISBN: 9780521399142
Category : Music
Languages : en
Pages : 246
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Book Description
A stimulating and penetrating study of rock music, from rock 'n' roll to the present day.
Author: Maureen Mahon
Publisher: Duke University Press
ISBN: 9780822333173
Category : Music
Languages : en
Pages : 340
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Book Description
The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.
Author: Wendy Fonarow
Publisher: Wesleyan University Press
ISBN: 0819574430
Category : Literary Criticism
Languages : en
Pages : 337
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Book Description
Inside the culture of an artistically influential music community Britain is widely considered the cradle of independent music culture. Bands like Radiohead and Belle and Sebastian, which epitomize indie music's sounds and attitudes, have spawned worldwide fanbases. This in-depth study of the British independent music scene explores how the behavior of fans, artists, and music industry professionals produce a community with a specific aesthetic based on moral values. Author Wendy Fonarow, a scholar with years of experience in the various sectors of the indie music scene, examines the indie music "gig" as a ritual in which all participants are actively involved. This ritual allows participants to play with cultural norms regarding appropriate behavior, especially in the domains of sex and creativity. Her investigation uncovers the motivations of audience members when they first enter the community and how their positions change over time so that the gig functions for most members as a rite of passage. Empire of Dirt sheds new light on music, gender roles, emotion, subjectivity, embodiment, and authenticity.
Author: Kevin J. H. Dettmar
Publisher: Routledge
ISBN: 0415970342
Category : Art
Languages : en
Pages : 206
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Book Description
Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture.
Author: Guy Tal
Publisher: Rocky Nook, Inc.
ISBN: 168198685X
Category : Photography
Languages : en
Pages : 429
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Book Description
A deeper look at the creativity, art, expression, craft, and philosophy of landscape photography. More Than a Rock, 2nd Edition is a passionate and personal book about creativity and expression. In this series of over 70 brief essays, photographer and teacher Guy Tal shares his thoughts and experiences as an artist who seeks to express more in his images than the mere appearance of the subject portrayed. Following up on the success of the first edition, this revised edition contains updated imagery, a new essay in each of the book’s four sections—Art, Craft, Experiences, and Meditations—and is presented in a beautiful hardcover format.
Tal makes an argument to consider creative landscape photography—expressing something of the photographer's conception through the use of natural aesthetics—as a form of visual art that is distinct from the mere representation of beautiful natural scenes. Tal covers topics such as the art of photography, approaches to landscape photography, and the experiences of a working photographic artist. His essays also include reflections on nature and man’s place in it, living a meaningful life, and living as an artist in today’s world.
The book is decidedly non-technical and focuses on philosophy, nature, and visual expression. It was written for those photographers with a passion and interest in creative photography. Anyone who is pursuing their work as art, is in need of inspiration, or is interested in the writings of a full-time working photographic artist will benefit from reading this book. The book is visually punctuated with Tal’s inspiring and breathtaking photography.
“Some images look like things, while others feel like things; some images are of things, while others are about things. A creative image is not a record of a scene nor a substitute for a real experience. Rather, it is an experience in itself—an aesthetic experience—something new that the artist has given the world, rather than a contrived view of something that already existed independent of them.”
—Guy Tal
“The medium of photography has a long tradition of practitioners who were not only masterful photographers, but were also insightful and thoughtful writers—the thinking man’s photographers. Among them we find such greats as John Szarkowski, Minor White, Bill Jay, and Robert Adams. It is no exaggeration to include Guy Tal on this esteemed list.”
— From the Foreword, by Chuck Kimmerle
Author: Richard Meltzer
Publisher: Da Capo Press
ISBN:
Category : Literary Collections
Languages : en
Pages : 614
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Book Description
A Da Capo original: Thirty years' worth of music writing by one of the first and greatest rock scribes and a fiercely imaginative cultural critic.
Author: Theodore Gracyk
Publisher: University of Michigan Press
ISBN: 9780472069835
Category : Music
Languages : en
Pages : 272
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Book Description
Publisher description
Author: Theodore Gracyk
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 322
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Book Description
A happy marriage of aesthetic theory and the aesthetic practice that moved a generation, 'Rhythm and Noise' is the only thorough-going account of rock as a distinct artistic medium rather than a species of popular culture.
