Author: Jeff Chang
Publisher: Civitas Books
ISBN: 0465009093
Category : Art
Languages : en
Pages : 400
Book Description
Examines hip-hop's past, present, and future in a collection of essays, interviews, and discussions.
Total Chaos
Author: Jeff Chang
Publisher: Civitas Books
ISBN: 0465009093
Category : Art
Languages : en
Pages : 400
Book Description
Examines hip-hop's past, present, and future in a collection of essays, interviews, and discussions.
Publisher: Civitas Books
ISBN: 0465009093
Category : Art
Languages : en
Pages : 400
Book Description
Examines hip-hop's past, present, and future in a collection of essays, interviews, and discussions.
The Aesthetics of Chaos
Author: Michael Patrick Gillespie
Publisher:
ISBN: 9780813033464
Category : Criticism
Languages : en
Pages : 0
Book Description
"An invigorating (and convincing) challenge to the cornerstone assumptions of virtually all contemporary literary criticism . . . this study lays the groundwork for a dynamic new approach to reading literature. Sure to be controversial, its fundamental right-headedness should help to open debate on the nature of literary criticism across numerous disciplines."--William W. Demastes, Louisiana State University Michael Patrick Gillespie employs concepts of post-Einsteinian physics as the metaphoric and dialectic foundation for an alternative method of interpreting literature. His central argument revolves around the notion that the most useful literary criticism is that which comes closest to the process of reading. He argues that since our reading is not circumscribed by Cartesian cause-and-effect principles, our literary criticism should not be bound by linear thinking. Using examples that range from the Book of Job to Harry Potter and the Sorcerer's Stone, Gillespie demonstrates how nonlinear perception vastly enhances one's ability to understand diverse forms of literature. Invoking theories from Einstein's views on relativity, quantum mechanics, and chaos theories, Gillespie applies his approach to different types of literary works, including a children's fantasy: the Bible, The Importance of Being Earnest, and Finnegans Wake. In each case, he compares a nonlinear model of criticism with the interpretation of established critical schools, focusing especially on elucidating both the weaknesses in those schools and the multiple legitimate textual meanings in these works. Providing clear, useful theoretical grounding in the basics of the new sciences, Gillespie draws from the fundamental thinking behind these new conceptions of material existence to articulate a paradigm of literary criticism that should be of value to all literary scholars. ?Michael Patrick Gillespie is Louise Edna Goeden Professor of English at Marquette University and author of several works, including Oscar Wilde and the Poetics of Ambiguity (UPF, 1996) and Joyce through the Ages (UPF, 1999).
Publisher:
ISBN: 9780813033464
Category : Criticism
Languages : en
Pages : 0
Book Description
"An invigorating (and convincing) challenge to the cornerstone assumptions of virtually all contemporary literary criticism . . . this study lays the groundwork for a dynamic new approach to reading literature. Sure to be controversial, its fundamental right-headedness should help to open debate on the nature of literary criticism across numerous disciplines."--William W. Demastes, Louisiana State University Michael Patrick Gillespie employs concepts of post-Einsteinian physics as the metaphoric and dialectic foundation for an alternative method of interpreting literature. His central argument revolves around the notion that the most useful literary criticism is that which comes closest to the process of reading. He argues that since our reading is not circumscribed by Cartesian cause-and-effect principles, our literary criticism should not be bound by linear thinking. Using examples that range from the Book of Job to Harry Potter and the Sorcerer's Stone, Gillespie demonstrates how nonlinear perception vastly enhances one's ability to understand diverse forms of literature. Invoking theories from Einstein's views on relativity, quantum mechanics, and chaos theories, Gillespie applies his approach to different types of literary works, including a children's fantasy: the Bible, The Importance of Being Earnest, and Finnegans Wake. In each case, he compares a nonlinear model of criticism with the interpretation of established critical schools, focusing especially on elucidating both the weaknesses in those schools and the multiple legitimate textual meanings in these works. Providing clear, useful theoretical grounding in the basics of the new sciences, Gillespie draws from the fundamental thinking behind these new conceptions of material existence to articulate a paradigm of literary criticism that should be of value to all literary scholars. ?Michael Patrick Gillespie is Louise Edna Goeden Professor of English at Marquette University and author of several works, including Oscar Wilde and the Poetics of Ambiguity (UPF, 1996) and Joyce through the Ages (UPF, 1999).
