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Author: Humphrey Carpenter
Publisher:
ISBN: 9780571250363
Category : English wit and humor
Languages : en
Pages : 378
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Book Description
It started with Beyond the Fringe at the Edinburgh Festival of 1960. Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as 'the culture of deference' so prevalent in the preceding decade. Satire was quick to spread: The Establishment Club, 'London's first satirical nightclub', opened in Soho: Private Eye began to appear: and That Was The Week That Was started to be screened on the BBC on Saturday nights. Why was there this sudden upsurge of satire? What really happened in those years? Alan Bennett, Jonathan Miller, Ned Sherrin, Richard Ingrams and the late John Wells were all interviewed by Humphrey Carpenter. Their stories have been woven together to create a narrative which vibrantly brings alive this period of social and cultural change. 'It's an interesting story, and I think that it's never been really got quite right (before now), largely because it hasn't been set in its social context. . . This is the first detailed, scholarly account of this peculiar episode in British cultural history, and I suspect will remain a definitive one.' Jonathan Miller
Author: Humphrey Carpenter
Publisher:
ISBN: 9780571250363
Category : English wit and humor
Languages : en
Pages : 378
Get Book Here
Book Description
It started with Beyond the Fringe at the Edinburgh Festival of 1960. Four Cambridge undergraduates, Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett had created a satirical revue, which by its iconoclastic irreverence destroyed what Humphrey Carpenter describes as 'the culture of deference' so prevalent in the preceding decade. Satire was quick to spread: The Establishment Club, 'London's first satirical nightclub', opened in Soho: Private Eye began to appear: and That Was The Week That Was started to be screened on the BBC on Saturday nights. Why was there this sudden upsurge of satire? What really happened in those years? Alan Bennett, Jonathan Miller, Ned Sherrin, Richard Ingrams and the late John Wells were all interviewed by Humphrey Carpenter. Their stories have been woven together to create a narrative which vibrantly brings alive this period of social and cultural change. 'It's an interesting story, and I think that it's never been really got quite right (before now), largely because it hasn't been set in its social context. . . This is the first detailed, scholarly account of this peculiar episode in British cultural history, and I suspect will remain a definitive one.' Jonathan Miller
Author: Humphrey Carpenter
Publisher: Phoenix
ISBN: 9780753813935
Category : English wit and humor
Languages : en
Pages : 378
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Book Description
Forty years ago, at the 1960 Edinburgh Festival, four young men - Peter Cook, Dudley Moore, Jonathan Miller and Alan Bennett - walked on to a stage and changed the face not merely of British comedy but of social attitudes in this country. BEYOND THE FRINGE was iconoclastic, fracturing the 'culture of deference' which had predominated in the 1950s. It was the forerunner of an explosion of satire which included The Establishment Club, PRIVATE EYE and the BBC's daring weekly satire show, THAT WAS THE WEEK THAT WAS. Award-winning biographer Humphrey Carpenter evokes the atmosphere of 60's Britain and the social and political conditions which enraged and inspired the satirists, and brings vibrantly alive this amusing but also key period of British cultural life.
Author: S. McClennen
Publisher: Springer
ISBN: 113740521X
Category : Political Science
Languages : en
Pages : 254
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Book Description
The book studies the intersections between satirical comedy and national politics in order to show that one of the strongest supports for our democracy today comes from those of us who are seriously joking. This book shows how we got to this place and why satire may be the only way we can save our democracy and strengthen our nation.
Author: Kirker Butler
Publisher: Macmillan
ISBN: 146685068X
Category : Fiction
Languages : en
Pages : 303
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Book Description
From a writer/producer of Family Guy, a satirical look at a dysfunctional southern family complete with an overbearing stage mom, a 9 year-old pageant queen, a cheating husband, his teenage girlfriend, a crazy grandmother, and Jesus. After eight-and-a-half years and three hundred twenty-three pageants, Miranda Miller has become the ultimate stage mother. Her mission in life is to see that her nine-year-old daughter, Bailey, continues to be one of the most successful child pageant contestants in the southern United States. But lately, that mission has become increasingly difficult. Bailey wants to retire and has been secretly binge eating to make herself "unpageantable;" and the reality show Miranda has spent years trying to set up just went to their biggest rival. But Miranda has a plan. She's seven months pregnant with her fourth child, a girl (thank God), and she is going to make damn sure this one is even more successful than Bailey, even if the new girl is a little different. Miranda's husband, Ray, however, doesn't have time for pageants. A full-time nurse, Ray spends his days at the hospital where he has developed a habit of taking whatever pills happen to be lying around. His nights are spent working hospice and dealing with Courtney, the seventeen-year-old orphan granddaughter of one of his hospice patients who he has, regrettably, knocked up. With a pregnant wife, a pregnant teenage mistress, two jobs, a drug hobby, and a mountain of debt, Ray is starting to take desperate measures to find some peace. Meanwhile, the Millers' two sons are being homeschooled by Miranda's mother, Joan (pronounced Jo-Ann), a God-fearing widow who spends her free time playing cards and planning a murder with Jesus. Yes, Jesus. A bright new voice in satirical literature, Kirker Butler pulls no punches as he dissects our culture's current state of affairs. It's really funny, but it's also pretty ugly.
