Author: Lewis White Beck
Publisher: Burns & Oates
ISBN: 9781855065574
Category : Act (Philosophy)
Languages : en
Pages : 0
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Book Description
Can a machine think? More pointedly, if I am a machine, can I think? Beck answers these questions by analyzing two clusters of metaphors -- one of which dramatizes human beings as spontaneous agents (actors), and the other sees them as observers attempting to explain causally their own behavior and that of the actor (spectators). Using a hypothetical scene with two spectators, each explaining an action, and each representing a different way of viewing the world, Beck points up the central philosophical problems raised by the varieties of ways in which we explain our own actions and those of others.
Author: Lewis White Beck
Publisher:
ISBN:
Category : Act (Philosophy)
Languages : en
Pages : 142
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Book Description
Author: Susanne Granzer
Publisher: Springer
ISBN: 1137596341
Category : Performing Arts
Languages : en
Pages : 131
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Book Description
Actors and the Art of Performance: Under Exposure combines the author's two main biographical paths: her professional commitment to the fields of both theatre and philosophy. The art of acting on stage is analysed here not only from the theoretical perspective of a spectator, but also from the perspective of the actor. The author draws on her experience as both a theatre actor and a university professor whose teachings in the art of acting rely heavily on her own experience and also on her philosophical knowledge. The book is unique not only in terms of its content but also in terms of its style. Written in a multiplicity of voices, the text oscillates between philosophical reasoning and narrative forms of writing, including micro-narratives, fables, parables, and inter alia by Carroll, Hoffmann and Kleist. Hence the book claims that a trans-disciplinary dialogue between the art of acting and the art of philosophical thinking calls for an aesthetical research that questions and begins to seek alternatives to traditionally established and ingrained formats of philosophy.
Author: Maria Grazia Turri
Publisher: Routledge
ISBN: 1315517310
Category : Performing Arts
Languages : en
Pages : 234
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Book Description
From Aristotle’s theory of tragic katharsis onwards, theorists of the theatre have long engaged with the question of what spectatorship entails. This question has, directly or indirectly, often been extended to the investigation of acting. Acting, Spectating, and the Unconscious approaches the unconscious aspects of spectatorship and acting afresh. Interweaving psychoanalytic descriptions of processes such as transference, unconscious phantasy, and alpha-function with an in-depth survey of theories of spectating and acting from thinkers such as Brecht, Diderot, Rousseau and Plato, Maria Grazia Turri offers a significant insight into the emotions inherent in both the art of the actor, and the spectator’s experience. A compelling investigation of the unconscious communication between spectators and actors, this volume is a must-read for students and scholars fascinated by theatre spectatorship.
Author: Niall W. Slater
Publisher: University of Pennsylvania Press
ISBN: 9780812236521
Category : Drama
Languages : en
Pages : 384
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Book Description
Spectator Politics is the first major study of metatheatre, or theatrically self-conscious performance, in Aristophanes. Using a reception-based performance criticism, Niall Slater elucidates the comic effectiveness of the earliest surviving comedies in the Western tradition. Slater demonstrates that Aristophanes employed metatheatre not simply to entertain but also to teach his audience how to read and interpret performance in other key public venues of the ancient democracy of Athens, such as performances in the political assembly and law courts. Aristophanes was, Slater contends, the first performance critic. Spectator Politics shows how Aristophanes' comedy served the Athenians by helping them to become active political participants, teaching them to see through deceptive performances, whether on stage or in the political sphere. His comedies use self-conscious performance to encourage the public to move out of the role of passive consumers of spectacle and to reengage the political process. Aristophanes' critique of performance prefigures much in the performance-dominated culture of the modern American political scene. Throughout, detailed readings of the original stagings illuminate the plays for today's audiences and performers, while Slater's cultural critique provides much for those interested in Athenian democracy and its lesson for the contemporary political scene. Spectator Politics offers a salutary demonstration of the power of art to expose and resist the performance powers of would-be demagogues.
Author: Dennis Kennedy
Publisher: Cambridge University Press
ISBN: 0521899761
Category : Drama
Languages : en
Pages : 251
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Book Description
This book investigates the role and impact of the spectator, covering many different performance types including theatre, sport, television, gambling and ritual.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 540
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Book Description
Author: Joke Johannetta Hermsen
Publisher: Peeters Publishers
ISBN: 9789042907812
Category : History
Languages : en
Pages : 148
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Book Description
Since early texts as "Thinking and Politics", Arendt had highlighted the contrast between philosophical and political thinking and compelled herself to find a satisfactory answer to the question: "how do philosophy and politics relate?". In her last work "Lectures on Kant's Political Philosophy" (1982), Arendt analyses the "political" dimensions of Kant's critical thinking. To think critically implies taking the viewpoints of others into account: one has to "enlarge" one's own mind by comparing our judgement with the possible judgements of others. While thinking remains a solitary activity, it does not cut itself off from all others.The essays in this book address the philosophical and moral questions raised by Arendt's attempt to draw out the political implications of "critical thinking" in Kant's sense. In one way or another, they all address the place of judgment in Arendt's thought. Arendt's turn to Kant and The Critique of Judgment was motivated by her desire to find a form of philosophizing that was not hostile to politics and the public realm. But did she really think that Kant's characterization of the judging spectator pointed the way out of the opposition between the universal and the particular, between looking at things sub specie aeternitatis and looking at things from a political point of view? To what extent did she think that Kant was successful in revealing a mode of thought oriented towards public persuasion, yet one which retained its critical independence?Each of the essays wrestles with the complexities of a complex thinker. They remind us that critical thinking or Selbstdenken is among the most difficult and rare arts, even though it is an art potentially accessible to everyone. They also remind us that Hannah Arendt was a virtuoso of this art, and of how her example points the way toward a renewal of judgment as the political faculty par excellence.
Author: Augusto Boal
Publisher: Routledge
ISBN: 1134498519
Category : Games & Activities
Languages : en
Pages : 332
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Book Description
Games for Actors and Non-Actors is the classic and best selling book by the founder of Theatre of the Oppressed, Augusto Boal. It sets out the principles and practice of Boal's revolutionary Method, showing how theatre can be used to transform and liberate everyone – actors and non-actors alike! This thoroughly updated and substantially revised second edition includes: two new essays by Boal on major recent projects in Brazil Boal's description of his work with the Royal Shakespeare Company a revised introduction and translator's preface a collection of photographs taken during Boal's workshops, commissioned for this edition new reflections on Forum Theatre.
Author: Sophie Volpp
Publisher: BRILL
ISBN: 168417435X
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
"In seventeenth-century China, as formerly disparate social spheres grew closer, the theater began to occupy an important ideological niche among traditional cultural elites, and notions of performance and spectatorship came to animate diverse aspects of literati cultural production. In this study of late-imperial Chinese theater, Sophie Volpp offers fresh readings of major texts such as Tang Xianzu’s Peony Pavilion (Mudan ting) and Kong Shangren’s Peach Blossom Fan (Taohua shan), and unveils lesser-known materials such as Wang Jide’s play The Male Queen (Nan wanghou). In doing so, Volpp sheds new light on the capacity of seventeenth-century drama to comment on the cultural politics of the age. Worldly Stage arrives at a conception of theatricality particular to the classical Chinese theater and informed by historical stage practices. The transience of worldly phenomena and the vanity of reputation had long informed the Chinese conception of theatricality. But in the seventeenth century, these notions acquired a new verbalization, as theatrical models of spectatorship were now applied to the contemporary urban social spectacle in which the theater itself was deeply implicated."