The Art of Chaos
Author: Robin Sacredfire
Publisher: 22 Lions
ISBN:
Category : Self-Help
Languages : en
Pages : 33
Book Description
Are you feeling lost in life? Do you crave a sense of adventure and spontaneity? Look no further than "The Art of Chaos: The Aesthetics of Disorder and How to Use It to Do Magic, Change Your Life and Be Lucky." This captivating book unlocks the secrets of chaos and shows you how to harness its power to transform your life and find true happiness. Author Robin Sacredfire takes you on a journey across fifty cities around the world, where he embraced the uncertainty of life and discovered a hidden pattern within the chaos. Drawing from his own experiences and those of others who have ventured into the unknown, he reveals a profound understanding of spirituality that surpasses conventional wisdom. "The Art of Chaos" challenges preconceived ideas about life and religion, urging readers to embrace disorder as a catalyst for personal growth and self-discovery. Through this thought-provoking exploration, you will learn how chaos can lead to greater happiness and spirituality, if only we have the courage to learn from our past experiences. This book offers practical guidance on how to navigate chaos, finding order and meaning within the seemingly chaotic aspects of life. Dive into the transformative power of chaos and discover how it can help you become the best version of yourself. By accepting fear, darkness, and sadness as necessary emotional paths, you will experience true courage, light, and happiness. Through expert storytelling and thought-provoking anecdotes, Robin Sacredfire shares his insights on the beauty and artistry of chaos. As the world transitions into the Era of Aquarium, an era of emotional expression and freedom, understanding chaos becomes essential. By embracing chaos and recognizing its aesthetic qualities, you can create a life that reflects beauty and harmony. If you are ready to embark on a life-changing journey and break free from the constraints of order, "The Art of Chaos" is the perfect companion. Discover the magic within chaos and unleash your true potential.
Publisher: 22 Lions
ISBN:
Category : Self-Help
Languages : en
Pages : 33
Book Description
Are you feeling lost in life? Do you crave a sense of adventure and spontaneity? Look no further than "The Art of Chaos: The Aesthetics of Disorder and How to Use It to Do Magic, Change Your Life and Be Lucky." This captivating book unlocks the secrets of chaos and shows you how to harness its power to transform your life and find true happiness. Author Robin Sacredfire takes you on a journey across fifty cities around the world, where he embraced the uncertainty of life and discovered a hidden pattern within the chaos. Drawing from his own experiences and those of others who have ventured into the unknown, he reveals a profound understanding of spirituality that surpasses conventional wisdom. "The Art of Chaos" challenges preconceived ideas about life and religion, urging readers to embrace disorder as a catalyst for personal growth and self-discovery. Through this thought-provoking exploration, you will learn how chaos can lead to greater happiness and spirituality, if only we have the courage to learn from our past experiences. This book offers practical guidance on how to navigate chaos, finding order and meaning within the seemingly chaotic aspects of life. Dive into the transformative power of chaos and discover how it can help you become the best version of yourself. By accepting fear, darkness, and sadness as necessary emotional paths, you will experience true courage, light, and happiness. Through expert storytelling and thought-provoking anecdotes, Robin Sacredfire shares his insights on the beauty and artistry of chaos. As the world transitions into the Era of Aquarium, an era of emotional expression and freedom, understanding chaos becomes essential. By embracing chaos and recognizing its aesthetic qualities, you can create a life that reflects beauty and harmony. If you are ready to embark on a life-changing journey and break free from the constraints of order, "The Art of Chaos" is the perfect companion. Discover the magic within chaos and unleash your true potential.
Chaos and Cosmos
Author: Karen Ann Lang
Publisher: Cornell University Press
ISBN: 9780801488559
Category : Art
Languages : en
Pages : 316
Book Description
Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany--the period from the 1880s to 1940--she explores various attempts within art history to transform aesthetic phenomena--chaos--into the cosmos of a systematic, unified field of inquiry.Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur.Extensively illustrated with works of art from the Enlightenment to the present day, this venturesome book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.
Publisher: Cornell University Press
ISBN: 9780801488559
Category : Art
Languages : en
Pages : 316
Book Description
Writing in 1940, the prominent German art historian Erwin Panofsky asked, "How, then, is it possible to build up art history as a respectable scholarly discipline, if its objects come into being by an irrational and subjective process?" In Chaos and Cosmos, Karen Lang addresses the power of art to resist the pressures of the transcendental vantage point-history. Uncovering the intellectual and cultural richness of the early years of academic art history in Germany--the period from the 1880s to 1940--she explores various attempts within art history to transform aesthetic phenomena--chaos--into the cosmos of a systematic, unified field of inquiry.Lang starts by examining Panofsky's approach to aesthetic phenomena in his early theoretical essays alongside Ernst Cassirer's contemporaneous publications on the substance and function of scientific concepts (and on Einstein's theory of relativity). She then turns to the subject of aesthetic judgment through a rereading of Kantian subjectivity and Kant's uneasy legacy in art history. From here, Lang considers the different organizing theories of symbolic form proposed by Aby Warburg and Cassirer, as well as Goethe's inspiration for both; Alois Riegl's notion of age value and Walter Benjamin's conceptions of the aura; concluding with an extended examination of objectivity and the figure of the art connoisseur.Extensively illustrated with works of art from the Enlightenment to the present day, this venturesome book illuminates an intellectual legacy that has profoundly shaped the study of the history of art in ways that have, until now, been largely unacknowledged. Addressing the interplay of chaos and cosmos in terms of history, art history, philosophy, and epistemology, Lang traces shifts in point of view in art history and the way these shifts change aesthetic objects into historical objects, and even objects of knowledge.