Author: Matt Fotis
Publisher: Routledge
ISBN: 0429807295
Category : Art
Languages : en
Pages : 258
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Book Description
Satire & The State focuses on performance-based satire, most often seen in sketch comedy, from 1960 to the present, and explores how sketch comedy has shaped the way Americans view the president and themselves. Numerous sketch comedy portrayals of presidents that have seeped into the American consciousness – Chevy Chase’s Gerald Ford, Dana Carvey’s George H.W. Bush, and Will Ferrell’s George W. Bush all worked to shape the actual politician’s public persona. The book analyzes these sketches and many others, illustrating how comedy is at the heart of the health and function of American democracy. At its best, satire aimed at the presidency can work as a populist check on executive power, becoming one of the most important weapons for everyday Americans against tyranny and political corruption. At its worst, satire can reflect and promote racism, misogyny, and homophobia in America. Written for students of Theatre, Performance, Political Science, and Media Studies courses, as well as readers with an interest in political comedy, Satire & The State offers a deeper understanding of the relationship between comedy and the presidency, and the ways in which satire becomes a window into the culture, principles, and beliefs of a country.
Author: Dustin H. Griffin
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Satire has been with us since at least the Greeks and is a staple of the literary classroom. Dustin Griffin now moves away from the prevailing moral-didactic approach established thirty years ago to a more open view and reintegrates the Menippean tradition with the tradition of formal verse satire. Exploring texts from Aristophanes to the moderns, with special emphasis on the eighteenth century, Griffin uses a dozen major figures - Horace, Juvenal, Persius, Lucian, More, Rabelais, Donne, Dryden, Pope, Swift, Blake, and Byron - as primary examples. Because satire often operates as a mode or procedure rather than as a genre, Griffin offers not a comprehensive theory but a set of critical perspectives. Some of his topics are traditional in satire criticism: the role of the satirist as moralist; the nature of satiric rhetoric; and the impact of satire on the political order. Others are new: the problems of satire and closure; the pleasure it affords readers and writers; and the socioeconomic status of the satirist. Griffin concludes that satire is problematic, open-ended, essayistic, and ambiguous in its relationship to history, uncertain in its political effect, resistant to formal closure, more inclined to ask questions than to provide answers, and ambivalent about the pleasures it offers. Here is the ideal introduction to satire for the student and, for the experienced scholar, an occasion to reconsider the uses, problems, and pleasures of satire in light of contemporary theory.
Author: Paul Beatty
Publisher: Farrar, Straus and Giroux
ISBN: 0374712247
Category : Fiction
Languages : en
Pages : 305
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Book Description
Winner of the Man Booker Prize Winner of the National Book Critics Circle Award in Fiction Winner of the John Dos Passos Prize for Literature New York Times Bestseller Los Angeles Times Bestseller Named One of the 10 Best Books of the Year by The New York Times Book Review Named a Best Book of the Year by Newsweek, The Denver Post, BuzzFeed, Kirkus Reviews, and Publishers Weekly Named a "Must-Read" by Flavorwire and New York Magazine's "Vulture" Blog A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality—the black Chinese restaurant. Born in the "agrarian ghetto" of Dickens—on the southern outskirts of Los Angeles—the narrator of The Sellout resigns himself to the fate of lower-middle-class Californians: "I'd die in the same bedroom I'd grown up in, looking up at the cracks in the stucco ceiling that've been there since '68 quake." Raised by a single father, a controversial sociologist, he spent his childhood as the subject in racially charged psychological studies. He is led to believe that his father's pioneering work will result in a memoir that will solve his family's financial woes. But when his father is killed in a police shoot-out, he realizes there never was a memoir. All that's left is the bill for a drive-thru funeral. Fueled by this deceit and the general disrepair of his hometown, the narrator sets out to right another wrong: Dickens has literally been removed from the map to save California from further embarrassment. Enlisting the help of the town's most famous resident—the last surviving Little Rascal, Hominy Jenkins—he initiates the most outrageous action conceivable: reinstating slavery and segregating the local high school, which lands him in the Supreme Court.
