The Activities of Popular Dramatists and Drama Groups in Scotland, 1900-1952 PDF Download
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Author: Linda Mackenney
Publisher: Edwin Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This discussion provides primary research on the activities of popular dramatists and drama groups in Scotland who played an important role in the late blossoming of a Scottish national drama. The text covers Joe Corrie's Fife Miner Players, Glasgow Unity Theatre and Joan Littlewood's Theatre Workshop. These companies produced a wide range of original works on contemporary issues (the General Strike of 1926, unemployment in the hungry 30s, Glasgow's post-war housing shortage) as well as religious, racial and gender issues. They adopted a variety of styles, from agit-prop to social realism, and made creative use of popular forms of entertainment, from the Burns Supper to the village concert. The book provides a comparison with the work of other international popular drama movements.
Author: Linda Mackenney
Publisher: Edwin Mellen Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
This discussion provides primary research on the activities of popular dramatists and drama groups in Scotland who played an important role in the late blossoming of a Scottish national drama. The text covers Joe Corrie's Fife Miner Players, Glasgow Unity Theatre and Joan Littlewood's Theatre Workshop. These companies produced a wide range of original works on contemporary issues (the General Strike of 1926, unemployment in the hungry 30s, Glasgow's post-war housing shortage) as well as religious, racial and gender issues. They adopted a variety of styles, from agit-prop to social realism, and made creative use of popular forms of entertainment, from the Burns Supper to the village concert. The book provides a comparison with the work of other international popular drama movements.
Author: Paul Maloney
Publisher: Manchester University Press
ISBN: 9780719061479
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
While London dominated the wider British music hall in the 19th century, Glasgow, the Second City of the Empire, was the center of a vigorous Scottish performing culture, one developed in a Presbyterian society with a very different experience of industrial urbanization. It drew heavily on older fairground and traditional forms in developing its own brand of this new urban entertainment. The book explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life. It also explores issues of national identity, both in terms of Scottish audiences' responses to the promotion of imperial themes in songs and performing material, and in the version of Scottish identity projected by Lauder and other kilted acts at home and abroad in America, Canada, Australia and throughout the English-speaking world.
Author: Claire Cochrane
Publisher: Cambridge University Press
ISBN: 1139502131
Category : Drama
Languages : en
Pages : 365
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Book Description
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
Author: Paul Maloney
Publisher: Springer
ISBN: 1137476591
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
Focusing on Glasgow’s earliest surviving music hall, the Britannia, later the Panopticon, this book explores the role of one of the city’s most iconic cultural venues within the cosmopolitan entertainment market that emerged in British cities in the nineteenth century. Shedding light on the increasing diversity of commercial entertainment provided by such venues – offering everything from music hall, early cinema and amateur nights to waxworks, menageries and freak shows – this study also encompasses the model of community-based, working-class music hall which characterised the Panopticon’s later years, challenging narratives of the primacy of city centre variety. Providing a comprehensive analysis of this dynamic popular theatre of the industrial age, Maloney examines the role of the hall’s managers, marketing and promotional strategies, audiences, and performing genres from the hall’s opening in 1859 until final closure in 1938. The book also explores stage representations of Irish and Jewish immigrant communities present in surrounding city centre areas, demonstrating the Britannia’s diasporic links to other British cities and centres in North America, thus providing a multifaceted and pioneering account of this still extant Victorian music hall.
Author: John McGrath
Publisher: Bloomsbury Publishing
ISBN: 147252957X
Category : Drama
Languages : en
Pages : 217
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Book Description
Written during the 1970s, John McGrath's winding, furious, innovative play tracks the economic history and exploitation of the Scottish Highlands from the post-Rebellion suppression of the clans to the story of the Clearances: in the nineteenth century, aristocratic landowners discovered the profitability of sheep farming, and forced a mass emigration of rural Highlanders, burning their houses in order to make way for the Cheviot sheep. The play follows the thread of capitalist and repressive exploitation through the estates of the stag-hunting landed gentry, to the 1970s rush for profit in the name of North Sea Oil. Described by the playwright as having a “ceilidh” format, The Cheviot, the Stag and the Black, Black Oil draws on historical research alongside Gaelic song and the Scots' love of variety and popular entertainment to tell this epic story. A totally distinctive cultural and theatrical phenomenon, the play championed several new approaches to theatre, raising its profile as a means of political intervention; proposing a collective, democratic, collaborative approach to creating theatre; offering a language of performance accessible to working-class people; producing theatre in non-purpose-built theatre spaces; breaking down the barrier between audience and performers through interaction; and taking theatre to people who otherwise would not access it. The play received its premiere in 1973 by the agit-prop theatre group 7:84, of which John McGrath was founder and Artistic Director, and toured Scotland to great critical and audience acclaim.