The Aesthetics of Chaos
Author: Michael Patrick Gillespie
Publisher:
ISBN: 9780813026411
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
This text employs concepts of post-Einsteinian physics as the metaphoric and dialectic foundation for an alternative method of interpreting literature. It argues that as reading is not circumscribed by Cartesian cause-and-effect principles, literary criticism should not be bound by linear thinking.
Publisher:
ISBN: 9780813026411
Category : Literary Criticism
Languages : en
Pages : 140
Book Description
This text employs concepts of post-Einsteinian physics as the metaphoric and dialectic foundation for an alternative method of interpreting literature. It argues that as reading is not circumscribed by Cartesian cause-and-effect principles, literary criticism should not be bound by linear thinking.
Chaos Imagined
Author: Martin Meisel
Publisher: Columbia University Press
ISBN: 0231540469
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Publisher: Columbia University Press
ISBN: 0231540469
Category : Literary Criticism
Languages : en
Pages : 604
Book Description
The stories we tell in our attempt to make sense of the world—our myths and religion, literature and philosophy, science and art—are the comforting vehicles we use to transmit ideas of order. But beneath the quest for order lies the uneasy dread of fundamental disorder. True chaos is hard to imagine and even harder to represent. In this book, Martin Meisel considers the long effort to conjure, depict, and rationalize extreme disorder, with all the passion, excitement, and compromises the act provokes. Meisel builds a rough history from major social, psychological, and cosmological turning points in the imagining of chaos. He uses examples from literature, philosophy, painting, graphic art, science, linguistics, music, and film, particularly exploring the remarkable shift in the eighteenth and nineteenth centuries from conceiving of chaos as disruptive to celebrating its liberating and energizing potential. Discussions of Sophocles, Plato, Lucretius, Calderon, Milton, Haydn, Blake, Faraday, Chekhov, Faulkner, Wells, and Beckett, among others, are matched with incisive readings of art by Brueghel, Rubens, Goya, Turner, Dix, Dada, and the futurists. Meisel addresses the revolution in mapping energy and entropy and the manifold effect of thermodynamics. He then uses this chaotic frame to elaborate on purpose, mortality, meaning, and mind.
Design, Form, and Chaos
Author: Paul Rand
Publisher: Yale University Press
ISBN: 0300230915
Category : Design
Languages : en
Pages : 233
Book Description
Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.
Publisher: Yale University Press
ISBN: 0300230915
Category : Design
Languages : en
Pages : 233
Book Description
Paul Rand's stature as one of the world's leading graphic designers is incontestable. For half a century his pioneering work in the field of advertising design and typography has exerted a profound influence on the design profession; he almost single-handedly transformed "commercial art" from a practice that catered to the lowest common denominator of taste to one that could assert its place among the other fine arts. Among the numerous clients for whom he has been a consultant and/or designer are the American Broadcasting Company, IBM Corporation, and Westinghouse Electric Corporation. In this witty and instructive book, Paul Rand speaks about the contemporary practice of graphic design, explaining the process and passion that foster good design and indicting faddism and trendiness. Illustrating his ideas with examples of his own stunning graphic work as well as with the work of artists he admires, Rand discusses such topics as: the values on which aesthetic judgments are based; the part played by intuition in good design; the proper relationship between management and designers; the place of market research; how and when to use computers in the production of a design; choosing a typeface; principles of book design; and the thought processes that lead to a final design. The centerpiece of the book consists of seven design portfolios - with diagrams and ultimate choices - that Rand used to present his logos to clients such as Next, IDEO, and IBM.
Chaos, Territory, Art
Author: Elizabeth A. Grosz
Publisher: Columbia University Press
ISBN: 9780231145183
Category : Art
Languages : en
Pages : 144
Book Description
Table of Contents Acknowledgments1. Chaos. Cosmos, Territory, Architecture2. Vibration. Animal, Sex, Music3. Sensation. The Earth, a People, ArtNotes Bibliography Index.
