Author: Alex Magrina
Publisher: Alex Magrina
ISBN:
Category : Self-Help
Languages : en
Pages : 0
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Book Description
Master the Art of Wit and Win Hearts with Laughter Are you ready to become the life of the party, the charming conversationalist everyone gravitates towards, and the person who can lighten any mood with a well-timed quip? "The 21 Rules of Wit: A Guide to Charm, Engage, and Entertain with Laughter" is your ultimate blueprint for developing a sharp, engaging, and authentic sense of humor that connects you with others and brightens every interaction. In this comprehensive guide, you'll discover how to: Craft clever jokes that resonate with any audience Read the room and deliver perfectly timed humor Build rapport through shared laughter and relatable observations Navigate sensitive topics with tact and comedic finesse Develop your unique comedic voice and style Use self-deprecating humor to disarm and charm Blend high and low humor for maximum impact Avoid offensive jokes while still pushing comedic boundaries Continuously improve your wit through practice and feedback Don't let awkward silences and missed connections hold you back any longer. With "The 21 Rules of Wit," you'll transform into a master of humor, capable of turning any situation into an opportunity for laughter and connection. Ready to charm, engage, and entertain like never before? Grab your copy of "The 21 Rules of Wit" and start your journey to becoming the wittiest version of yourself today!
Author:
Publisher:
ISBN:
Category : Civil procedure
Languages : en
Pages : 1188
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Author: Robert Cushing Cumming
Publisher:
ISBN:
Category : Court rules
Languages : en
Pages : 494
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1624
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Author: New York (State)
Publisher:
ISBN:
Category : Bankruptcy
Languages : en
Pages : 594
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Book Description
Author: Sean Zwagerman
Publisher: University of Pittsburgh Press
ISBN: 0822973774
Category : Language Arts & Disciplines
Languages : en
Pages : 252
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Book Description
In Wit’s End, Sean Zwagerman offers an original perspective on women’s use of humor as a performative strategy as seen in works of twentieth-century American literature. He argues that women whose direct, explicit performative speech has been traditionally denied, or not taken seriously, have often turned to humor as a means of communicating with men. The book examines both the potential and limits of women’s humor as a rhetorical strategy in the writings of James Thurber, Zora Neale Hurston, Dorothy Parker, Edward Albee, Louise Erdrich, and others. For Zwagerman, these texts “talk back” to important arguments in humor studies and speech-act theory. He deconstructs the use of humor in select passages by employing the theories of J. L. Austin, John Searle, Jacques Derrida, Shoshana Felman, J. Hillis Miller, and Eve Kosofsky Sedgwick. Zwagerman offers arguments both for and against these approaches while advancing new thinking on humor as the “end”—both the goal and limit—of performative strategy, and as a means of expressing a full range of serious purposes. Zwagerman contends that women’s humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women’s humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an “attitude” or slant on one’s relation to society. Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change. Zwagerman contends that women’s humor is not solely a subversive act, but instead it should be viewed in the total speech situation through context, motives, and intended audience. Not strictly a transgressive influence, women’s humor is seen as both a social corrective and a reinforcement of established ideologies. Humor has become an epistemology, an “attitude” or slant on one’s relation to society. Zwagerman seeks to broaden the scope of performativity theory beyond the logical pragmatism of deconstruction and looks to the use of humor in literature as a deliberate stylization of experiences found in real-world social structures, and as a tool for change.
Author: Francesco Sedita
Publisher: National Geographic Books
ISBN: 152479211X
Category : Humor
Languages : en
Pages : 0
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Book Description
What better way to thank someone for being a friend than to share this fabulous book with them? It's packed with the inimitable wit and wisom of everyone's favorite ladies--Blanche, Dorothy, Rose, and Sophia! They've lived a lot of life, and the Golden Girls are here to provide some pearls of wisdom (with more than a bit of sarcasm and some naiveté). From "Sticks and stones can break your bones. But cement pays homage to tradition," to "Isn't it amazing how I can feel so bad, and still look so good?" to "As they say in St. Olaf: 'Helderbargenflergenflurfennerfen!'," America's four favorite housemates-Betty White, Bea Arthur, Estelle Getty, and Rue McClanahan-share their hard-earned life lessons.
Author:
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ISBN:
Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1720
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Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1104
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