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Author: Alun Munslow
Publisher: Routledge
ISBN: 1000734196
Category : History
Languages : en
Pages : 301
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Book Description
This book offers an understanding and analysis of the aesthetics of historying through the specific concepts and process of the fabricated, factitious, factional, factious, factitive, factive, factualist, fictitious, fictive and the figurative. These concepts create the(ir) connection(s) between "the past" and ‘history" hitherto rethink the nature of "the historical past." There are many different available ‘forms’ of histories that shape the minds of historians when they deploy their historical imaginations through "the past(s) via their preferred history creations." For every historian and every history reader, there is a different experience of "the history past aesthetic."
Author: Alun Munslow
Publisher: Routledge
ISBN: 1000734196
Category : History
Languages : en
Pages : 301
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Book Description
This book offers an understanding and analysis of the aesthetics of historying through the specific concepts and process of the fabricated, factitious, factional, factious, factitive, factive, factualist, fictitious, fictive and the figurative. These concepts create the(ir) connection(s) between "the past" and ‘history" hitherto rethink the nature of "the historical past." There are many different available ‘forms’ of histories that shape the minds of historians when they deploy their historical imaginations through "the past(s) via their preferred history creations." For every historian and every history reader, there is a different experience of "the history past aesthetic."
Author: W. Tatarkiewicz
Publisher: Springer Science & Business Media
ISBN: 9400988052
Category : Philosophy
Languages : en
Pages : 396
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Book Description
The history of aesthetics, like the histories of other sciences, may be treated in a two-fold manner: as the history of the men who created the field of study, or as the history of the questions that have been raised and resolved in the course of its pursuit. The earlier History of Aesthetics (3 volumes, 1960-68, English-language edition 1970-74) by the author of the present book was a history of men, of writers and artists who in centuries past have spoken up concerning beauty and art, form and crea tivity. The present book returns to the same subject, but treats it in a different way: as the history of aesthetic questions, concepts, theories. The matter of the two books, the previous and the present, is in part the same; but only in part: for the earlier book ended with the 17th century, while the present one brings the subject up to our own times. And from the 18th century to the 20th much happened in aesthetics; it was only in that period that aesthetics achieved recognition as a separate science, received a name of its own, and produced theories that early scholars and artists had never dreamed of.
Author: Paul Guyer
Publisher: Cambridge University Press
ISBN: 9781108733816
Category : Philosophy
Languages : en
Pages : 0
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Book Description
Volume I: The development of aesthetics was one of the great accomplishments of eighteenth-century philosophy, as the classical conception of aesthetic experience as a form of knowledge came under pressure from increasing recognition of the emotional impact of art and from increasing emphasis on the value of freedom in the moral and political thought of the century. This opening volume of A History of Modern Aesthetics recounts how philosophers in Britain, France, and Germany developed these new approaches and searched for ways to combine them with the cognitivism of traditional aesthetics. A History of Modern Aesthetics narrates the history of philosophical aesthetics from the beginning of the eighteenth century through the twentieth century. Aesthetics began with Aristotle's defense of the cognitive value of tragedy in response to Plato's famous attack on the arts in The Republic, and cognitivist accounts of aesthetic experience have been central to the field ever since. But in the eighteenth century, two new ideas were introduced: that aesthetic experience is important because of emotional impact - precisely what Plato criticized - and because it is a pleasurable free play of many or all of our mental powers. This book tells how these ideas have been synthesized or separated by both the best-known and lesser-known aestheticians of modern times, focusing on Britain, France, and Germany in the eighteenth century; Germany and Britain in the nineteenth; and Germany, Britain, and the United States in the twentieth.
