Author: Aaron Sans
Publisher: Charlie Bent
ISBN:
Category : Fiction
Languages : en
Pages : 65
Book Description
Volume 5 of 7 in The Aaron Sans Erotica Collection. In this volume, read 11 stories about men taking on the role of cuckold as their wives find themselves with new lovers in front of their faces. Between the humiliation and cuckolds, you'll feel both ashamed and intrigued.
The Aaron Sans Erotica Collection Volume 5: Intense Humiliation and Cuckolds
Author: Aaron Sans
Publisher: Charlie Bent
ISBN:
Category : Fiction
Languages : en
Pages : 65
Book Description
Volume 5 of 7 in The Aaron Sans Erotica Collection. In this volume, read 11 stories about men taking on the role of cuckold as their wives find themselves with new lovers in front of their faces. Between the humiliation and cuckolds, you'll feel both ashamed and intrigued.
Publisher: Charlie Bent
ISBN:
Category : Fiction
Languages : en
Pages : 65
Book Description
Volume 5 of 7 in The Aaron Sans Erotica Collection. In this volume, read 11 stories about men taking on the role of cuckold as their wives find themselves with new lovers in front of their faces. Between the humiliation and cuckolds, you'll feel both ashamed and intrigued.
Watteau, Music, and Theater
Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162
Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162
Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Ulysses
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Tell Me What You Want
Author: Justin J. Lehmiller
Publisher: Robinson
ISBN: 9781472142221
Category : Health & Fitness
Languages : en
Pages : 0
Book Description
Publisher: Robinson
ISBN: 9781472142221
Category : Health & Fitness
Languages : en
Pages : 0
Book Description
Shakespeare
Author: Harold Bloom
Publisher: HarperCollins UK
ISBN: 0007292848
Category : Literary Criticism
Languages : en
Pages : 774
Book Description
Harold Bloom, the doyen of American literary critics and author of 'The Western Canon', has spent a professional lifetime reading, writing about, and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays.
Publisher: HarperCollins UK
ISBN: 0007292848
Category : Literary Criticism
Languages : en
Pages : 774
Book Description
Harold Bloom, the doyen of American literary critics and author of 'The Western Canon', has spent a professional lifetime reading, writing about, and teaching Shakespeare. In this magisterial interpretation, Bloom explains Shakespeare's genius in a radical and provocative re-reading of the plays.
Archeology of Violence, new edition
Author: Pierre Clastres
Publisher: Semiotext(e)
ISBN: 9781584350934
Category : Social Science
Languages : en
Pages : 340
Book Description
Clastres's final, posthumous book on the affirmative role of violence in “primitive societies.” The war machine is the motor of the social machine; the primitive social being relies entirely on war, primitive society cannot survive without war. The more war there is, the less unification there is, and the best enemy of the State is war. Primitive society is society against the State in that it is society-for-war.—from the Archeology of Violence Anthropologist and ethnographer Pierre Clastres was a major influence on Gilles Deleuze and Félix Guattari's Anti-Oedipus, and his writings formed an essential chapter in the discipline of political anthropology. The posthumous publication in French of Archeology of Violence in 1980 gathered together Clastres's final groundbreaking essays and the opening chapters of the book he had begun before his death in 1977 at the age of 43. Elaborating upon the conclusions of such earlier works as Society Against the State, in these essays Clastres critiques his former mentor, Claude Lévi-Strauss, and devastatingly rejects the orthodoxy of Marxist anthropology and other Western interpretive models of “primitive societies.” Discarding the traditional anthropological understanding of war among South American Indians as arising from a scarcity of resources, Clastres instead identifies violence among these peoples as a deliberate means to territorial segmentation and the avoidance of a State formation. In their refusal to separate the political from the social, and in their careful control of their tribal chiefs—who are rendered weak so as to remain dependent on the communities they represent—the “savages” Clastres presents prove to be shrewd political minds who resist in advance any attempt at “globalization.”The essays in this, Clastres's final book, cover subjects ranging from ethnocide and shamanism to “primitive” power and economy, and are as vibrant and engaging as they were thirty years ago. This new edition—which includes an introduction by Eduardo Viverios de Castro—holds even more relevance for readers in today's an era of malaise and globalization.