Publisher: Columbia University Press
ISBN: 9780231145183
Category : Art
Languages : en
Pages : 144
Book Description
Table of Contents Acknowledgments1. Chaos. Cosmos, Territory, Architecture2. Vibration. Animal, Sex, Music3. Sensation. The Earth, a People, ArtNotes Bibliography Index.
Chaos and Cosmos
Author: Heidi C. M. Scott
Publisher: Penn State Press
ISBN: 0271065389
Category : Science
Languages : en
Pages : 298
Book Description
In Chaos and Cosmos, Heidi Scott integrates literary readings with contemporary ecological methods to investigate two essential and contrasting paradigms of nature that scientific ecology continues to debate: chaos and balance. Ecological literature of the Romantic and Victorian eras uses environmental chaos and the figure of the balanced microcosm as tropes essential to understanding natural patterns, and these eras were the first to reflect upon the ecological degradations of the Industrial Revolution. Chaos and Cosmos contends that the seed of imagination that would enable a scientist to study a lake as a microcosmic world at the formal, empirical level was sown by Romantic and Victorian poets who consciously drew a sphere around their perceptions in order to make sense of spots of time and place amid the globalizing modern world. This study’s interest goes beyond likening literary tropes to scientific aesthetics; it aims to theorize the interdisciplinary history of the concepts that underlie our scientific understanding of modern nature. Paradigmatic ecological ideas such as ecosystems, succession dynamics, punctuated equilibrium, and climate change are shown to have a literary foundation that preceded their status as theories in science. This book represents an elevation of the prospects of ecocriticism toward fully developed interdisciplinary potentials of literary ecology.
Publisher: Penn State Press
ISBN: 0271065389
Category : Science
Languages : en
Pages : 298
Book Description
In Chaos and Cosmos, Heidi Scott integrates literary readings with contemporary ecological methods to investigate two essential and contrasting paradigms of nature that scientific ecology continues to debate: chaos and balance. Ecological literature of the Romantic and Victorian eras uses environmental chaos and the figure of the balanced microcosm as tropes essential to understanding natural patterns, and these eras were the first to reflect upon the ecological degradations of the Industrial Revolution. Chaos and Cosmos contends that the seed of imagination that would enable a scientist to study a lake as a microcosmic world at the formal, empirical level was sown by Romantic and Victorian poets who consciously drew a sphere around their perceptions in order to make sense of spots of time and place amid the globalizing modern world. This study’s interest goes beyond likening literary tropes to scientific aesthetics; it aims to theorize the interdisciplinary history of the concepts that underlie our scientific understanding of modern nature. Paradigmatic ecological ideas such as ecosystems, succession dynamics, punctuated equilibrium, and climate change are shown to have a literary foundation that preceded their status as theories in science. This book represents an elevation of the prospects of ecocriticism toward fully developed interdisciplinary potentials of literary ecology.
The Aesthetic Imperative
Author: Peter Sloterdijk
Publisher: John Wiley & Sons
ISBN: 074569988X
Category : Philosophy
Languages : en
Pages : 344
Book Description
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorization, emphasizing instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained reflection, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.
Publisher: John Wiley & Sons
ISBN: 074569988X
Category : Philosophy
Languages : en
Pages : 344
Book Description
In this wide-ranging book, renowned philosopher and cultural theorist Peter Sloterdijk examines art in all its rich and varied forms: from music to architecture, light to movement, and design to typography. Moving between the visible and the invisible, the audible and the inaudible, his analyses span the centuries, from ancient civilizations to contemporary Hollywood. With great verve and insight he considers the key issues that have faced thinkers from Aristotle to Adorno, looking at art in its relation to ethics, metaphysics, society, politics, anthropology and the subject. Sloterdijk explores a variety of topics, from the Greco-Roman invention of postcards to the rise of the capitalist art market, from the black boxes and white cubes of modernism to the growth of museums and memorial culture. In doing so, he extends his characteristic method of defamiliarization to transform the way we look at works of art and artistic movements. His bold and original approach leads us away from the well-trodden paths of conventional art history to develop a theory of aesthetics which rejects strict categorization, emphasizing instead the crucial importance of individual subjectivity as a counter to the latent dangers of collective culture. This sustained reflection, at once playful, serious and provocative, goes to the very heart of Sloterdijk’s enduring philosophical preoccupation with the aesthetic. It will be essential reading for students and scholars of philosophy and aesthetics and will appeal to anyone interested in culture and the arts more generally.