371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass

371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass PDF Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Chorales
Languages : en
Pages : 192

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371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass

371 Harmonized Chorales and 69 Chorale Melodies with Figured Bass PDF Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Chorales
Languages : en
Pages : 192

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Complete Book of Bach Chorales

Complete Book of Bach Chorales PDF Author: Jerry Silverman
Publisher: Mel Bay Publications
ISBN: 1610650662
Category : Music
Languages : en
Pages : 433

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Book Description
This book presents 375 of J.S. Bach's surviving chorale harmonizations with singable English translations of the original German text by choral conductor Henry S. Drinker. Printed in an easy-to-read format, this edition was designed to facilitate both analysis of Bach's musical genius in voice leading and renewed performance of these works by congregations. It is hoped that this user-friendly edition will inspire students and congregations alike to take a fresh look at this priceless musical treasure. Today they remain some of the finest examples of voice leading and harmonic movement, making them appropriate study material for any student of music theory and harmony. Chorales are also the root of traditional hymnody, especially from the Lutheran tradition. the chorales were originally text and melody sung a cappella, and were for congregational singing. Chorales were set in four parts for choir use, and are still appropriate for performance in worship services today. Many of the melodies will be familiar to those who sing traditional hymns. Choirs will love singing these beautifully written settings.

J. S. Bach 413 Chorales

J. S. Bach 413 Chorales PDF Author: Christopher Czarnecki
Publisher:
ISBN: 9780989087933
Category :
Languages : en
Pages :

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Book Description
A collection of all the known chorales of J.S. Bach in one easy to read format. This is a paperback version of these pieces designed for the musician. Each chorale is given it's own page with plenty of room for notes and large, easy to read notation. There is plenty of room for the music student to write in their own notes and analysis.A helpful index of existing versions of the 371 and 389 Bach chorales as well as BWV numbers is included in the preface for those who might wish to compare or cross reference these versions of the chorales as they appear in this volume of 413.

Engaging Bach

Engaging Bach PDF Author: Matthew Dirst
Publisher: Cambridge University Press
ISBN: 0521651603
Category : Literary Criticism
Languages : en
Pages : 201

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Book Description
Matthew Dirst examines the leading role of Bach's keyboard works in the creation of his historical legacy.

The Four-Part Chorals of J. S. Bach

The Four-Part Chorals of J. S. Bach PDF Author: Johann Sebastian Bach
Publisher:
ISBN: 9780404128579
Category : Music
Languages : en
Pages : 0

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Bach

Bach PDF Author: Christoph Wolff
Publisher: Harvard University Press
ISBN: 9780674059269
Category : Biography & Autobiography
Languages : en
Pages : 484

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Book Description
More than two centuries after his lifetime, J. S. Bach's work continues to set musical standards. Noted Bach scholar Christoph Wolff offers new perspectives on the composer's life and remarkable career.

Bach's Chorals

Bach's Chorals PDF Author: Charles Sanford Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 728

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Fundamental Harmony

Fundamental Harmony PDF Author: Hugo Norden
Publisher: Crescendo Publishers
ISBN:
Category : Music
Languages : en
Pages : 224

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Catalog of Copyright Entries

Catalog of Copyright Entries PDF Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1168

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Bach's Modal Chorales

Bach's Modal Chorales PDF Author: Lori Burns
Publisher: Pendragon Press
ISBN: 9780945193746
Category : Juvenile Nonfiction
Languages : en
Pages : 264

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Book Description
J.S. Bach's chorale settings of modal cantus firmi pose an interesting problem for the modern analyst: What assumptions'modal or tonal'does one bring to the music and what analytic techniques does one use? Are conventional tonal theories adequate to represent the harmonic techniques used in this repertoire? Are conventional modal theories adequate? Lori Burns explores these questions in her