Publisher: Semiotext(e)
ISBN: 9781584350934
Category : Social Science
Languages : en
Pages : 340
Book Description
Clastres's final, posthumous book on the affirmative role of violence in “primitive societies.” The war machine is the motor of the social machine; the primitive social being relies entirely on war, primitive society cannot survive without war. The more war there is, the less unification there is, and the best enemy of the State is war. Primitive society is society against the State in that it is society-for-war.—from the Archeology of Violence Anthropologist and ethnographer Pierre Clastres was a major influence on Gilles Deleuze and Félix Guattari's Anti-Oedipus, and his writings formed an essential chapter in the discipline of political anthropology. The posthumous publication in French of Archeology of Violence in 1980 gathered together Clastres's final groundbreaking essays and the opening chapters of the book he had begun before his death in 1977 at the age of 43. Elaborating upon the conclusions of such earlier works as Society Against the State, in these essays Clastres critiques his former mentor, Claude Lévi-Strauss, and devastatingly rejects the orthodoxy of Marxist anthropology and other Western interpretive models of “primitive societies.” Discarding the traditional anthropological understanding of war among South American Indians as arising from a scarcity of resources, Clastres instead identifies violence among these peoples as a deliberate means to territorial segmentation and the avoidance of a State formation. In their refusal to separate the political from the social, and in their careful control of their tribal chiefs—who are rendered weak so as to remain dependent on the communities they represent—the “savages” Clastres presents prove to be shrewd political minds who resist in advance any attempt at “globalization.”The essays in this, Clastres's final book, cover subjects ranging from ethnocide and shamanism to “primitive” power and economy, and are as vibrant and engaging as they were thirty years ago. This new edition—which includes an introduction by Eduardo Viverios de Castro—holds even more relevance for readers in today's an era of malaise and globalization.
Emotion in the Tudor Court
Author: Bradley J. Irish
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
Publisher: Northwestern University Press
ISBN: 0810136414
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Deploying literary analysis, theories of emotion from the sciences and humanities, and an archival account of Tudor history, Emotion in the Tudor Court examines how literature both reflects and constructs the emotional dynamics of life in the Renaissance court. In it, Bradley J. Irish argues that emotionality is a foundational framework through which historical subjects embody and engage their world, and thus can serve as a fundamental lens of social and textual analysis. Spanning the sixteenth century, Emotion in the Tudor Court explores Cardinal Thomas Wolsey and Henrician satire; Henry Howard, Earl of Surrey, and elegy; Sir Philip Sidney and Elizabethan pageantry; and Robert Devereux, Earl of Essex, and factional literature. It demonstrates how the dynamics of disgust,envy, rejection, and dread, as they are understood in the modern affective sciences, can be seen to guide literary production in the early modern court. By combining Renaissance concepts of emotion with modern research in the social and natural sciences, Emotion in the Tudor Court takes a transdisciplinary approach to yield fascinating and robust ways to illuminate both literary studies and cultural history.
Albert Cohen
Author: Jack I. Abecassis
Publisher: JHU Press
ISBN: 1421429101
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Honorable Mention winner in the Modern Language Association's Aldo and Jeanne Scaglione Prize competition for French and Francophone Literary Studies A major figure in twentieth-century letters, Albert Cohen (1895–1981) left a paradoxical legacy. His heavily autobiographical, strikingly literary, and polyphonic novels and lyrical essays are widely read by a devout public in France, yet have been largely ignored by academia. A self-consciously Jewish writer and activist, Cohen remained nevertheless ambivalent about Judaism. His self-affirmation as a Jew in juxtaposition with his satirical use of anti-Semitic stereotypes still provokes unease in both republican France and institutional Judaism. In Albert Cohen: Dissonant Voices, the first English-language study of this profound and profoundly misunderstood writer, Jack I. Abecassis traces the recurrent themes of Cohen's works. He reveals the dissonant fractures marking Cohen as a modernist, and analyzes the resistance to his work as a symptom of the will not to understand Cohen's main theme—"the catastrophe of being Jewish."For Abecassis, Cohen's diverse oeuvre forms a single "roman fleuve" exploring this perturbing theme through fragmentation and grotesquerie, fantasies and nightmares, the veiling and unveiling of the unspeakable. Abecassis argues that Cohen should not be read exclusively through the prism of European literature (Stendhal, Tolstoy, Proust), but rather as the retelling—inverting and ultimately exhausting, in the form of submerged plots—of the Biblical romances of Joseph and Esther. The romance of the charismatic Court Jew and its performance correlative, the carnival of Purim, generate the logic of Cohen's acute psychological ambivalence, historical consciousness and carnal sensuality—themes which link this modernist author to Genesis as well as to the literary practices of Sephardic crypto-Jews. Abecassis argues that Cohen's best-known work, Belle du Seigneur (1968), besides being an obvious tale of obsessive love and dissolution, is foremost a tale of political intrigue involving Solal, the meteoric-rising Jew in the League of Nations during the period of Appeasement (1936), and his ultimate self-destruction. Providing close readings and imaginative analyses of the entire literary output of one of twentieth-century France's most important Jewish writers, Abecassis presents here a major work of literary scholarship, as well as a broader study of the reception and influence of Jewish thought in French literature and philosophy.