Author: Andrea Charise
Publisher: SUNY Press
ISBN: 1438477457
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Investigates how nineteenth-century British literature grappled with a new understanding of aging as both an individual and collective experience. The Aesthetics of Senescence investigates how chronological age has come to possess far-reaching ideological, ethical, and aesthetic implications, both in the past and present. Andrea Charise argues that authors of the nineteenth century used the imaginative resources of literature to engage with an unprecedented climate of crisis associated with growing old. Marshalling a great variety of canonical authors including William Godwin, Mary Shelley, George Eliot, Anthony Trollope, and George Gissing, as well as less familiar writings by George Henry Lewes, Christoph Wilhelm Hufeland, Agnes Strickland, and Max Nordau, Charise demonstrates why the imaginative capacity of writing became an interdisciplinary crucible for testing what it meant to grow old at a time of profound cultural upheaval. Charise’s grounding in medicine, political history, literature, and genre offers a fresh, original, thoroughly interdisciplinary analysis of nineteenth-century aging and age theory, as well as new insights into the rise of the novel—a genre usually thought of as affiliated almost entirely with the young or middle-aged. “Charise’s brilliantly argued, clearly written book is an important intervention in nineteenth-century British literature, age studies, and medical humanities. It brings these areas of inquiry together in what seems a seamless way—as if they have always traveled together or ought to have. Through an investigation of what she calls the ‘aesthetics of embodiment that shaped nineteenth-century visions of aging,’ Charise has given us an original and groundbreaking study of literary, historical, anthropological, and philosophical texts.” — Devoney Looser, author of The Making of Jane Austen
Author: Jerrold Levinson
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
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Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Author: Jadranka Skorin-Kapov
Publisher: Lexington Books
ISBN: 1498518478
Category : Philosophy
Languages : en
Pages : 213
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Book Description
The Aesthetics of Desire and Surprise: Phenomenology and Speculation covers issues central to contemporary continental philosophy (desire, expectations, excess, rupture, transcendence, immanence, surprise). The proposed term desire||surprise captures the phenomenological-speculative character of the pair not yet and no longer. Non-obvious parallels between different thinkers are drawn, and the argumentation is organized around philosophical figures relevant in the sequence desire – excess –pause (rupture, break) – recuperation (surprise). The works of Levinas, Žižek, Bataille, Blanchot, Foucault, and Ricoeur are interpreted and positioned according to the proposed template of desire - excess - pause. The consideration of limit experiences involves authors fascinated by transgression, and the question of whether excess is immanent or transcendent. This discussion considers works by Nietzsche, Deleuze, Žižek, and Foucault. The analysis of surprise and the beginning of recovery after the pause considers works by Fink, Merleau-Ponty, Nancy, Lyotard, Dufrenne, Bachelard, and Seel. The provocative argument elaborated in this work is that surprise starts with indifference. Furthermore, the argument is that surprise begins where the concept reaches its ending, hence that the limit of speculative thinking at its ending is the limit of aesthetics at its beginning. The work of Hegel, Schelling and Jaspers are discussed in order to argue for the beginning of aesthetics there where knowledge ends. Philosophical thematic is contextualized via sections on artists such as Duchamp and Mondrian, and on some films, provoking interest of aestheticians working in art history and cultural studies departments.
Author: Karl-Olof Edström
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 318
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Book Description
This book examines how aesthetics have been used over several centuries in both popular and art music. It draws upon a broad spectrum of original sources and incorporates the work of writers outside the mainstream of established aesthetics discourse.
Author:
Publisher: Penn State Press
ISBN: 9780271038377
Category : Comic books, strips, etc
Languages : en
Pages : 156
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Book Description
Author: Dana Arnold
Publisher: Blackwell Publishing
ISBN: 9781405105354
Category : Architecture
Languages : en
Pages : 149
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Book Description
Tracing Architecture looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. It explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction. Discusses the discovery of the ancient world through the medium of print in the long eighteenth century. Looks at the impact that knowledge of ancient Egyptian, Greek, Roman and British architecture had on aesthetic attitudes and architectural design. Considers the interrelationship between architecture, antiquity and aesthetics in a pan-European context. Explores the changing relationship between text and image in an era before the introduction of mass mechanical reproduction.
Author: Robert C. Harvey
Publisher: Univ. Press of Mississippi
ISBN: 9780878057580
Category : Art
Languages : en
Pages : 304
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Book Description
A history of the comic book, in which a noted cartoonist demonstrates the aesthetics and power of the medium