Author: Stephen E. Kercher
Publisher: University of Chicago Press
ISBN: 0226431657
Category : Humor
Languages : en
Pages : 589
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Book Description
We live in a time much like the postwar era. A time of arch political conservatism and vast social conformity. A time in which our nation’s leaders question and challenge the patriotism of those who oppose their policies. But before there was Jon Stewart, Al Franken, or Bill Maher, there were Mort Sahl, Stan Freberg, and Lenny Bruce—liberal satirists who, through their wry and scabrous comedic routines, waged war against the political ironies, contradictions, and hypocrisies of their times. Revel with a Cause is their story. Stephen Kercher here provides the first comprehensive look at the satiric humor that flourished in the United States during the 1950s and early 1960s. Focusing on an impressive range of comedy—not just standup comedians of the day but also satirical publications like MAD magazine, improvisational theater groups such asSecond City, the motion picture Dr. Strangelove, and TV shows like That Was the Week That Was—Kercher reminds us that the postwar era saw varieties of comic expression that were more challenging and nonconformist than we commonly remember. His history of these comedic luminaries shows that for a sizeable audience of educated, middle-class Americans who shared such liberal views, the period’s satire was a crucial mode of cultural dissent. For such individuals, satire was a vehicle through which concerns over the suppression of civil liberties, Cold War foreign policies, blind social conformity, and our heated racial crisis could be productively addressed. A vibrant and probing look at some of the most influential comedy of mid-twentieth-century America, Revel with a Cause belongs on the short list of essential books for anyone interested in the relationship between American politics and popular culture.
Author: Derek C. Maus
Publisher: Univ. Press of Mississippi
ISBN: 1617039985
Category : Social Science
Languages : en
Pages : 341
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Book Description
From 30 Americans to Angry White Boy, from Bamboozled to The Boondocks, from Chappelle's Show to The Colored Museum, this collection of twenty-one essays takes an interdisciplinary look at the flowering of satire and its influence in defining new roles in black identity. As a mode of expression for a generation of writers, comedians, cartoonists, musicians, filmmakers, and visual/conceptual artists, satire enables collective questioning of many of the fundamental presumptions about black identity in the wake of the civil rights movement. Whether taking place in popular and controversial television shows, in a provocative series of short internet films, in prize-winning novels and plays, in comic strips, or in conceptual hip-hop albums, this satirical impulse has found a receptive audience both within and outside the black community. Such works have been variously called “post-black,” “post-soul,” and examples of a “New Black Aesthetic.” Whatever the label, this collection bears witness to a noteworthy shift regarding the ways in which African American satirists feel constrained by conventional obligations when treating issues of racial identity, historical memory, and material representation of blackness. Among the artists examined in this collection are Paul Beatty, Dave Chappelle, Trey Ellis, Percival Everett, Donald Glover (a.k.a. Childish Gambino), Spike Lee, Aaron McGruder, Lynn Nottage, ZZ Packer, Suzan Lori-Parks, Mickalene Thomas, Touré, Kara Walker, and George C. Wolfe. The essays intentionally seek out interconnections among various forms of artistic expression. Contributors look at the ways in which contemporary African American satire engages in a broad ranging critique that exposes fraudulent, outdated, absurd, or otherwise damaging mindsets and behaviors both within and outside the African American community.
Author: John T. Gilmore
Publisher: Routledge
ISBN: 1134106335
Category : Literary Criticism
Languages : en
Pages : 203
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Book Description
What is satire? How can we define it? Is it a weapon for radical change or fundamentally conservative? Is satire funny or cruel? Does it always need a target or victim? Combining thematic, theoretical and historical approaches, John T. Gilmore introduces and investigates the tradition of satire from classical models through to the present day. In a lucid and engaging style, Gilmore explores: the moral politics of satire whether satire is universal, historically or geographically limited how satire translates across genres and media the boundaries of free speech and legitimacy. Using examples from ancient Egypt to Charlie Hebdo, from European traditions of formal verse satire to imaginary voyages and alternative universes, newspaper cartoons and YouTube clips, from the Caribbean to China, this comprehensive volume should be of interest to students and scholars of literature, media and cultural studies as well as politics and philosophy.