Publisher: JHU Press
ISBN: 1421429101
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Honorable Mention winner in the Modern Language Association's Aldo and Jeanne Scaglione Prize competition for French and Francophone Literary Studies A major figure in twentieth-century letters, Albert Cohen (1895–1981) left a paradoxical legacy. His heavily autobiographical, strikingly literary, and polyphonic novels and lyrical essays are widely read by a devout public in France, yet have been largely ignored by academia. A self-consciously Jewish writer and activist, Cohen remained nevertheless ambivalent about Judaism. His self-affirmation as a Jew in juxtaposition with his satirical use of anti-Semitic stereotypes still provokes unease in both republican France and institutional Judaism. In Albert Cohen: Dissonant Voices, the first English-language study of this profound and profoundly misunderstood writer, Jack I. Abecassis traces the recurrent themes of Cohen's works. He reveals the dissonant fractures marking Cohen as a modernist, and analyzes the resistance to his work as a symptom of the will not to understand Cohen's main theme—"the catastrophe of being Jewish."For Abecassis, Cohen's diverse oeuvre forms a single "roman fleuve" exploring this perturbing theme through fragmentation and grotesquerie, fantasies and nightmares, the veiling and unveiling of the unspeakable. Abecassis argues that Cohen should not be read exclusively through the prism of European literature (Stendhal, Tolstoy, Proust), but rather as the retelling—inverting and ultimately exhausting, in the form of submerged plots—of the Biblical romances of Joseph and Esther. The romance of the charismatic Court Jew and its performance correlative, the carnival of Purim, generate the logic of Cohen's acute psychological ambivalence, historical consciousness and carnal sensuality—themes which link this modernist author to Genesis as well as to the literary practices of Sephardic crypto-Jews. Abecassis argues that Cohen's best-known work, Belle du Seigneur (1968), besides being an obvious tale of obsessive love and dissolution, is foremost a tale of political intrigue involving Solal, the meteoric-rising Jew in the League of Nations during the period of Appeasement (1936), and his ultimate self-destruction. Providing close readings and imaginative analyses of the entire literary output of one of twentieth-century France's most important Jewish writers, Abecassis presents here a major work of literary scholarship, as well as a broader study of the reception and influence of Jewish thought in French literature and philosophy.
Infinite Jest
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588394298
Category : Art
Languages : en
Pages : 226
Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Publisher: Metropolitan Museum of Art
ISBN: 1588394298
Category : Art
Languages : en
Pages : 226
Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.
Writing Culture
Author: James Clifford
Publisher: Univ of California Press
ISBN: 9780520057296
Category : Social Science
Languages : en
Pages : 320
Book Description
"Humanists and social scientists alike will profit from reflection on the efforts of the contributors to reimagine anthropology in terms, not only of methodology, but also of politics, ethics, and historical relevance. Every discipline in the human and social sciences could use such a book."--Hayden White, author of Metahistory
Publisher: Univ of California Press
ISBN: 9780520057296
Category : Social Science
Languages : en
Pages : 320
Book Description
"Humanists and social scientists alike will profit from reflection on the efforts of the contributors to reimagine anthropology in terms, not only of methodology, but also of politics, ethics, and historical relevance. Every discipline in the human and social sciences could use such a book."--Hayden White, author of Metahistory