Author: Don Watson
Publisher: Bloomsbury Publishing
ISBN: 1350232068
Category : Performing Arts
Languages : en
Pages : 225
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Book Description
This study of British amateur theatre in the inter-war period examines five different but interwoven examples of the belief, common in theatrical and educational circles at the time, that amateur drama had a purpose beyond recreation. Amateur theatre was at the height of its popularity as a cultural practice between the wars, so that by 1939 more British people had practical experience of putting on plays than at any time before or since. Providing an original account of the use of drama in adult education projects in deprived areas, and of amateur theatre in government-funded centres for the unemployed in the 1930s, it discusses repertoires, participation by working- class people and pioneering techniques of play-making. Amateur drama festivals and competitions were intended to raise standards and educate audiences. This book assesses their effect on play-making, and the use of innovative one-act plays to express contentious material, as well as looking at the Left Book Club Theatre Guild as an attempt to align the amateur theatre movement with anti-fascist and anti-war movements. A chapter on the Second World War rectifies the neglect of amateur theatre in war-time cultural studies, arguing that it was present and important in every aspect of war-time life. Don Watson builds on current scholarship and makes use of archival sources, local newspapers, unpublished scripts and the records of organizations not usually associated with the theatre. His work explores the range and diversity of amateur drama between the wars and the contributions it made to British theatre.
Author: Linda Mackenney
Publisher:
ISBN: 9780773497214
Category : Drama
Languages : en
Pages : 299
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Book Description
Author: Bill Findlay
Publisher: Association for Scottish Literary Studies (ASLS)
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
This publication contains five of Glasgow Unity Theatre's most important plays, including Ena Lamont Stewart's 'Men Should Weep' and a play from the 1950s, 'All in Good Faith', by Roddy McMillan, who had begun his career as one of Unity's outstanding performers.
Author: Angela Bartie
Publisher: Edinburgh University Press
ISBN: 0748670327
Category : History
Languages : en
Pages : 229
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Book Description
This book explores the 'culture wars' of 1945-1970 and is the first major study of the origins and development of this leading annual arts extravaganza.
Author: Guido Böhm
Publisher: GRIN Verlag
ISBN: 3638956415
Category : Performing Arts
Languages : en
Pages : 29
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Book Description
Seminar paper from the year 2001 in the subject Theater Studies, Dance, grade: B (2,0), University of Glasgow (Department of Theatre Studies), 5 entries in the bibliography, language: English, abstract: What nowadays is known as "Scottish National Theatre" did not exist one hundred years ago. Though there were a high number of theatres in Scotland at this time, the programs performed on their stages were entirely dominated by English companies, English actors, English playwrights and directors. In general they were dominated by "English Theatre" in the broadest sense. Even "traditionally Scottish topics", such like Rob Roy, The Lady of the Lake and the like were performed on stage as if one would present a kind of a tourist attraction. The Scots could by far not find their history presented, as they understood it in these productions, for they were again London-based. However, through the economical situation in Scotland at that time and the complete lack of a dramatic tradition (like there has been one in England for several centuries), it was nearly impossible for emerging Scottish Playwrights and Companies to establish themselves. That hopeless situation changed in the first decades of the 20th century. Scotland felt a strong need for an independent, national identity and this should affect the theatre as well. Ambitions to follow the example of Ireland and to become theatrically independent lead to a serious effort in creating a national theatre. An important role in the formation of the lively Scottish theatre scene one can find today played the activity of amateur theatre, which was established by working-class communities. An amateur theatre movement had risen in Britain during the second half of the 19th century and it strongly influenced the industrial parts of Scotland (namely Glasgow) in the 1920s, 30s and 40s.
